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John Henry Newman

1801 - 1890 Person Name: Cardinal John H. Newman Author of "Lead, Kindly Light, amid the encircling gloom (Oleuni mwyn, trwy dew gysgodau'r nef, O! arwain fi)" in Old and New Welsh and English Hymns Newman, John Henry , D.D. The hymnological side of Cardinal Newman's life and work is so small when compared with the causes which have ruled, and the events which have accompanied his life as a whole, that the barest outline of biographical facts and summary of poetical works comprise all that properly belongs to this work. Cardinal Newman was the eldest son of John Newman, and was born in London, Feb. 21, 1801. He was educated at Ealing under Dr. John Nicholas, and at Trinity College, Oxford, where he graduated in honours in 1820, and became a Fellow of Oriel in 1822. Taking Holy Orders in 1824, he was for a short time Vice-Principal of St. Alban's Hall, and then Tutor of Oriel. His appointment to St. Mary's, Oxford, was in the spring of 1828. In 1827 he was Public Examiner, and in 1830 one of the Select University Preachers. His association with Keble, Pusey, and others, in what is known as "The Oxford Movement," together with the periodical publication of the Tracts for the Times, are matters of history. It is well known how that Tract 90, entitled Bernards on Certain Passages in the Thirty-nine Articles, in 1841, was followed by his retirement to Littlemore; his formal recantation, in February, 1843, of all that he had said against Rome; his resignation in September of the same year of St. Mary's and Littlemore; and of his formal application to be received into the communion of the Church of Rome, Oct. 8, 1845. In 1848 he became Father Superior of the Oratory of St. Philip Neri, at Birmingham; in 1854 Rector of the newly founded Roman Catholic University at Dublin; and in 1858 he removed to the Edgbaston Oratory, Birmingham. In 1879 he was created a Cardinal, and thus received the highest dignity it is in the power of the Pope to bestow. Cardinal Newman's prose works are numerous, and his Parochial Sermons especially being very popular. His Apologia pro Vita Sua, 1864, is a lucid exposition and masterly defence of his life and work. Cardinal Newman's poetical work began with poems and lyrical pieces which he contributed to the British Magazine, in 1832-4 (with other pieces by Keble and others), under the title of Lyra Apostolica. In 1836 these poems were collected and published under the same title, and Greek letters were added to distinguish the authorship of each piece, his being δ. Only a few of his poems from this work have come into use as hymns. The most notable is, "Lead, kindly Light". His Tract for the Times, No. 75, On the Roman Breviary, 1836, contained translations of 14 Latin hymns. Of these 10 were repeated in his Verses on Religious Subjects, 1853, and his Verses on Various Occasions, 1865, and translations of 24 additional Latin hymns were added. Several of these translations are in common use, the most widely known being "Nunc Sancte nobis" ("Come, Holy Ghost, Who ever One"). His collection of Latin hymns from the Roman and Paris Breviaries, and other sources was published as Hymni Ecclesiae, in 1838, and again in 1865. His Dream of Gerontius, a poem from which his fine hymn, "Praise to the Holiest in the height," is taken, appeared in his Verses on Various Occasions, in 1868. Cardinal Newman's influence on hymnology has not been of a marked character. Two brilliant original pieces, and little more than half a dozen translations from the Latin, are all that can claim to rank with his inimitable prose. --John Julian, Dictionary of Hymnology (1907) ================= Newman, John Henry, p. 822, ii. He died at Edgbaston, Birmingham, Aug. 11, 1890. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============== Newman, Card. J. H., pp. 802, ii.; 1581, ii. The following are also in use at the present time, but, except No. 13, almost exclusively in R. C. collections. The dates in brackets are those given in Newman's Verses, 1868; all thus marked were composed in the Birmingham Oratory at these dates:— i. In the Rambler, 1850. 1. In the far North our lot is cast. [S. Philip Neri.] (1850.) March, 1850, p. 250. In the Birmingham Oratory Hymn Book, 1857 and 1906, it begins, " On Northern coasts," and in the Parochial Hymn Book, 1880, with st. ii. " Founder and Sire! to mighty Rome." 2. The Angel-lights of Christmas morn. [Candlemas.] (1849.) March, 1850, p. 251. 3. There sat a Lady all on the ground. [B. V. M.] (1849.) May, 1850, p. 425. ii. Verses, 1853. 4. All is Divine which the Highest has made. [For an inclement May.] (1850.) 1853, p. 128. 5. Green are the leaves, and sweet the flowers. [May.] (1850.) 1853, p. 125. 6. My oldest friend, mine from the hour. [Guardian Angel] (1853.) 1853, p. 12. 7. The holy monks conceal'd from men. [S. Philip Neri.] (1850.) 1853, p. 134. 8. The one true Faith, the ancient Creed. [The Catholic Faith.] 1853, p. 140. 9. This is the saint of sweetness and compassion. [S. Philip Neri.] 1853, p. 136. Rewritten (1857) as "This is the saint of gentleness and kindness" in the Birmingham Oratory Hymn Book, 1857, No. 49. iii. Birmingham Oratory Hymn Book, 1857. 10. Help, Lord, the souls which Thou hast made. [The Faithful Departed.] (1857.) 1857, No. 76. iv. Birmingham Oratory H. Book, 1862. 11. I ask not for fortune, for silken attire. [S. Philip Neri.] (1857.) 1862, No. 54. 12. Thou champion high. [S. Michael.] (1862.) 1862, No. 41. v. Dream of Gerontius, 1866. 13. Firmly I believe and truly. [The Faith of a Christian.] 1866, p. 9; Verses, 1868, p. 318; The English Hymnal 1906. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ----- John Henry Newman was born in London, in 1801. He studied at Trinity College, Oxford, graduating B.A. in 1820, and was subsequently Fellow of Oriel College. In 1825, he became Vice Principal of S. Alban's Hall, and was Tutor of his college for several years. In 1828, he became incumbent of S. Mary's, Oxford, with the chaplaincy of Littlemore. In 1842, he went to preside over a Brotherhood he had established at Littlemore. He was the author of twenty-four of the "Tracts for the Times," amongst them the celebrated Tract No. 90, which brought censure upon its author. In 1845, he left the Church of England and entered the Church of Rome. He was appointed Father Superior of the Oratory of S. Philip Neri, at Birmingham, and in 1854, Rector of the new Roman Catholic University at Dublin, an office he filled till 1858. He has published a large number of works. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ====================

Charlotte Elliott

1789 - 1871 Author of "Just as I Am" in Melodies of Grace and Truth Elliott, Charlotte, daughter of Charles Elliott, of Clapham and Brighton, and granddaughter of the Rev. H. Venn, of Huddersfield, was born March 18, 1789. The first 32 years of her life were spent mostly at Clapham. In 1823 she removed to Brighton, and died there Sept. 22, 1871. To her acquaintance with Dr. C. Malan, of Geneva, is attributed much of the deep spiritual-mindedness which is so prominent in her hymns. Though weak and feeble in body, she possessed a strong imagination, and a well-cultured and intellectual mind. Her love of poetry and music was great, and is reflected in her verse. Her hymns number about 150, a large percentage of which are in common use. The finest and most widely known of these are, "Just as I am” and "My God, my Father, while I stray." Her verse is characterized by tenderness of feeling, plaintive simplicity, deep devotion, and perfect rhythm. For those in sickness and sorrow she has sung as few others have done. Her hymns appeared in her brother's Psalms & Hymns and elsewhere as follows:— (1) Psalms and Hymns for Public, Private, and Social Worship; selected by the Rev. H. V. Elliott, &c., 1835-48. In this Selection her signature is "C. E." (2) The Christian Remembrancer Pocket Book. This was originally edited by Miss Kiernan, of Dublin. Miss Elliott undertook the editorship in 1834. (3) The Invalid's Hymn Book. This was originally compiled by Miss Kiernan, but before publication was re-arranged by Miss Elliott, who also added 23 hymns in the first edition., 1834. These were increased in the following edition to the sixth in 1854, when her contributions amounted to 112. From that date no change was made in the work. (4) Hours of Sorrow Cheered and Comforted; or, Thoughts in Verse, 1836. (5) Morning and Evening Hymns for a Week, printed privately in 1839 for sale for a benevolent institution in Brighton, and published in 1842. (6) Thoughts in Verse on Sacred Subjects, 1869. Miss Elliott's Poems were published, with a Memoir by her sister, Mrs. Babington, in 1873, and an additional volume of Leaves from her unpublished Journals and Poems, also appeared in 1870. In addition to her more important hymns, which are annotated under their respective first lines, there are in common use:— i. From The Invalid's Hymn-book, 1834-1841:— 1. Clouds and darkness round about thee. (1841.) Resignation. 2. Not willingly dost Thou afflict [reject]. (1841.) Divine Chastisement. 3. O God, may I look up to Thee. (1841.) Teach us to Pray. 4. This is enough; although 'twere sweet. (1834.) On being debarred from Divine Worship. 5. With tearful eyes I look around. (1841.) The Invitation "Come Unto Me." ii. From H. V. Elliott's Psalms & Hymns, 1835-1839:— 6. Glorious was that primal light. Christmas. 7. Hail, holy day, most blest, most dear. Easter. 8. My only Saviour, when I feel. Jesus His people's Rest. 9. Now let our heavenly plants and flowers. Monday Morning. 10. The Sabbath-day has reached its close. Sunday Evening. iii. From Miss Elliott's Hours of Sorrow, 1836:— 11. Father, when Thy child is dying. Prayer for a Departing Spirit. 12. Leaning on Thee, my Guide, my Friend. Death Anticipated. 13. My God, is any hour so sweet? The Hour of Prayer. 14. O faint and feeble-hearted. Resignation enforced. 15. There is a holy sacrifice. The Contrite Heart. iv. From her Hymns for a Week, 1839:— 16. Guard well thy lips; none, none can know. Thursday Morning. 17. There is a spot of consecrated ground. Pt. i. 18. This is the mount where Christ's disciples see. Pt. ii. Monday Evening. 19. This is the day to tune with care. Saturday Morning. v. From Thoughts in Verse on Sacred Subjects, 1869:— 20. As the new moons of old were given. On a Birthday. 21. I need no other plea. Pt. i. 22. I need no prayers to saints. Pt. ii. Christ, All in All. 23. Jesus, my Saviour, look on me. Christ, All in All. Several of the earlier of these hymns were repeated in the later works, and are thus sometimes attributed to the wrong work. [Rev. James Davidson, B.A.] -- John Julian, Dictionary of Hymnology (1907) ================ Elliott, Charlotte, p. 328, i. Other hymns are:— 1. O how I long to reach my home. Heaven desired. From the Invalid's Hymn Book, 1834. 2. The dawn approaches, golden streaks. Second Advent. From Thoughts in Verse, &c, 1869. Of her hymns noted on p. 328, Nos. 6, 7, 8, 9, 10,11, and 13, all appeared in the 1st edition of Elliott's Psalms & Hymns, 1835. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ======================== Elliott, Charlotte, pp. 328, i.; 1561, ii. Further research enables us to give amended dates to some of her hymns as follows:— 1. With tearful eyes I look around (No. 5). This is in the 1835 Appendix to The Invalid's Hymn Book. 2. My only Saviour, when I feel (No. 8). Also in the 1835 Appendix. 3. Father, when Thy child is dying (No. 11). In the 1833 Appendix. 4. I want that adorning divine, p. 559, i. In the Christian Remembrancer 1848, p. 22. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Christopher M. Idle

b. 1938 Person Name: Christopher Idle Author of "O LORD My Rock, to You I Cry Aloud" in Psalms for All Seasons Christopher Martin Idle (b. Bromley, Kent, England, 1938) was educated at Elthan College, St. Peter's College, Oxford, and Clifton Theological College in Bristol, and was ordained in the Church of England. He served churches in Barrow-in-­Furness, Cumbria; London; and Oakley, Suffolk; and recently returned to London, where he is involved in various hymnal projects. A prolific author of articles on the Christian's public responsibilities, Idle has also published The Lion Book of Favorite Hymns (1980) and at least one hundred of his own hymns and biblical paraphrases. Some of his texts first appeared in hymnals published by the Jubilate Group, with which he is associated. He was also editor of Anglican Praise (1987). In 1998 Hope Publishing released Light Upon the River, a collection of 279 of his psalm and hymn texts, along with suggested tunes, scripture references, and commentary. Bert Polman

Charles H. Purday

1799 - 1885 Person Name: Charles Purday, 1799 - 1885 Composer of "SANDON" in The Hymnary of the United Church of Canada Charles H. Purday (1799-1885) A publisher, composer, lecturer, and writer, Purday had a special interest in church music. He published Crown Court Psalmody (1854), Church and Home Metrical Psalter and Hymnal (1860), which included SANDON, and, with Frances Havergal, Songs of Peace and Joy (1879). A precentor in the Scottish Church in Crown Court, London, Purday sang at the coronation of Queen Victoria. In the publishing field he is known as a strong proponent of better copyright laws to protect the works of authors and publishers. Bert Polman

Juan Bautista Cabrera Ivars

1837 - 1916 Person Name: J. B. Cabrera, 1837-1916 Translator of "Divina Luz, Dirígeme" in Cántico Nuevo Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns. Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)

George P. Simmonds

1890 - 1991 Translator of "Mis Ojos a los Montes al Redor" in Himnario Bautista Used pseudonyms G Paul S., J. Paul Simon, and J. Pablo Símon

John Douglas Sutherland Campbell, Duke of Argyll

1845 - 1914 Person Name: The Marquis of Lorne (ninth Duke of Argyle), 1845-1914 Author of "Unto the hills around do I lift up" in Methodist Hymn and Tune Book John George Henry Douglas Sutherland Campbell LLD [Duke of Argyll] United Kingdom 1845-1914. Born in London to George Campbell, Marques of Lorne, and styled Earl of Campbell from birth, he assumed his father's title at the age of 21 months, when his father became 8th Duke of Argyll. He bore that title until age 54. Educated at Edinburgh, Eton College, St. Andrews and at Trinity College, Cambridge, he also went to the National Art Training School. He traveled widely for 10 years throughout North and Central America, writing literature and poetry. In the UK, from 1868, he represented the constituency of Argyllshire as a Liberal member of Parliament in the House of Commons. He made little impression there. He was appointed Lt. Col. Commandant of the 1st Argyll & Bute Artillary Volunteers. He married Queen Victoria's 4th daughter, Princess Louise. They shared interest for art, but the marriage was childless and unhappy, and they spent much time apart. At 33, he was appointed Governor General of Canada. He and Louise made many contributions to Canadian society, especially in the arts and sciences. They encouraged establishment of the Royal Society of Canada, the Royal Canadian Academy of Arts, and the National Gallery of Canada, even selecting some of its paintings. Campbell was also involved in completion of the Canadain Pacific Railway and a hospital in British Columbia. He and his wife held lavish parties while in Canada. In 1881, Louise returned to England, and the Lord also in 1883, when he published his memoirs of Canada and Scotland. He was Governor and Constable of Windsor Castle from 1892 to 1914. He died of pneumonia in 1914. He received 4 Knightings and 4 special honors for his accomplishments. Towns, buildings, streets and parks were named for him. John Perry

John Weaver

b. 1937 Harmonizer of "SANDON" in The Presbyterian Hymnal Dr. John Weaver Organist/Music Director, Emeritus John Weaver retired at the end of May 2005, after 35 years of ministry as Director of Music and Organist at Madison Avenue Presbyterian Church in New York City. During his tenure here, he also served as Head of the Organ Department at the Curtis Institute of Music in Philadelphia from 1972 to 2003 and Chair of the Organ Department at the Juilliard School from 1987 to 2004. The American Organist named him among the 101 most notable organists of the 20th century. Weaver traces his love for the "King of Instruments" back to his childhood. Born in the Eastern Pennsylvania town of Mauch Chunk (now called Jim Thorpe), his first introduction to music was through the organ at the First Presbyterian Church where his father was the pastor. His formal musical studies began at the age of six in Baltimore's Peabody Conservatory when it was discovered that he had perfect pitch. Shortly thereafter he acquired an old harmonium that stimulated his desire to learn to play the organ. At the age of fourteen he began organ study with Richard Ross and George Markey, and the same year he also became organist of a Baltimore church and played his first organ recital. In 1989 John Weaver was honored by The Peabody Conservatory when he was presented with Peabody's Distinguished Alumni Award. He has received honorary Doctor of Music degrees from Westminster College, New Wilmington PA, and The Curtis Institute of Music. He was also elected a member of the North American Academy of Liturgy. John Weaver's undergraduate study was at The Curtis Institute from which he graduated in 1959 as a student of Alexander McCurdy. That year he was appointed Director of Music at Holy Trinity Lutheran Church in New York City, a post he held for eleven years. During this time he spent two years in the Army as organist/choir-director of the Post Chapel at the United States Military Academy at West Point, and earned a Master of Sacred Music degree from Union Theological Seminary, studying with Robert Baker. In 1968 he founded a highly successful Bach Cantata Series at Holy Trinity, conducting his choir and orchestra in two seasons of these works. At these services he also played most of the major organ works of Bach and numerous chorale-preludes. At the Madison Avenue Presbyterian Church he annually conducts a large concert choir, The St. Andrew Chorale, in several major works with orchestra. In addition to his teaching at The Curtis Institute and The Juilliard School, he has served Westminster Choir College, Union Theological seminary and the Manhattan School of Music. He has written numerous articles for organ and church music magazines and has served as President of the Presbyterian Association of Musicians. Dr. Weaver has been active as a concert organist since coming under management in 1959. He has played throughout the USA, Canada, Western Europe, the United Kingdom, and Brazil. Each year finds him in many different parts of the country playing recital programs drawn from his large repertoire of memorized works from every important era and national school of organ literature. His wife, Marianne, an excellent flutist whose teachers include Kincaid and Rampal, frequently adds an extra and very special stop to the organ by appearing on these programs. John Weaver has performed on national television and radio network programs in the US and Germany. He has made recordings for Aeolian-Skinner, The Wicks Organ Company, the Klais Orgelbau of Germany, a CD on Gothic Records for the Schantz Organ Company, and a recent recording on the Pro Organo label on the new Reuter organ at University Presbyterian Church in Seattle. His published compositions for organ, chorus/organ and flute/organ are widely performed. Weaver has made several concerto appearances with the Portland, Maine Symphony, the Musica Sacra Orchestra and the Harrisburg Symphony. He has played solo recitals at numerous regional and national conventions of the American Guild of Organists as well as the 1987 Internationalhttp://www.mapc.com Congress of Organists in Cambridge, England. He has been guest artist with the Chamber Music Society of Lincoln Center at Alice Tully Hall and Washington's Kennedy Center, and has played solo recitals at Boston Symphony Hall, Alice Tully Hall, Philadelphia's Academy of Music, Chicago's Orchestra Hall, Cleveland's Orchestra Hall, as well as colleges, cathedrals and churches throughout the US. -- http://www.mapc.com

Hugh Thomson Kerr

1871 - 1950 Author of "God of Our Life" in The Presbyterian Hymnal Hugh Thomson Kerr (1872-1950) Born: Feb­ru­a­ry 11, 1872, Elo­ra, Ca­na­da. Died: June 27, 1950, Pitts­burgh, Penn­syl­van­ia. Buried: Home­wood Cem­e­te­ry, Pitts­burgh, Penn­syl­van­ia. Kerr at­tend­ed the Un­i­ver­si­ty of To­ron­to and West­ern The­o­lo­gic­al Sem­in­ary, Pitts­burgh, Penn­syl­van­ia. Or­dained a Pres­by­ter­i­an min­is­ter, he pas­tored in Kan­sas and Il­li­nois, and at the Sha­dy­side Pres­by­ter­i­an Church, Pitts­burgh (1913-1946). A pi­o­neer in re­li­gious broad­cast­ing, his 1922 Christ­mas Day ser­mon was broad­cast to the North and South Poles by ra­dio sta­tion KDKA. He served as Mod­er­a­tor of the Gen­er­al As­sem­bly of the Pres­by­ter­i­an Church in the USA in 1930, helped com­pile the Pres­by­ter­i­an Hymn­al in 1933, the Pres­by­ter­i­an Book of Com­mon Wor­ship, and helped found World­wide Com­mun­ion Sun­day. --cyberhymnal.org/bio/k/e/kerr_ht.htm

Stopford A. Brooke

1832 - 1916 Author of "Immortal Love, within whose righteous will" in Hymns for the Living Age Brooke, Stopford Augustus, M.A., was born at Letterkenny, Donegal, Nov. 14, 1832, and educated at Trinity College, Dublin, graduating B.A. 1856; M.A. 1858. He carried off the Downes prize and the Vice-Chancellor's prize for English verse. On taking Holy Orders he was successively Curate of St. Matthew's, Marylebone, 1857-59; of Kensington, 1860-63; Chaplain to the British Embassy at Berlin, 1863-65; Minister of St. James's Chapel, York Street, London, 1866-75; and of Bedford Chapel, 1876. He was also appointed Chaplain in Ordinary to the Queen, in 1872. In 1865 he published the Life and Letters of the late F. W. Robertson; in 1874, Theology in the English Poets; in 1876, Primer of English Literature, &c. On seceding from the Church of England in 1881, he published for the use of his congregation, Christian Hymns, a collection of 269 pieces. Of these he is the author of:— 1. Immortal Love, within Whose righteous will. Resignation and Prayer for Guidance. No. 183, in 4 stanzas of 6 lines. It has a strong likeness to Card. Newman's "Lead, kindly light," is in the same metre, and might be called a companion hymn thereto. It was repeated in Horder's Congregational Hymns, 1884. 2. It fell upon a summer day. Christ blessing little children. No. 250, in 10 stanzas of 4 lines. 3. It is finished, all the pain. Good Friday. No. 80, in 6 stanzas of 4 lines. 4. Let the whole creation cry. Invitation to Praise God. An imitation of Ps. 148. It is No. 47, in 10 stanzas of 4 lines, and is of special merit. In st. iv., 11. 3, 4 are from another source. 5. Mysterious Spirit, unto Whom. Rest and Joy in God. Based on a translation by J. G. Whittier from Lamartine. It is No. 159, in 3 stanzas of 8 lines. It was repeated in Horder's Congregational Hymns, 1884. 6. Now that day its wings has furled. Evening. No. 13, in 5 stanzas of 4 lines. 7. 0 God, Whose love is near. Divine protection desired. No. 103, in 7 stanzas of 4 lines. This is Toplady's "Your harps, ye trembling Saints" re-written, only st. i. and iv. being absolutely by Mr. Brooke. 8. 0 that Thou would'st the heavens rend And comfort, &c. Peace desired. No. 149, in 4 stanzas of 4 lines. The first line is from C. Wesley; also stanzas ii., 1. 4, but the rest of the hymn is original. 9. 0 Who is this that on a tree. Good Friday. No. 79, in 8 stanzas of 4 lines. 10. Oft as we run the weary way. Heavenly Witnesses of the struggles of Men. No. 188, in 6 stanzas of 6 lines. 11. Still the night, holy the night. Christmas Carol. No. 55, in 3 stanzas of 8 lines. It is a translation from the German, and is noticed under Mohr, Joseph. 12. Through the starry midnight dim. Christmas. No. 53, in 6 stanzas of 3 lines, and the refrain "Hallelujah." 13. When the Lord of Love was here. Life of Christ. No. 66, in 6 stanzas of 4 lines. It has passed into The Norwood Hymnal; and with the omission of st. vi. and the transposition of st. iv. and v. into Horder's Congregational Hymns, 1884. This is his finest hymn. In addition, Mr. Brooke has made extensive alterations in the text of the hymns which he has adopted from other writers, and has also inserted in many instances additional stanzas into well-known lyrics, and thereby brought them, to some extent, into harmony with his theological views. His own compositions are marked by great freshness of thought and tenderness of expression. [Rev. W. Garrett Horder] -- John Julian, Dictionary of Hymnology (1907)

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