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Fritz Reuter

1863 - 1924 Scripture: Numbers 6:24-26 Composer of "NEW ULM" in The Lutheran Hymnal

1819 - 1858 Person Name: Isaac B. Woodbury, 1819-1858 Scripture: Numbers 6:24-26 Composer of "HAPPY ZION" in The Hymnal Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris. He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina. He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857. --Leonard Ellinwood, DNAH Archives

George J. Elvey

1816 - 1893 Person Name: G. J. Elvey Scripture: Numbers 6:25 Composer of "ST. GEORGE'S, WINDSOR" in The Presbyterian Book of Praise George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman

Alberto Merubia

1919 - 2013 Person Name: Alberto Merubia, 1919-2013 Scripture: Numbers 6:22-27 Translator (Spanish, sts. 1-3) of "Christ Is Made the Sure Foundation (Cristo, firme fundamento)" in Santo, Santo, Santo

Ernest Hawkins

1802 - 1868 Person Name: Ernest Hawkins, 1807-1868 Scripture: Numbers 6:22-27 Adapter of "WESTMINSTER ABBEY" in Santo, Santo, Santo Hawkins, Ernest, B.D., son of Major Hawkins, born Jan. 25, 1802, at Hitchin, and educated at Balliol College, Oxford (B.A. 1842). He was for sometime a Fellow of Exeter College. On taking Holy Orders he became Curate of Burwash, sub-librarian of the Bodleian Library, Curate of St. George's, Bloomsbury, Minister of Curzon Chapel, Mayfair, London, Prebendary of St. Paul's, and Canon of Westminster. From 1838 to his death, Oct. 5, 1866, he also acted as secretary to the Society for the Propagation of the Gospel in Foreign Parts. Besides his prose works, which were not numerous, he published Verses in commemoration of the Third Jubilee of the S.P.G. (Society for the Propagation of the Gospel), 1851-2. To this little collection his hymns were contributed. The most extensively used of these, "Lord, a Saviour's love displaying" (Missions), has been adopted by many collections. --John Julian, Dictionary of Hymnology (1907)

Basil Harwood

1859 - 1949 Person Name: Basil Harwood, 1859-1949 Scripture: Numbers 6:24-26 Composer of "THORNBURY" in Together in Song Basil Harwood (11 April 1859 – 3 April 1949) was an English organist and composer. Basil Harwood was born in Woodhouse, Gloucestershire (the second youngest of 12 children) on 11 April 1859. His mother died in 1867 when Basil was eight. His parents were Quakers but his elder sister Ada, on reaching 21 in 1867, converted to the Anglican Church. Basil was allowed to attend the ceremony at the Church of England in Almondsbury and this is where he was first drawn to organ music and choral singing. His father, Edward, remarried two years later in 1869 to a lady from an Anglican family. Basil was now sent to the Montpellier School in Weston-super-Mare for a year. In 1871, at 12 he was enrolled in Clevedon, the preparatory school for Charterhouse where he was first to formally study music. He went up to Charterhouse in 1874 and left in 1876 having won a leaving Exhibition to Trinity College, Oxford where he initially studied Classics (1879) and Modern History (1880). He then studied for a further two years, 1881–1882, at the Leipzig Conservatory under Carl Reinecke and Salomon Jadassohn. It was here in 1882, Basil composed his first anthem for chorus and organ "O Saving Grace." He returned from Leipzig to realise that he had now passed the age limit to study music formally. In 1883, Basil became organist of St. Barnabas Church, Pimlico completing his Sonata in C# Minor here in 1885, selling the copyright to the publisher Schott for one shilling a year or two later. After this success, he then moved to Ely Cathedral in 1887 where he wrote the bulk of Dithyramb, possibly his greatest organ work. His final appointment was as organist at Christ Church, Oxford and as precentor of Keble College, Oxford from 1892 to 1909. Whilst there he co-founded and conducted the Oxford Bach Choir which helped to earn him his degree as Doctor of Music. He conducted the Oxford Orchestral Association (1892–1898). He was musical editor of the 1908 Oxford Hymn Book and Examiner for Musical Degrees (1900–1925). During this time, he met and married Mabel Ada Jennings (the daughter of George Jennings) (who had become a pupil of his in 1896) at All Souls St. Marylebone, London (27 December 1899). Mabel had studied music herself, piano and composition, and was also a writer. She may well have composed lyrics for some of his lesser known tunes. At an advanced age she wrote a small volume of collected poems named Questing Soul. He retired early at 50 (in 1909) after the death of his father, Edward Harwood, from whom he inherited the family estate of Woodhouse having outlived his seven older brothers. Soon after moving in he had a three manual chamber organ built in the library by Bishop & Sons of Ipswich (now in Minehead Parish Church), on which he promptly finished his Sonata in F# Minor. He continued to compose prolifically. He was a keen walker, and named many of his hymn tunes after local places that he loved to visit, the most notable being the hymn tunes such as Tockington, Olveston, Almondsbury and Thornbury. In 1936 advancing in years, he let the Woodhouse estate and moved to Bournemouth. Part of the estate, Woodhouse Down, was later sold to his contemporary Robert Baden-Powell who was two years older than he was and who had also attended Charterhouse School, and is used as a Scout Camp to this day. In 1939, at eighty, he moved to London, taking a flat in Fleet Street. After a long life, he died on 3 April 1949, eight days short of his 90th birthday, at Courtfield Gardens in the Royal Borough of Kensington, London. A memorial service was held in St Paul's Cathedral on 22 April 1949. Mabel survived him, dying shortly before her 103rd birthday on 20 July 1974. He was survived by two sons; Major John Edward Godfrey Harwood (1900–1996) and Basil Antony Harwood (1903–1990) Senior Master of the Supreme Court, Q.B.D. and Queen's Remembrancer. His remains are interred in St. Barnabas Church, Pimlico and marked by a plaque inset in floor of the chancel, close to where he would have stood to conduct the choir. He composed cantatas, church music and works for the organ; his Service in A flat, the anthem O how Glorious and the hymn tunes LUCKINGTON ("Let all the world in every corner sing") and THORNBURY ("Thy hand O God has guided"), first used during a festival of the London Church Choir Association, remain in the Anglican repertory. --en.wikipedia.org/wiki

Charles Coffin

1676 - 1749 Scripture: Numbers 6:25 Author of "On Jordan's Bank the Baptist's Cry" in Glory to God Coffin, Charles, born at Buzaney (Ardennes) in 1676, died 1749, was principal of the college at Beauvais, 1712 (succeeding the historian Rollin), and rector of the University of Paris, 1718. He published in 1727 some, of his Latin poems, for which he was already noted, and in 1736 the bulk of his hymns appeared in the Paris Breviary of that year. In the same year he published them as Hymni Sacri Auctore Carolo Coffin, and in 1755 a complete ed. of his Works was issued in 2 vols. To his Hymni Sacri is prefixed an interesting preface. The whole plan of his hymns, and of the Paris Breviary which he so largely influenced, comes out in his words. "In his porro scribendis Hymnis non tam poetico indulgendunv spiritui, quam nitoro et pietate consulendum esse existimavi. Pleraque igitur, argumentis convenientia e purissiinis Scripturae Sacrae fontibus deprompsi quac idoneis Ecclesiae cantui numeris alligarem." His hymns are described by a French critic as having less brilliancy than those of Santüil (q.v.), but more simplicity and unction. They number 100 in the edition of 1736. Translated into English by J. Chandler, I. Williams and others, are noted under their respective Latin first lines. [William T. Brooke] -- John Julian, Dictionary of Hymnology (1907)

John Chandler

1806 - 1876 Person Name: John Chandler Scripture: Numbers 6:25 Translator of "On Jordan's Bank the Baptist's Cry" in Glory to God John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876. --The Hymnal 1940 Companion =============== Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says, "My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix. This collection is:— (1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841. From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution. --John Julian, Dictionary of Hymnology (1907)

Theodore Baker

1851 - 1934 Scripture: Numbers 6:24 Translator of "We Gather Together to Ask the Lord's Blessing" in The Worshipbook Theodore Baker (b. New York, NY, 1851; d. Dresden, Germany, 1934). Baker is well known as the compiler of Baker's Biographical Dictionary of Musicians (first ed. 1900), the first major music reference work that included American composers. Baker studied music in Leipzig, Germany, and wrote a dissertation on the music of the Seneca people of New York State–one of the first studies of the music of American Indians. From 1892 until his retirement in 1926, Baker was a literary editor and translator for G. Schirmer, Inc., in New York City. In 1926, he returned to Germany. Psalter Hymnal Handbook, 1987

Conrad Kocher

1786 - 1872 Scripture: Numbers 6:22-26 Composer of "DIX" in Lift Up Your Hearts Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Stiftskirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for “Treuer Heiland, wir sind hier,” found in Kocher's Stimmen aus dem Reiche Gottes (1838). Bert Polman