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Richard Hillert

1923 - 2010 Person Name: R. W. Hillert, b. 1923 Scripture: Isaiah 25:6-9 Composer of "FESTIVAL CANTICLE" in Evangelical Lutheran Hymnary Richard Hillert was born in Granton, Clark County, Wis., on March 14, 1923. There he attended parochial and public schools and later enrolled at Concordia Teachers College (now Concordia University Chicago), River Forest, where he received the Bachelor of Science degree in Education. He served as teacher and music director for parishes in St. Louis, Mo., Wausau, Wis., and Chicago and Westchester, Ill. He received both the Master of Music and the Doctor of Music degrees in composition from Northwestern University, Evanston, Ill. His teachers included Matthew Nathaniel Lundquist, Anthony Donato, Alan Stout, Arrand Parsons, Emil Nolte, and John Ohl. He studied composition with the Italian composer, Goffredo Petrassi, at Aaron Copland’s Berkshire Music Center, Tanglewood, Mass. Richard Hillert was a noted Lutheran composer. He was Distinguished Professor of Music Emeritus at Concordia University Chicago, River Forest, Ill. He was best known for his work as a composer and teacher of composition. Among his most frequently performed liturgical works for congregation is Worthy Is Christ, with its antiphon, “This is the Feast of Victory” which was written as an alternate Song of Praise for inclusion in Setting One of the Holy Communion in Lutheran Book of Worship (1978) and Lutheran Worship (1982). "This is the Feast" is now widely published in more than 20 recent worship books of many denominations, most recently in Lutheran Service Book (2006) and Evangelical Lutheran Worship (2006). Other major liturgical works include a setting of Evening Prayer (1984) and a Eucharistic Festival Liturgy (1983), which was first performed at Holy Name Cathedral in Chicago. He wrote liturgical pieces and hymns and served as music editor for Worship Supplement(1969) and Lutheran Book of Worship (1978). His compositions and publications include an array of pieces of liturgical music for congregation, choral motets, hymns and hymn anthems, psalm settings and organ works, concertatos, and cantatas, including settings of The Christmas Story According to Saint Luke and The Passion According to Saint John. He edited eleven volumes of the Concordia Hymn Prelude Series. Hillert's career as Professor of Music at Concordia (now Concordia University Chicago) spanned four decades, from 1959 to 1993. During this time he taught classes in music theory and composition, music literature, 20th century music, orchestration, keyboard instruction, comparative arts and liturgical worship. He served in various capacities in the music department, as chair in 1964-65 and from 1986–89, as coordinator of the Master of Church Music program, and as associate editor of the journal Church Music (1966–80). Non-liturgical compositions include symphonic works for orchestra (Symphony in Three Movements, Variations for Orchestra, Suite for Strings), chamber works for small orchestra and ensembles (Alternations for Seven Instruments, Divertimento I and II) as well as many works for keyboard, instrumental solos and songs. The latter include Sonata for Piano (1961), a violin sonata, and two sonatas for flute and keyboard. Major organ works include Prelude and Toccata, Ricercata, Passacaglia on Innocent Sounds, Partita on Picardy, and Partita on Atkinson. There are also concert works with sacred texts, such as Five Canticles from the Exodus (1958), Te Deum for two pianos, percussion, and wind instruments (1962), The Alleluiatic Sequence (1980), and Seven Psalms of Grace for baritone solo and chamber orchestra (1998). Extended choral works, many written for Concordia’s Kapelle conducted by Thomas Gieschen, include the Cantata: "May God Bestow on Us His Grace" (1964), "Motet for the Day of Pentecost" for choir, vibraphone, and prepared electronic tape (written for the round-the-world tour in 1969), "Motet for the Time of Easter" for double choir, percussion, and harp (1971), and "Agnus Dei" for three choirs and percussion instruments (1974). Richard Hillert authored numerous scholarly articles and reviews for the periodicals such as Church Music, CrossAccent, and Currents in Theology and Mission, and other professional books and journals. He received an honorary Doctor of Sacred Music degree from Valparaiso University, and honorary Doctor of Letters degrees from Concordia University at Seward, Nebraska, and Concordia Seminary, St. Louis. He was an honorary life member of the Association of Lutheran Church Musicians. His former students throughout the land have careers as practicing church musicians, elementary and secondary school teachers, teachers in higher education, music editors and publishers, and composers. Richard Hillert was married to Gloria Bonnin Hillert. They had three children: Kathryn Brewer, Virginia and Jonathan Hillert. --en.wikipedia.org

Cesáreo Gabarain

1936 - 1991 Person Name: Cesáreo Gabaraín, 1936-1991 Scripture: Isaiah 25:6-9 Author of "Grains of Wheat" in With One Voice Cesáreo Gabaráin, a Spanish priest involved in liturgical renewal following Vatican II. Bert Polman

Skinner Chávez-Melo

1944 - 1992 Person Name: Skinner Chávez-Melo, 1944-1992 Scripture: Isaiah 25:6-9 Arranger of "UNA ESPIGA" in With One Voice Skinner Chavez-Melo, an organist, conductor and composer who was music director at the St. Rose of Lima Roman Catholic Church in Manhattan, died on Saturday at New York Downtown Hospital. He was 47 years old and lived in Manhattan. He died of spinal cancer, said his brother, Juan Francisco. Mr. Chavez-Melo was born in Mexico City, but completed his musical studies in the United States, receiving degrees at Eastern Nazarene College and the Union Theological Seminary, and pursuing further studies at the Juilliard School and the Manhattan School. He toured internationally as an organist and conducted orchestras in Mexico, Brazil and the United States. As a composer, he wrote works for organ, choir and orchestra, and contributed hymn settings to several published hymnals, including those of the United Church of Christ and Yale University. He also lectured and presented workshops on Hispanic church music. Besides directing music at St. Rose, Mr. Chavez-Melo conducted the annual Singing Christmas Tree concerts at the South Street Seaport. http://www.nytimes.com/1992/01/28

Rory Cooney

b. 1952 Scripture: Isaiah 25:8 Author of "My Soul Cries Out (Canticle of the Turning)" in More Voices

William Conyngham Plunket

1828 - 1897 Person Name: William Conyngham Plunket (1828-1897) Scripture: Isaiah 25:8 Author of "Our Lord Christ hath risen! The tempter is foiled" in Church Hymnary (4th ed.) Plunket, William Conyngham , D.D., 4th Baron Plunket, eldest son of John, 3rd Baron, was born in Dublin, 26 August, 1828; educated at Trinity College, Dublin, where he graduated in 1853; and took Holy Orders in 1857. He was Precentor of St. Patrick's Cathedral, Dublin, from 1869 to 1876, when he was elected Bishop of Meath. In 1884 he was translated to the Archdiocese of Dublin. His hymn “Our Lord Christ hath risen" (Easter), was first published in the Irish Church Hymnal, 1873, in 4 st. of 7 1. It was written for that collection in 1873, to suit the tune "O Ursprung des Lebens," by T. Selle. So far as we are aware this is Lord Plunket's only contribution to hymnody. [George Arthur Crawford, M.A.] -- John Julian, Dictionary of Hymnology (1907)

John Prentice Taylor

1871 - 1936 Person Name: John Prentice Taylor (1871-1936) Scripture: Isaiah 25:8 Composer of "KIRN" in Church Hymnary (4th ed.)

Guillermo Cuéllar

b. 1955 Person Name: Guillermo Cuéllar, n. 1955 Scripture: Isaiah 25:6 Author of "Vamos Todos al Banquete (Let Us Go Now to the Banquet)" in Oramos Cantando = We Pray In Song In the mid-1980s, composer Guillermo Cuéllar composed the folk mass La Misa Popular Salvadoreña as a result of a commission from Archbishop Oscar Romero. Romero was assassinated while celebrating mass in El Salvador. Cuéllar himself was forced into exile for ten years due to threats on his life. Sing! A New Creation

Bret Hesla

b. 1957 Person Name: Bret Hesla, n. 1957 Scripture: Isaiah 25:6 Translator of "Vamos Todos al Banquete (Let Us Go Now to the Banquet)" in Oramos Cantando = We Pray In Song

William Dexheimer-Pharris

b. 1956 Person Name: William Dexheimer-Pharris, n. 1956 Scripture: Isaiah 25:6 Translator of "Vamos Todos al Banquete (Let Us Go Now to the Banquet)" in Oramos Cantando = We Pray In Song

Ronald F. Krisman

Person Name: Ronald F. Krisman, n. 1946 Scripture: Isaiah 25:6 Arranger of "[Hoy me levanto muy temprano]" in Oramos Cantando = We Pray In Song

Marty Haugen

b. 1950 Person Name: Marty Haugen, b. 1950 Scripture: Isaiah 25:6-9 Author of "Now the Feast and Celebration" in With One Voice Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world. Emily Brink

Giovanni G. Gastoldi

1554 - 1609 Person Name: Giovanni Gastoldi (1556-1622) Scripture: Isaiah 25:6-10 Composer of "IN DIR IST FREUDE" in Wonder, Love, and Praise Giovanni G. Gastoldi (b. 1582; d. 1609) served as a deacon and singer in the chapel of the Gonzaga family in Mantua. Succeeding Giaches de Wert, he directed music in the Church of Santa Barbaras in Mantua from 1592 to 1608. Little is known about the rest of his life. Gastoldi composed a considerable body of court music, such as madrigals, and some church music, but he is best known for his Balletti, which influenced composers such as Monteverdi, Hassler, and Morley. Bert Polman

Christopher M. Idle

b. 1938 Scripture: Isaiah 25:9 Author of "See the Feast Our God Prepares" in Scripture Song Database Christopher Martin Idle (b. Bromley, Kent, England, 1938) was educated at Elthan College, St. Peter's College, Oxford, and Clifton Theological College in Bristol, and was ordained in the Church of England. He served churches in Barrow-in-Furness, Cumbria; London; and Oakley, Suffolk; and recently returned to London, where he is involved in various hymnal projects. A prolific author of articles on the Christian's public responsibilities, Idle has also published The Lion Book of Favorite Hymns (1980) and at least one hundred of his own hymns and biblical paraphrases. Some of his texts first appeared in hymnals published by the Jubilate Group, with which he is associated. He was also editor of Anglican Praise (1987). In 1998 Hope Publishing released Light Upon the River, a collection of 279 of his psalm and hymn texts, along with suggested tunes, scripture references, and commentary. Bert Polman

Erik Routley

1917 - 1982 Person Name: Erik Reginald Routley, 1917-82 Scripture: Isaiah 25:4-7 Author of "In praise of God meet duty and delight" in Together in Song

Felipe Blycker-J

Person Name: F. B. J. Scripture: Isaiah 25:1-9 Arranger of "CANTEN A DIOS" in Celebremos Su Gloria Spanish name used by Phillip W. Blycker. See also

Joseph Parry

1841 - 1903 Person Name: Joseph Parry, 1841-1903 Scripture: Isaiah 25:1-9 Composer of "ABERYSTWYTH" in Common Praise (1998) Joseph Parry (b. Merthyr Tydfil, Glamorganshire, Wales, 1841; d. Penarth, Glamorganshire, 1903) was born into a poor but musical family. Although he showed musical gifts at an early age, he was sent to work in the puddling furnaces of a steel mill at the age of nine. His family immigrated to a Welsh settlement in Danville, Pennsylvania in 1854, where Parry later started a music school. He traveled in the United States and in Wales, performing, studying, and composing music, and he won several Eisteddfodau (singing competition) prizes. Parry studied at the Royal Academy of Music and at Cambridge, where part of his tuition was paid by interested community people who were eager to encourage his talent. From 1873 to 1879 he was professor of music at the Welsh University College in Aberystwyth. After establishing private schools of music in Aberystwyth and in Swan sea, he was lecturer and professor of music at the University College of South Wales in Cardiff (1888-1903). Parry composed oratorios, cantatas, an opera, orchestral and chamber music, as well as some four hundred hymn tunes. Bert Polman

Ray Palmer

1808 - 1887 Scripture: Isaiah 25:8 Author of "My Faith Looks Up to Thee" in Glory to God Ray Palmer (b. Little Compton, RI, 1808; d. Newark, NJ, 1887) is often considered to be one of America's best nineteenth-century hymn writers. After completing grammar school he worked in a Boston dry goods store, but a religious awakening prodded him to study for the ministry. He attended Yale College (supporting himself by teaching) and was ordained in 1835. A pastor in Congregational churches in Bath, Maine (1835-1850), and Albany, New York (1850-1865), he also served as secretary of the American Congregational Union (1865-1878). Palmer was a popular preacher and author, writing original poetry as well as translating hymns. He published several volumes of poetry and hymns, including Sabbath Hymn Book (1858), Hymns and Sacred Pieces (1865), and Hymns of My Holy Hours (1868). His complete poetical works were published in 1876. Bert Polman =================== Palmer, Ray, D.D., son of the Hon. Thomas Palmer, a Judge in Rhode Island, was born at Little Compton, Rhode Island, Nov. 12, 1808. His early life was spent at Boston, where he was for some time clerk in a dry-goods store. At Boston he joined the Park Street Congregational Church, then under the pastoral care of Dr. S. E. Dwight. After spending three years at Phillips Academy, Andover, he entered Yale College, New Haven, where he graduated in 1830. In 1835 he became pastor of the Central Congregational Church, Bath, Maine. During his pastorate there he visited Europe in 1847. In 1850 he was appointed to the First Congregational Church, at Albany, New York, and in 1865 Corresponding Secretary to the American Congregational Union, New York. He resigned in 1878, and retired to Newark, New Jersey. He died at Newark, Mar. 29, 1887. Dr. Palmer's published works in prose and verse include:-- (1) Memoirs and Select Remains of Charles Pond, 1829; (2) The Spirit's Life, a Poem, 1837; (3) How to Live, or Memoirs of Mrs. C. L. Watson, 1839; (4) Doctrinal Text Book, 1839; (5) Spiritual Improvement, 1839, republished as Closet Hours in 185; (6) What is Truth? or Hints on the Formation of Religious Opinions, 1860; (7) Remember Me, or The Holy Communion, 1865; (8) Hymns and Sacred Pieces, with Miscellaneous Poems, 1865; (9) Hymns of my Holy Hours, and Other Pieces, 1868; (10) Home, or the Unlost Paradise, 1873; and (11) Voices of Hope and Gladness, 1881. Most of Dr. Palmer's hymns have passed into congregational use, and have won great acceptance. The best of them by their combination of thought, poetry, and devotion, are superior to almost all others of American origin. The first which he wrote has become the most widely known of all. It is:— 1. My faith looks up to Thee. Faith in Christ. This hymn was written by the author when fresh from College, and during an engagement in teaching in New York. This was in 1830. The author says concerning its composition, "I gave form to what I felt, by writing, with little effort, the stanzas. I recollect I wrote them with very tender emotion, and ended the last line with tears." A short time afterwards the hymn was given to Dr. Lowell Mason for use, if thought good, in a work then being compiled by him and Dr. T. Hastings. In 1831 that work was published as Spiritual Songs for Social Worship: adapted to the use of Families, &c. Words and Music arranged by Thomas Hastings, of New York, and Lowell Mason of Boston. It is No. 141 in 4 stanzas of 8 lines, entitled "Self Consecration," and accompanied with the tune by Dr. L. Mason, there given as "My faith looks up to Thee, "but subsequently known as Olivet. (Orig. text of hymn in Thring's Collection, 1882.) It has passed into most modern collections in all English-speaking countries, and has been rendered into numerous languages. That in Latin, by H. M. Macgill (p. 708, ii.), begins "Fides Te mea spectat." 2. Fount of everlasting love. Praise for renewed Spiritual Life. This also appeared in the Spiritual Songs, &c, 1831, No. 191, in 4 stanzas of 4 lines, and headed "Praise for a Revival." The hymns which are given below are all in Dr. Palmer's Poetical Works, N. Y., 1876, and the dates appended in brackets are those given by him in that work. 3. Thou who roll'st the year around. (1832.) Close of the Year. In several American collections. 4. Away from earth my spirit turns. (1833.) Holy Communion. Appeared in Lowell Mason's Union Hymns, in 4 stanzas of 4 lines. In the Church Praise Book, N. Y.. 1882, it begins with st. ii., "Thou, Saviour, art the Living Bread." 5. Before Thy throne with tearful eyes. (1834.) Liberty of Faith. 6. Stealing from the world away. (1834.) Evening. Written at New Haven in 1834, and is very popular in America. 7. Thine [Thy] holy day's returning. (1834.) Sunday Morning. 8. Wake thee, 0 Zion. (1862.) Zion Exultant. 9. We stand in deep repentance. (1834.) Lent. This last, No. 9, in common with Nos. 10, 11, 12, is marked "original," in the Presbyterian Parish Hymns, 1843. Probably they were given to the editors of that book in manuscript, and had not previously appeared. 10. And is there, Lord, a rest? (1843.) Rest in Heaven. Written at Bath, Maine, in 1843. 11. 0 sweetly breathe the lyres above. Consecration to Christ. This was accidentally omitted from Dr. Palmer's Poetical Works, 18?6. S. W. Duffield says:— "It was written in the winter of 1842-43, at a time of revival. At the previous Communion several had been received under circumstances that made Doddridge's hymn, ‘0 happy day that fixed my choice 'a most appropriate selection. Not caring to repeat it, and needing something similar, Dr. Palmer composed the present hymn." English Hymns, N. Y., 1886, p. 432. 12. When downward to the darksome tomb. (1842.) Death Contemplated. Written at Bath, Maine, 1842. From 1843 there comes a long break, and Dr. Palmer seems to have done no more hymn-writing until called upon by Professors Park and Phelps, of Andover, for contributions to their Sabbath Hymn-Book, 1858. His hymns written for that important collection rank amongst the best that America has produced. This is specially true of the first four (Nos. 13-16) from the Latin. 13. Jesus, Thou joy of loving hearts. (l858.) Translation of a cento from "Jesu dulcis memoria" (p. 588, ii.). 14. 0 Bread to Pilgrims given. (1858.) Translation of “O esca viatorum" (q.v.). 15. 0 Christ our King, Creator Lord. (1858.) Translation of “Rex Christe, factor omnium " 16. Come Holy Ghost, in love. (1858.) Translation of “Veni Sancte Spiritus" (q.v.) 17. Jesus, these eyes have never seen. (1858.) Christ loved, though unseen. This hymn is accounted by many as next in merit and beauty to "My faith looks up to Thee." 18. Lord, my weak thought in vain would climb. (1858.) God Unsearchable. This hymn deals with the mysteries of Predestination in a reverent and devout manner. 19. Thy Father's house! thine own bright home. (1858.) Heaven. The next group, Nos. 20-27, appeared in Dr. Robinson's Songs for the Sanctuary, 1865. 20. Lord, Thou wilt bring the joyful day. (1864.) Contemplation of Heaven. Written in New York City. 21. Eternal Father, Thou hast said. (i860.) Missions. 22. Jesus, Lamb of God, for me. (1863.) Jesus, the Way of Salvation. Written in Albany, New York. 23. Take me, 0 my Father, take me. (1864.) Lent. 24. Wouldst thou eternal life obtain. (1864.) Good Friday. 25. Come Jesus, Redeemer, abide Thou with me. (1864.) Holy Communion. 26. Lord, Thou on earth didst love Thine own. (1864.) Fellowship with Christ. 27. Thou, Saviour, from Thy throne on high. (1864.) Prayer. The next four (Nos. 28-31) present another group. They appeared in D. E. Jones's Songs for the New Life, 1869, and the Reformed Dutch Hymns of the Church, N. Y., 1869. The dates of composition are from Dr. Palmer's Poems, 1876. 28. Lord, Thou hast taught our hearts to glow. (1865.) Ordination, or Meeting of Ministers. 29. When inward turns my searching gaze. (1868.) Evening. 30. 0 Jesus, sweet the tears I shed. (1867.) Good Friday. 31. Jesus, this [my] heart within me burns. (1868.) Love. The hymns which follow are from various sources. 32. 0 Christ, the Lord of heaven, to Thee. (1867.) Universal Praise to Christ. Appeared in the author's Hymns of my Holy Hours, 1867. It is a hymn of great merit, and is widely used. 33. Behold the shade of night is now receding. (1869.) A translation of "Ecce jam noctis." (p. 320, i., and Various). 34. Hid evening shadows let us all be waking. (1869.) A translation of "Nocte surgentes" (p. 809, i.). 35. I give my heart to Thee. (Aug. 20, 1868.) A translation of "Cor meum Tibi dedo," p. 262, ii. 36. Holy Ghost, that promised came. (1873.) Whitsuntide. From the author's Poems, 1876. 37. 0 Holy Comforter, I hear. The Comforter. Appeared in the Boston Congregationalist, September 7th, 1867. 38. Lord, when my soul her secrets doth reveal. (1865.) Holy Communion. Most of the foregoing hymns are in common in Great Britain, and all are found in one or more American hymnbooks of importance. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) =================== Palmer, Ray, D.D., p. 877, i. The following original hymns by Dr. Palmer are also in common use:— 1. O Rock of Ages, since on Thee. Faith. From his Poetical Works, 1876, p. 27, where it is dated 1869. Bp. Bickersteth says "This hymn"... is "worthy of Luther." (Note Hymnal Companion, ed. 1876.) 2. Thy holy will, my God, be mine. Resignation. From his Hymns of my Holy Hours, &c, 1868, p. 47. Also in his P. Works, 1876, dated 1867. 3. We praise Thee, Saviour, for Thy grace. Holy Communion. From his Hymns and Sacred Pieces, &c, 1865. Also in P. Works, 1876, dated 1864. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ========== Ray Palmer was born at Little Compton, Rhode Island, in 1808. He studied at Phillip's Academy, Andover, Mass., and graduated at Yale College in 1830. In 1835, he was ordained pastor of a Congregational Society in Bath, Maine, from which he removed, in 1850, to the pastorate of a Congregational Society in Albany, N.Y. He has published many hymns, some of his own authorship, and some translations. He has published some sermons and reviews. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872.

K.

Person Name: 'K-" Scripture: Isaiah 25:4-7 Author of "How firm a foundation, you people of God" in Together in Song In John Rippon's A Selection of Hymns (1787, plus numerous subsequent editions), "How Firm a Foundation" (no. 128) is attributed simply to "K—". Two other hymns in the collection bear the same mark, "In songs of sublime adoration and praise," and "The Bible is justly esteemed." The author of the hymn has never been definitively identified, but the most common candidates are listed below. I. Robert Keen(e) The most likely possibility is Robert Keene, who served as precentor at Rippon's church. The evidence for connecting K with Keene comes (1) from his close acquaintance with Rippon, (2) Rippon's tune book, and (3) the testimony (of sorts) of Thomas Walker. After Rippon started publishing a tune book, A Selection of Psalm and Hymn Tunes (1792), to go with his hymnal, both books were cross-referenced against each other; the tunes suggested for "How Firm a Foundation" were GEARD (no. 156) and BROUGHTON (no. 172). Both GEARD and BROUGHTON first appeared in Rippon's tune book and were probably written for it. BROUGHTON is by T. [Thomas] Walker., and GEARD is by R. [Robert] Keene, thus the association with "K.", but the connection is speculative at best. Julian, in his article on "How Firm" in the Dictionary of Hymnology, notes that Walker later assisted Alexander Fletcher with his A Collection of Hymns (1822), and in that collection the text is attributed to Keen. II. George Keith In Josiah Miller's Singers and Songs of the Church (1869), "How Firm" is attributed to George Keith. According to Julian, the motivation behind this attribution was Daniel Sedgwick—-Miller credits him in the preface with having contributed special hymnological knowledge--yet Julian notes that Sedgwick garnered his information from "an old woman whom Sedgwick met in an almshouse." Keith was a publisher in London, and was the son-in-law of Dr. Gill, Rippon's distinguished predecessor at Carter Lane. III. Thomas Kirkham In 19th century editions of Rippon's Selection, the hymn was attributed to "Kirkham." Thomas Kirkham published A Collection of Hymns in 1788, yet "How Firm" was not included. His connection to Rippon is unclear. IV. Kennedy/Kennady Still other collections offer a different possiblity: a Kennedy or Kennady. This attribution appears as early as 1826 in Nettleton's Village Hymns. In Spurgeon's Our Own Hymn Book (1866), he offers "Kirkham or Kennedy, 1787." This person has yet to be identified. V. John Rippon In his preface to the Selection, Rippon wrote: In most places, where the names of the authors were known, they are put at full length, but the hymns which are not so distinguished, or which have only a single letter prefixed to them, were, many of them composed by a person unknown, or else have undergone some considerable alterations. Since Rippon is known to have significantly altered hymns in his collection ("All hail the power of Jesus' name," being a notable example), Rippon likely deserves at least partial credit for texts bearing the mark "K." —Chris Fenner with contributions from Eric Stedfeld, Peter Irvine, and Peter Rehwaldt See also "How Firm a Foundation".

William Williams

1717 - 1791 Scripture: Isaiah 25:8 Author of "Guide Me, O Thou Great Jehovah" in Rejoice in the Lord William Williams, called the "Watts of Wales," was born in 1717, at Cefn-y-coed, near Llandovery, Carmarthenshire. He originally studied medicine, but abandoned it for theology. He was ordained Deacon in the Church of England, but was refused Priest's Orders, and subsequently attached himself to the Calvinistic Methodists. For half a century he travelled in Wales, preaching the Gospel. He died in 1791. Williams composed his hymns chiefly in the Welsh language; they are still largely used by various religious bodies in the principality. Many of his hymns have appeared in English, and have been collected and published by Sedgwick. His two principal poetical works are "Hosannah to the Son of David," and "Gloria in Excelsis." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ===================== Williams, William, of Pantycelyn, was the Sweet Singer of Wales. He was born at Cefn-y-Coed, in the Parish of Llanfair-y-bryn, near Llandovery, in 1717. He was ordained a deacon of the Established Church in 1740, by Dr. Claget, Bishop of St. Davids, and for three years he served the Curacies of Llan-wrtyd and Llanddewi-Abergwesyn. He never received Priest's Orders. He became early acquainted with the revivalist Daniel Rowlands, and for thirty-five years he preached once a month at Llanllian and Caio and Llansawel, besides the preaching journeys he took in North and South Wales. He was held in great esteem as a preacher. In 1744 his first book of hymns appeared under the title of Halleluiah, and soon ran through three editions. In1762, he published another book under the title of Y Môr o Wydr, which soon went through five editions. His son John published an excellent edition of his hymns in the year 181lines In addition to his Welsh hymns Williams also published several in English as:— (1.) Hosannah to the Son of David; or, Hymns of Praise to God, For our glorious Redemption by Christ. Some few translated from the Welsh Hymn-Book, but mostly composed on new Subjects. By William Williams. Bristol: Printed by John Grabham, in Narrow-Wine Street, 1759. This contains 51 hymns of which 11 are translated from his Welsh hymns. This little book was reprinted by D. Sedgwick in 1859. (2.) Gloria in Excelsis: or, Hymns of Praise to God and the Lamb. By W. Williams . . . Carmarthen. Printed for the Author by John Ross, removed to Priory Street, near the Church, M.DCC.LXXI. This contains 70 hymns, not including parts. From these volumes the following hymns are in common use:— i. From the Hosannah, 1759:— 1. Jesus, my Saviour is enough. Jesus, All in All. 2. My God, my God, Who art my all. Communion with God desired. 3. The enormous load of human guilt. God's love unspeakable. ii. From the Gloria in Excelsis, 1772. 4. Awake, my soul, and rise. Passiontide. 5. Beneath Thy Cross I lay me down. Passiontide. 6. Hark! the voice of my Beloved. The Voice of Jesus. 7. Jesus, lead us with Thy power. Divine Guidance Desired. Sometimes given as "Father, lead us with Thy power." 8. Jesus, Whose Almighty sceptre. Jesus as King. 9. Saviour, look on Thy beloved. The Help of Jesus desired. 10. White and ruddy is my Beloved. Beauties of Jesus. Williams is most widely known through his two hymns, "Guide me, O Thou great Jehovah," and "O'er those gloomy hills of darkness." Williams died at Pantycelyn, Jan. 11, 1791. [Rev. W. Glanffrwd Thomas] -- John Julian, Dictionary of Hymnology (1907) ================= See also in: Hymn Writers of the Church

Peter Williams

1723 - 1796 Scripture: Isaiah 25:8 Translator (st. 1) of "Guide Me, O Thou Great Jehovah" in Rejoice in the Lord Peter Williams (b. Llansadurnin, Carmarthanshire, Wales, 1722; d. Llandyfeilog, Wales, 1796) was converted to Christianity by the preaching of George Whitefield and was ordained in the Church of England in 1744. His evangelical convictions soon made him suspect, however, and he left the state church to join the Calvinist Methodists in 1746. He served as an itinerant preacher for many years and was a primary figure in the Welsh revival of the eighteenth century. After being expelled by the Methodists in 1791 on a charge of heresy, he ministered in his own chapel during the last years of his life. He published the first Welsh Bible commentary (1767-1770) and a Bible concordance (1773); he was also one of the annotators for John Canne's Welsh Bible (1790). In addition Williams published a Welsh hymnal, Rhai Hymnau ac Odlau Ysbrydol (1759), as well as Hymns on Various Subjects (1771). Bert Polman

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