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The Sun Has Now Risen In Heavenly Glory

Author: W. Horn; P. C. Hiebert; David Letkeman Appears in 2 hymnals Refrain First Line: To God be the glory

NUN IST SIE ERSCHIENEN

Appears in 9 hymnals Composer and/or Arranger: James R. Murray Tune Key: E Flat Major Incipit: 12333 32144 44323 Used With Text: The Sun Has Now Risen

Instances

Published text-tune combinations (hymns) from specific hymnals

Author: W. Horn; P. C. Hiebert; David Letkeman Hymnal: Church Hymnal #84 (1953) First Line: The sun has now risen in heavenly glory Lyrics: 1. The sun has now risen in heavenly glory,And shines through the darkness of night.Now rejoice and sing praises yea shout the glad storyFor in Christ the Redeemer is healing and light.(Refrain:)To God be the glory (God be the glory) and goodwill to men.Through Christ our Redeemer (Christ our Redeemer) shall peace (and goodwill) come again.2. The world lay benighted in death and destruction,All mankind in sin was forlorn.But through faith in the Saviour comes peace and salvation,Sing with joy all ye ransom'd, the Saviour is born.(Refrain…)3. Now go with the shepherds and follow the wise menTo seek for the heavenly child.And when ye have found Him, accept and adore Him,The Christ-child from glory So gentle and mild.(Refrain…) Topics: Jesus Christ Our Lord His Birth Languages: English Tune Title: NUN IST SIE ERSCHIENEN

The Sun Has Now Risen

Author: Jean Janzen Hymnal: Worship Together #310 (1995) First Line: The sun has now risen in heavenly glory Refrain First Line: Praise God for salvation (for our salvation) Languages: English Tune Title: NUN IST SIE ERSCHIENEN

People

Authors, composers, editors, etc.

James R. Murray

1841 - 1905 Composer of "NUN IST SIE ERSCHIENEN" in Worship Together L.P.M. (1905, April 12). Obituary. New Church Messenger, p.209. Murray.--At Cincinnati, March 10, 1905, James Ramsey Murray. Funeral services in the Church of the New Jersualem, March 13th. James R. Murray was widely known in the musical world as the author of many songs and song books, and in the New Church in Chicago and Cincinnati as an affectionate, intelligent, and loyal New Churchman. He was born in Andover (Ballard Vale), Mass., March 17, 1841. In early life he developed musical talent, and composed many minor pieces for local and special occasions. Later at North Reading, Mass., he attended Dr. George F. Root's School of Music, and was associated with William Bradbury and Dr. Lowell Mason. He enlisted in the Fourteenth Regiment of infantry, commonly known as the Essex County Regiment, and afterwards was changed to the First Regiment, Massachusetts Heavy Artillery, which was engaged in most of the battles fought by the Second Army Corps up to the surrender of General Lee. "Daisy Deane," the first and most popular of his early song successes, was composed in 1863 in Virginia while in camp, words by his cousin, Thomas F. Winthrop. This song is known all over the world, and the Salvation Army is using an arrangement of it for one of their war cry songs. In 1868 Mr. Murray married Isabella Maria Taylor of Andover; and they removed to Chicago. Here three children were born to them, two passing early to their heavenly home, the youngest, Winthrop Root Murray, is still living. It was during these first years in Chicago that Mr. and Mrs. Murray became interested in the New Church, while he was engaged with Root and Cady as editor of the Long Visitor, afterwards merged with the Musical Visitor. After the great fire of 1871 Mr. and Mrs. Murray returned East, where he was engaged in teaching in Lawrence and Andover, and as organist at the Old South Church in Andover. In 1881 they removed to Cincinnati and Mr. Murray became the editor of the Musical Viistor [sic] and head of the publication department of the John Church Company. Among the most popular of his books are "Pure Diamonds," "Royal Gems," "The Prize" and "Murray's Sacred Songs." The following titles will recall some of his best loved sacred songs: "At Last," "Calm on the Listening Ear of Night," "I Shall Be Satisfied," "There Shall No Evil Befall Thee," "Thine, O Lord, Is the Greatness," "The Way Was Mine," "How Beautiful Upon the Mountains," "Angels from the Realms of Glory." His last great labor in the publishing department of the John Church Company was the seeing through the press five volumes of Wagner's music dramas, with full score and original German text, and an English translation. The immense and careful labor involved in the preparation of these volumes, with a really smooth and excellent English translation, had perhaps, as it was done under pressure, something to do with Mr. Murray's breakdown. Although for some reason Mr. Murray's name does not appear on the title page of these volumes, his friends knew of the place the work held in his affections and ambition. Mr. Murray was a member of the Church Council of the Cincinnati Society for the last four years and took a deep interest in the building of the New Church, and in the inauguration of services, with all the changes looking to the improvement of the musical part of the service. The vested choir, organized by Mr. and Mrs. Lawson, which Mr. Murray as councilman had urged from the beginning, in their entrance to the church each Sunday singing the processional hymn participated in the funeral service, with a congregation of brethren and friends, all moved by deep love and profound respect for the consistent life and faith of a worthy Churchman and beloved friend. --DNAH Archives =================================== For a discussion of Murray and the tune MUELLER, see: Stulken, M.K. (1981). Hymnal companion to the Lutheran Book of Worship. Philadelphia : Fortress Press, p.170. =================================== Also available in the DNAH Archives: 1. An excerpt from Christie, George A. (1927). New Free Church. In Music in Andover. Papers read at "Fagot Party" of the Andover Natural History Society. 2. Unsourced essay about Murray written soon after his death, likely from Andover, Mass., perhaps authored by Charlotte Helen Abbott.

Jean Janzen

b. 1933 Alterer of "The Sun Has Now Risen" in Worship Together Jean Janzen was born on December 5, 1933, the seventh of Henry Peter Wiebe and Anna Schultz Wiebe's eventual eight children (Three Mennonite Poets 5). For the first five years of her life, Janzen lived in Dalmeny, Saskatchewan (A Cappella 25). In 1938, she moved to Mountain Lake, Minnesota when her schoolteacher father began his second ministry as a pastor (“Coming into Voice”). A year later, the family moved to Kansas (“Coming into Voice”). Janzen says she cannot remember when she wrote her first poem, but the first evidence of her work is a handwritten book of five poems that she made in third or fourth grade, which was saved by her mother through the family’s many moves (E-mail Interview). She had very little exposure to poetry and literature as a child, except for hymns and Bible stories. She values these elements of her childhood and “treasure[s] the artful rhythms of the King James [Bible]” (E-mail Interview). Janzen attended Meade Bible Academy, Tabor College, and Grace College (A Cappella 25). It was in college that she had her first real exposure to literature. She was “thrilled, and became a literature major.” She remembers being “enamored” with Emily Dickinson and writing papers about her whenever given the chance. However, she never considered writing poetry as a possible career (E-mail Interview). Janzen--then Jean Wiebe--married Louis Janzen, a medical student, and the couple moved to Chicago where she worked as a medical secretary while taking courses at Northwestern University (Hostetler, A Cappella 25). Janzen cites this period of her life as the beginning of her love for visual art, calling the Chicago Art Institute the “open gate” for her and her husband where they “became hooked” (Mennonite Life Interview). In 1961, they moved to Fresno, Cal., where Louis worked as a pediatrician in a private practice. Here they raised their two daughters and two sons. When her youngest child was in school, Janzen “joined a writer’s group at the encouragement of [her] husband and nephew after they read some poems [she] had written as a gift to [her] husband” (E-mail Interview). As her children became older, Janzen went back to college, earning a BA in English from Fresno Pacific College and an MA in Creative Writing and English from California State University at Fresno in 1982. There she studied with poets Peter Everwine, Philip Levine, and C.G. Hanzlicek. Janzen says that after one semester of writing poetry in college, she took the work “seriously” and “imagined the possibility of growing into a poet,” but it took her several years “to be willing to say that out loud” (E-mail Interview). Rudy Wiebe, a Mennonite novelist, served as a mentor who influenced Janzen's writing career. She received a grant from the National Endowment for the Arts in 1995 (“Coming into Voice”). Janzen grew up in the Evangelical Mennonite Brethren Church and many of her relatives, including her father, were pastors (“Coming into Voice”). This strong connection with the church has had a significant influence on her poetry. Music has also played an important role in Janzen’s life. Her mother loved music and music was an important part of worship in her church. She learned to play the piano when she was young, later studying music in college and teaching piano for many years (“Coming into Voice”). Janzen finds harmony between the religious and artistic elements of her life, integrating them in a way that enriches both. She also uses her gifts in the church, serving as a minister of worship at the College Community Mennonite Brethren Church in Clovis, Cal., as well as writing hymn texts, which have been set to music and are included in several hymn books. Other prominent themes in her work include art, history, family, the earth, and her Russian Mennonite ancestors (“Coming into Voice”). Janzen says that “the sensual and spiritual are inevitably intertwined” (Mennonite Life Interview) and it is this element of her work that has attracted the most attention from critics and readers. She emphasizes “the presence of spirit in the flesh,” using rich description of physical objects to reveal deeper emotions and truths. Janzen has taught poetry writing at Fresno Pacific University and Eastern Mennonite University in Virginia. --www.goshen.edu/mennonitepoetry/

William Horn

1839 - 1917 Person Name: W. Horn Author of "To God be the glory" in Church Hymnal Horn, William. (Germany, May 1, 1839--April 27, 1917). Evangelical. Come to United States in 1855, settled in Wisconsin. Licensed in 1861, ordained elder 1866, presiding elder 1871, bishop 1891. Editor of various Evangelical German-language publications, including Das Evangelische Magazin and Christliche Kinderfreund. Editor of German weekly of the Evangelical Association, 1883, Christliche Botschafter. Editor of Evangelisches Gesangbuch, 1877, for which he supplied a number of hymns. His most famous hymn was "Pure and free from all corruption." He wrote 24 hymns in all, and has been called one of the greatest of the German writers in America. Translated many English hymns into German. Retired as bishop in 1915. --Robert S. Wilson, DNAH Archives --Ellen Jane Lorenz, DNAH Archives William Horn was born in Germany May 1, 1839. He died in 1917. He came to U.S. in 1855 and settled in Wisconsin. Licensed in 1861, he rose through the ranks of ordained elder and bishop. He retired as Bishop in 1915 and died April 27, 1917. He was the editor of various Evangelical German-lanuage publications including EVANGELISCHES GESANGBUCH of 1877, for which he supplied a number of hymns. Of his twenty-four hymns the most famous, according to Ellen J. Lorenz, was "Pure and free from all corruption". He also translated many English hymns into German. —Mary L. VanDyke for Dictionary of American Hymnology, Oberlin College Library (14 December 2003)