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The Strife is O'er, the Battle Done
Author: Francis Pott Meter: 8.8.8.4 with alleluias Appears in 495 hymnals Scripture: Isaiah 25:8 Refrain First Line: Alleluia Lyrics: Refrain:
Alleluia! Alleluia! Alleluia!
1 The strife is o’er, the battle done;
now is the victor's triumph won;
now be the song of praise begun: Alleluia! [Refrain]
2 The powers of death have done their worst,
but Christ their legions has dispersed;
let shouts of holy joy outburst: Alleluia! (Refrain)
3 The three sad days have quickly sped,
he rises glorious from the dead;
all glory to our risen Head! Alleluia! [Refrain]
4 He broke the age-bound chains of hell;
the bars from heaven's high portals fell;
let hymns of praise his triumph tell: Alleluia! [Refrain]
5 Lord, by the stripes which wounded thee,
from death’s dread sting thy servants free,
that we may live and sing to thee: Alleluia! [Refrain]
Topics: Easter Season; Eternal Life; Jesus Christ Final Victory Used With Tune: VICTORY Text Sources: Latin hymn, c. 1695
The Strife is O'er, the Battle Done
Christ Jesus Lay in Death's Strong Bands
Author: Martin Luther; Richard Massie Meter: 8.7.8.7.7.8.7.4 Appears in 55 hymnals Scripture: Isaiah 25:8 Lyrics: 1 Christ Jesus lay in death's strong bands,
for our offenses given;
but now at God's right hand he stands
and brings us life from heaven.
Therefore let us joyful be,
and sing to God right thankfully
loud songs of alleluia!
Alleluia!
2 It was a strange and dreadful strife
when life and death contended.
The victory remained with life;
the reign of death was ended.
Holy Scripture plainly says
his death has swallowed up our death;
its sting is lost forever.
Alleluia!
3 Here the true paschal Lamb we see,
whom God so freely gave us.
He died on the accursed tree
so strong his love to save us.
See, his blood now marks our door;
faith points to it, death passes o'er,
and Satan cannot harm us.
Alleluia!
4 So let us keep the festival
to which the Lord invites us.
Christ is himself the joy of all,
the sun that warms and lights us.
Now his grace to us imparts
eternal sunshine to our hearts;
the night of sin is ended.
Alleluia!
5 Then let us feast this holy day
on Christ, the bread of heaven.
The Word of grace has purged away
the old and evil leaven.
Christ alone our souls will feed;
he is our meat and drink indeed;
faith lives upon no other!
Alleluia!
Topics: Biblical Names & Places Satan; Easter; Biblical Names & Places Satan; Easter; Lamb of God; Lord's Supper; Victory Used With Tune: CHRIST LAG IN TODESBANDEN
Christ Jesus Lay in Death's Strong Bands
In the Day of the Lord
Author: M.D. Ridge Appears in 5 hymnals Scripture: Isaiah 25 First Line: And on that day will justice triumph Topics: New Heaven and Earth Used With Tune: IN THE DAY OF THE LORD
In the Day of the Lord
CHRIST LAG IN TODESBANDEN
Meter: 8.7.8.7.7.8.7.4 Appears in 55 hymnals Scripture: Isaiah 25:8 Tune Sources: J. Walther's Geystliche gesangk Buchleyn, 1524 Tune Key: d minor or modal Incipit: 54571 76553 45432 Used With Text: Christ Jesus Lay in Death's Strong Bands
CHRIST LAG IN TODESBANDEN
IN THE DAY OF THE LORD
Appears in 5 hymnals Composer and/or Arranger: M.D. Ridge; Randall DeBruyn, b. 1947 Scripture: Isaiah 25 Tune Key: G Major Incipit: 12321 71645 12321 Used With Text: In the Day of the Lord
IN THE DAY OF THE LORD
Jesus, Lover of My Soul
Author: Charles Wesley, 1707-1788 Hymnal: Common Praise (1998) #533 (1998) Meter: 7.7.7.7 D Scripture: Isaiah 25:1-9 Topics: Healing; Salvation/Redemption; Trust Languages: English Tune Title: ABERYSTWYTH
Jesus, Lover of My Soul
My Faith Looks Up to Thee
Author: Ray Palmer Hymnal: Glory to God #829 (2013) Meter: 6.6.4.6.6.6.4 Scripture: Isaiah 25:8 Lyrics: 1 My faith looks up to thee,
thou Lamb of Calvary,
Savior divine!
Now hear me while I pray;
take all my guilt away;
O let me from this day
be wholly thine!
2 May thy rich grace impart
strength to my fainting heart,
my zeal inspire;
as thou hast died for me,
O may my love to thee
pure, warm, and changeless be,
a living fire!
3 While life's dark maze I tread
and griefs around me spread,
be thou my guide;
bid darkness turn to day;
wipe sorrow's tears away;
nor let me ever stray
from thee aside.
4 When ends life's transient dream,
when death's cold, sullen stream
shall o'er me roll;
blest Savior, then, in love,
fear and distrust remove;
O bear me safe above,
a ransomed soul! Topics: Faith; Forgiveness; Funeral; Grace; Guidance; Living and Dying in Christ Languages: English Tune Title: OLIVET
My Faith Looks Up to Thee
How firm a foundation, you people of God
Author: 'K-" Hymnal: Together in Song #578 (1999) Scripture: Isaiah 25:4-7 Lyrics: 1 How firm a foundation, you people of God,
is laid for your faith in his excellent word;
what more can he say than to you he has said,
to all who for refuge to Jesus have fled?
2 Fear not, he is with you, and be not dismayed,
for he is your God and will still give you aid:
he'll strengthen you, help you, and cause you to stand,
upheld by his righteous, omnipotent hand.
3 When through the deep waters he calls you to go,
the rivers of grief shall not you overflow;
the Lord will be with you in trouble to bless,
and sanctify to you your deepest distress.
4 When through fiery trials your pathway shall lie
his grace, all-sufficient shall be your supply;
the flame shall not hurt you, his only design
your dross to consume and your gold to refine.
5 The soul that on Jesus still leans for repose
he will not, he cannot, desert to its foes;
that soul, though all hell should endeavor to shake,
he never will leave, he will never forsake. Topics: Conflict; Consolation; Faithfulness of God; Grace; Jesus Christ Reign; People of God; Response to Word; Saints Days and Holy Days Any Saint; Sanctification; Suffering; Trust in God; Worship The Word Languages: English Tune Title: FOUNDATION
How firm a foundation, you people of God
Francis Pott
1832 - 1909 Scripture: Isaiah 25:8 Translator of "The Strife is O'er, the Battle Done" in The Worshiping Church Francis Pott studied at Brasenose College, Oxford, where he graduated B.A. in 1854, and M.A. in 1857. He was ordained Deacon in 1856, and Priest in 1857. He was Curate of Bishopsworth, Bristol, 1856; of Ardingley, Sussex, 1858; was appointed to Ticehurst in 1861; and is now incumbent of Northill, Bedfordshire. Mr. Pott has made many acceptable translations, and has edited "Hymns Fitted to the Order of Common Prayer, etc.;" a compilation of real merit.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872
============
Pott, Francis, M.A., was born Dec. 29, 1832, and educated at Brasenose, College, Oxford, B.A. 1854; M.A. 1857. Taking Holy Orders in 1856 he was curate of Bishopsworth, Gloucestershire, 1856-8; Ardingly, Berks, 1858-61; Ticehurst, Sussex, 1861-66; and Rector of Norhill, Ely, 1866. His
Hymns fitted to the Order of Common Prayer, and Administration of the Sacraments, and other Rites and Ceremonies of the Church, According to the Use of the Church of England, To which are added Hymns for Certain Local Festivals,
was published in 1861, and reprinted from time to time with a few additions. Mr. Pott contributed translations from the Latin and Syriac, and original hymns, including “Angel voices ever singing" (p. 68, ii.), and "Lift up your heads, eternal gates" (Ascension). These original hymns, together with his translations, have been received with much favour and are widely used. In several.…works, several translations from the Latin, and other hymnological work, are attributed to Archdeacon Alfred Pott. We are authorized to state that this ascription of authorship is an error.
--John Julian, Dictionary of Hymnology (1907)
Francis Pott
Isaac Watts
1674 - 1748 Person Name: Rev. Isaac Watts (1674-1748) Scripture: Isaiah 25:9 Author of "Joy to the World" in Many Voices; or, Carmina Sanctorum, Evangelistic Edition with Tunes Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
=================================
Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
==================================
Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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Hymn Writers of the Church
Isaac Watts
Giovanni Pierluigi da Palestrina
1525 - 1594 Person Name: Giovanni P. da Palestrina Scripture: Isaiah 25:8 Composer of "VICTORY" in The Worshiping Church Giovanni Pierluigi (da Palestrina) Italy 1525-1594. Born at Palestrina, Italy, near Rome, then part of the Papal States to Neopolitan parents. As a youth he became a chorister at the Santa Maria Maggiore basilica in the Rome Diocese. This allowed him to learn literature and music. In 1540 he moved to Rome, where he studied in the school ofr the Hugenot, Claude Goudimel. He also studied with Robin Mallapert and Firmin Lebel. Orlando Di Lasso was also a musical advisor to him. From 1544-1551 he was organist at the Cathedral of St Agapito, the principle church of his native city. In 1547 he married Lucrezia Gori, and they had four children: Rodolfo, Angelo, Iginio, and a daughter. In 1551 Pope Julius III (previously Bishop of Palestrina) appointed him ‘maestro di cappella’, or musical director of the Cappella Giulia (choir). Pierluigi dedicated his first published compositions to Pope Julius III (1554), known as ‘the book of Masses’. It was the first book of masses by a native composer, since most sacred works in those days were from low countries (France or Spain). In 1555 Pope Paul IV ordered that all papal choristers should be clerical. As Pierluigi married early in life and had four children, he was unable to continue in the chapel as a layman. During the next decade he held positions similar to his Julian Chapel appointment at other chapels and churches in Rome, including St John Lateran (1555-1560), and Santa Maria Maggiore (1561-1566). In 1571 he returned to the Julian Chapel and remained at St Peter’s for the rest of his life. The 1570s was a decade of difficulty for him, as he lost his brother, two sons, and his wife in three separate outbreaks of plague (1572-1575-1580). In 1578 he was given the title of ‘Master of Music’ at the Vatican Basilica. He thought of becoming a priest at this time, but instead married a wealthy widow, Virginia Formoli, in 1581, widow of a wealthy merchant, which gave him financial independence (he was not well-paid as choirmaster). He spent considerable time administering to her fortune, but also was able to compose prolifically until his death. He also helped to found an association of professional musicians called the Vertuosa Compagnia dei Musici. He died in Rome of pleurisy. He left hundreds of compositions, including 1045 masses, 68 offertories, 140 madrigals, 300+ motets, 72 hymns, 35 magnificats, 11 litanies and several sets of lamentations. There are two comprehensive editions of his works: a 33-volume edition published by Breitkopf and Hartel, in Leigzig, Germany, between 1862-1894, edited by Franz Xaver Habert, and a 34-volume edition published in the mid 20th century by Fratelli Scalera, in Rome, Italy, edited by R Casimiri and others. As a Renaissance musician and composer of sacred music he was the best known 16th century representative of the Roman School of musical composition. He had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint, his work considered the culmination of Renaissance polyphony. Very famous in his day, he was considered by some the legendary ‘savior of church music’. A 2009 film was produced by German television about him, titled: ‘Palestrina – Prince of Music’.
John Perry
Giovanni Pierluigi da Palestrina
