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Onward, onward, men of heaven
Author: Lydia Sigourney Appears in 69 hymnals Used With Tune: ONWARD, MEN OF HEAVEN
Onward, onward, men of heaven
Bread on the Waters
Author: Anon. Appears in 44 hymnals First Line: "Cast thy bread upon the waters" Lyrics: 1. "Cast thy bread upon the waters,
Ye who have but scant supply;
Angel eyes will watch above it;
You shall find it by and by;
He who in his righteous balance,
Doth each human action weigh,
Will your sacrifice remember,
Will your loving deeds repay.
2. "Cast thy bread upon the waters;
Sad and weary, worn with care,
Wherefore sitting in the shadow?
Surely you've a crumb to spare.
Can you not to those around you
Sing some little song of hope,
As you look with longing vision
Thro' faith's mighty telescope?
3. "Cast thy bread upon the waters,"
Ye who have abundant store;
It may float on many a billow,
It may strand on many a shore;
You may think it lost forever,
But, as sure as God is true,
In this life, or in the other,
It will yet return to you. Topics: Living His Life Giving Used With Tune: CHARITY
Bread on the Waters
Let Me Go
Author: Lewis Hartsough Hymnal: The Cyber Hymnal #10372 First Line: Let me go where saints are going Refrain First Line: Let me go, ’tis Jesus calls me Lyrics: 1 Let me go where saints are going,
To the mansions of the blest;
Let me go where my Redeemer
Has prepared His people’s rest.
I would gain the realms of brightness,
Where they dwell forevermore;
I would join the friends that wait me,
Over on the other shore.
Refrain:
Let me go, ’tis Jesus calls me,
Let me gain the realms of day;
Bear me over, angel pinions,
Longs my soul to be away.
2 Let me go where none are weary,
Where is raised no wail of woe;
Let me go and bathe my spirit,
In the raptures angels know.
Let me go, for bliss eternal
Lures my soul away, away,
And the victor’s song triumphant
Thrills my heart; I cannot stay. [Refrain]
3 Let me go, why should I tarry?
What has earth to bind me here?
What but cares and toils and sorrows?
What but death and pain and fear?
Let me go, for hopes most cherished,
Blasted round me often lie.
O! I’ve gathered brightest flowers,
But to see them fade and die. [Refrain]
4 Let me go where tears and sighing,
Are for evermore unknown,
Where the joyous songs of glory
Call me to a happier home.
Let me go—I’d cease this dying,
I would gain life’s fairer plains;
Let me join the myriad harpers,
Let me chant their rapturous strains. [Refrain]
5 Let me go, there is a glory
That my soul hath longed to know,
I am thirsting for the waters,
That from crystal fountains flow.
There is where the angels tarry,
There the saved forever throng;
There the brightness wearies never,
There I’ll sing redemption’s song. [Refrain] Languages: English Tune Title: [Let me go where saints are going]
Let Me Go
William B. Bradbury
1816 - 1868 Person Name: Wm. B. Bradbury Composer of "ONWARD, MEN OF HEAVEN" in The Brethren Hymnal William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
Anonymous
Person Name: Anon. Author of "Let me go, 'tis Jesus calls me" in The Seventh-Day Adventist Hymn and Tune Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Lewis Hartsough
1828 - 1919 Person Name: Rev. L. Hartsough Author of "Let Me Go" in Chapel Melodies Hartsough, Lewis, was born at Ithaca, New York, Aug. 31, 1823. Of his hymns the following are in common use:—-
1. I hear Thy welcome voice. The Divine Invitation.
2. In the rifted Rock I'm resting. Safety in Jesus.
3. Lead me to the Rock that's higher. Safety in Jesus.
4. O who'll stand up for Jesus? All for Jesus
Nos. 1-3 are in I. D. Sankey's Sacred Songs & Solos, 1878 (1 and 3 with music by Hartsough).
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Hartsough, Lewis, p. 1569, ii. Mr. Hartsough entered the ministry of the Methodist Episcopal Church in 1851, and is now (1905) residing in Mount Vernon, Indiana. He was musical editor of J. Hillman's Revivalist, Troy, 1868, and co-editor of The Sacred Harmonist, Boston, 1864, and Beulah Songs, Phila., 1879. In addition to the hymns named on p. 1569, ii., "Let me go where saints are going" [Heav'n desired] (1861) has come into common use. It appeared in W. B. Bradbury's Clarion, 1867, p. 83. Concerning his hymn, "I hear Thy welcome voice," Mr. Sankey says in his My Life and Sacred Songs, 1906, p. 11(3:—
The words and music of this beautiful hymn were first published in a monthly, entitled, Guide to Holiness, a copy of which was sent to me in England. I immediately adopted it, and had it published in Sacred Songs and Solos. It proved to be one of the most helpful of the revival hymns, and was often used as an invitation hymn in England and America." [Rev. L. F. Benson, D.D.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
================
Hartsough, Lewis. (August 31, 1823--January 1, 1919). Details of his early life are lacking. After being admitted to the Oneida, New York, Conference of the Methodist Episcopal Church in 1851 and serving several pastorates in that state, his health failed and he went to Utah where he was influential in establishing the Utah Mission, later becoming its superintendent. Upon relinquishing that position he moved to Mt. Vernon, Iowa, where he spent the remainder of his life. Bird's statement that he lived in Indiana is erroneous. He was minister of the South Street Methodist Episcopal Church, Utica, New York, when he first became associated with Joseph Hillman, who chose him to act as musical editor of The Revivalist, a gospel hymn book which went through eleven editions in five years, 1868-1872. This book had a remarkable sale and was doubtless used in more churches during the 1870s than any other of similar character. To it the Reverend Hartsough contributed, in one edition, twelve texts, fourteen tunes, and thirty arrangements of tunes, several of the latter being of the religio-folk variety which had been so popular in the early camp meetings. It is a valuable source work.
"I love to think of the heavenly land" (p.1573) is by Hartsough. "I hear thy welcome voice (p.1569), originally in six four-line stanzas, with Refrain, in full S/1931; with the first three stanzas, slightly emended, Brethren/1951; with stanzas 1, 2, 3, and 5, also emended, in Hymns of the Living Faith, 1951. Writeen in 1872 with musical settings by the author, it is the only one of his many songs which has continued in use.
Source: Metcalf, Frank J. American Writers and Compilers of Sacred Music; several editions of The Revivalist.
--Robert G. McCutchan, DNAH Archives
Lewis Hartsough
