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Tune Identifier:"^steal_away_spiritual$"
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James R. Murray

1841 - 1905 Person Name: J. R. Murray Author of "My Lord is Calling" in Y.M.C.A. Gospel Songs L.P.M. (1905, April 12). Obituary. New Church Messenger, p.209. Murray.--At Cincinnati, March 10, 1905, James Ramsey Murray. Funeral services in the Church of the New Jersualem, March 13th. James R. Murray was widely known in the musical world as the author of many songs and song books, and in the New Church in Chicago and Cincinnati as an affectionate, intelligent, and loyal New Churchman. He was born in Andover (Ballard Vale), Mass., March 17, 1841. In early life he developed musical talent, and composed many minor pieces for local and special occasions. Later at North Reading, Mass., he attended Dr. George F. Root's School of Music, and was associated with William Bradbury and Dr. Lowell Mason. He enlisted in the Fourteenth Regiment of infantry, commonly known as the Essex County Regiment, and afterwards was changed to the First Regiment, Massachusetts Heavy Artillery, which was engaged in most of the battles fought by the Second Army Corps up to the surrender of General Lee. "Daisy Deane," the first and most popular of his early song successes, was composed in 1863 in Virginia while in camp, words by his cousin, Thomas F. Winthrop. This song is known all over the world, and the Salvation Army is using an arrangement of it for one of their war cry songs. In 1868 Mr. Murray married Isabella Maria Taylor of Andover; and they removed to Chicago. Here three children were born to them, two passing early to their heavenly home, the youngest, Winthrop Root Murray, is still living. It was during these first years in Chicago that Mr. and Mrs. Murray became interested in the New Church, while he was engaged with Root and Cady as editor of the Long Visitor, afterwards merged with the Musical Visitor. After the great fire of 1871 Mr. and Mrs. Murray returned East, where he was engaged in teaching in Lawrence and Andover, and as organist at the Old South Church in Andover. In 1881 they removed to Cincinnati and Mr. Murray became the editor of the Musical Viistor [sic] and head of the publication department of the John Church Company. Among the most popular of his books are "Pure Diamonds," "Royal Gems," "The Prize" and "Murray's Sacred Songs." The following titles will recall some of his best loved sacred songs: "At Last," "Calm on the Listening Ear of Night," "I Shall Be Satisfied," "There Shall No Evil Befall Thee," "Thine, O Lord, Is the Greatness," "The Way Was Mine," "How Beautiful Upon the Mountains," "Angels from the Realms of Glory." His last great labor in the publishing department of the John Church Company was the seeing through the press five volumes of Wagner's music dramas, with full score and original German text, and an English translation. The immense and careful labor involved in the preparation of these volumes, with a really smooth and excellent English translation, had perhaps, as it was done under pressure, something to do with Mr. Murray's breakdown. Although for some reason Mr. Murray's name does not appear on the title page of these volumes, his friends knew of the place the work held in his affections and ambition. Mr. Murray was a member of the Church Council of the Cincinnati Society for the last four years and took a deep interest in the building of the New Church, and in the inauguration of services, with all the changes looking to the improvement of the musical part of the service. The vested choir, organized by Mr. and Mrs. Lawson, which Mr. Murray as councilman had urged from the beginning, in their entrance to the church each Sunday singing the processional hymn participated in the funeral service, with a congregation of brethren and friends, all moved by deep love and profound respect for the consistent life and faith of a worthy Churchman and beloved friend. --DNAH Archives =================================== For a discussion of Murray and the tune MUELLER, see: Stulken, M.K. (1981). Hymnal companion to the Lutheran Book of Worship. Philadelphia : Fortress Press, p.170. =================================== Also available in the DNAH Archives: 1. An excerpt from Christie, George A. (1927). New Free Church. In Music in Andover. Papers read at "Fagot Party" of the Andover Natural History Society. 2. Unsourced essay about Murray written soon after his death, likely from Andover, Mass., perhaps authored by Charlotte Helen Abbott.

Ellen Jane Lorenz

1907 - 1996 Person Name: E. J. Lorenz Arranger of "[My Lord he calls me, he calls me by the thunder]" in Women's Gospel Trios Ellen Jane Lorenz (Ellen Jane Lorenz Porter) was born in 1907 in Dayton, OH. A descendant of the well known publishing family of Lorenz, she served as editor for the company for 36 years. She earned a Masters of Sacred Music degree from Wittenberg University in 1971. Her PhD thesis was transformed into the book Glory, Hallelujah: the Story of the Campmeeting Spiritual published by Abingdon Press in 1980. She was well known as a composer and received many commissions for anthems, cantatas, vocal and instrumental works. See also the Ellen Jane Lorenz Porter archival collection at Wright State University Special Collections and Archives. Also used pseudonyms: Hadler, Rosemary, 1907-1996 James, Allen, 1907-1996 Mary Louise VanDyke

Edward C. Deas

? - 1944 Arranger of "[My Lord calls me]" in Lift Every Voice and Sing II Edward C. Deas (unknown – 1944) was a hymnist, arranger of spirituals, music publisher, and music authority for the AME Church. Deas’s hymns, such as “Big Business in Glory” (1921) and “Shine for Jesus” (1925), reflect the simplicity and usage of common language characteristic of the 19th-century revival hymn. Deas also wrote the book Songs and Spirituals of Negro Composition (1928). --Encyclopedia of African American Music, Volume 3, edited by Emmett George Price

H. N. Lincoln

1859 - 1948 Person Name: H. N. L. Author of "Steal Away" in Hymns by the Western Stars Horace Neely Lincoln, 1859-1948. Horace was the son of James Lin­coln and Em­a­line King, and hus­band of Et­ta Lee Thur­mand (mar­ried 1887). He moved with his fa­mi­ly to Tex­as when he was se­ven years old. At age 10, he be­gan at­tend­ing a sing­ing school con­duct­ed by James M. Jol­ley of Mis­sis­sip­pi. In 1880, he taught his first sing­ing class in his old neigh­bor­hood school house. Lat­er that year, he at­tend­ed his first nor­mal mu­sic school, taught at Moun­tain Home (now Hol­land), Tex­as. Lincoln had oth­er mu­sic­al train­ing under L. B. Shook (a for­mer stu­dent of Phil­ip Bliss) and John Mc­Pher­son of Il­li­nois. In 1898, he grad­u­at­ed from the Chi­ca­go Na­tion­al Col­lege of Mu­sic, and in 1906 took a post-grad­ua­te course un­der Ho­ra­tio Pal­mer. Lincoln ev­ent­u­al­ly be­came pre­si­dent of the Song­land Mu­sic Com­pa­ny, and the World’s Nor­mal Mu­sic­al Col­lege. © The Cyber Hymnal™ (hymntime/tch)

Virgil P. Cassaday

1893 - 1967 Arranger of "[Steal away to Jesus!]" in Jubilee Spirituals Born: No­vem­ber 22, 1893. Died: Cir­ca Feb­ru­a­ry 1967, prob­ab­ly in Louis­ville, Ken­tucky. Some hym­nals mis­spell Cas­sa­day’s name as "Cas­sa­dy." He was liv­ing in All­en Coun­ty, Ken­tucky, in 1900, and in War­ren Coun­ty in 1920 & 1930. --www.hymntime.com/tch/

Lawrence Curry

1906 - 1966 Harmonizer of "STEAL AWAY" in The Hymnal for Youth

Leland Bryant Ross

b. 1954 Person Name: Liland Brajant Ros' Translator of "Fuĝi for" in TTT-Himnaro Cigneta American Baptist layman. Amateur hymnologist and polyglot. Translator of many hymns into, and author of a few in, Esperanto, as well as some hymns in English. 13 texts (incl. 3 original) in Adoru, plus two in Espero Katolika's supplement. Edited the largest online Esperanto hymnal, TTT-Himnaro Cigneta, now accessible via the Wayback Machine at archive.org, (https://web.archive.org/web/20091021113553/http://geocities.com/cigneto/pretaj.html) as well as in large part here on Hymnary.org. Lives near Seattle.

Anonymous

Author of "Steal away, steal away" in New Worship and Song In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William Farley Smith

1941 - 1997 Adapter and Arranger of "STEAL AWAY" in The United Methodist Hymnal

J. B. Herbert

1852 - 1927 Arranger of "[My Lord calls me]" in Quartets and Choruses for Men

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