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God the Lord Is King
Author: George Rawson Meter: 8.7.8.7.8.7 Appears in 13 hymnals First Line: God the Lord is King: before Him Lyrics: 1. God the Lord is King: before Him
Earth with all thy nations, wait!
Where the cherubim adore Him,
Sitteth He in royal state:
He is holy; He is Holy;
Blessèd, only potentate!
2. God the Lord is King of glory,
Zion, tell the world His fame;
Ancient Israel, the story
Of His faithfulness proclaim:
He is holy; He is holy;
Holy is His aweful name.
3. In old times when dangers darkened,
When, invoked by priest and seer,
To His people’s cry He hearkened,
Answered them in all their fear;
He is holy, He is holy;
As they called, they found Him near.
4. Laws divine to them were spoken
From the pillar of the cloud;
Sacred precepts, quickly broken!
Fiercely then His vengeance flowed:
He is holy; He is holy;
To the dust their hearts were bowed.
5. But their Father God forgave them
When they sought His face once more:
Ever ready was to save them,
Tenderly did He restore:
He is holy; He is holy;
We too will His grace implore.
6. God in Christ is all forgiving,
Waits His promise to fulfill;
Come, exalt Him, all the living,
Come, ascend His holy hill;
He is holy; He is holy;
Worship at His holy hill. Used With Tune: ARDUDWY Text Sources: Leeds Hymn Book, 1853
God the Lord Is King
God Almighty, in Thy temple
Author: R. H. Baynes Appears in 17 hymnals Used With Tune: ARDUDWY
God Almighty, in Thy temple
God be with thee, Gently over thee
Author: Theodore Chickering Williams Appears in 5 hymnals Used With Tune: ARDUDWY
God be with thee, Gently over thee
Disgyn, Iesu, o'th gynteddoedd
Author: Pantycelyn Hymnal: Cân a Mawl #17a (1918) Languages: Welsh Tune Title: ARDUDWY
Disgyn, Iesu, o'th gynteddoedd
God Almighty, in Thy temple
Author: R. H. Baynes Hymnal: Cân a Mawl #17b (1918) Languages: English Tune Title: ARDUDWY
God Almighty, in Thy temple
Boed fy nghalon iti'n demel (Make my heart thy holy temple)
Author: W. W.; D. H. Hymnal: Mawl a chân = praise and song #58 (1952) Languages: English; Welsh Tune Title: ARDUDWY
Boed fy nghalon iti'n demel (Make my heart thy holy temple)
William Williams
1717 - 1791 Person Name: W. W. Author of "Boed fy nghalon iti'n demel (Make my heart thy holy temple)" in Mawl a chân = praise and song William Williams, called the "Watts of Wales," was born in 1717, at Cefn-y-coed, near Llandovery, Carmarthenshire. He originally studied medicine, but abandoned it for theology. He was ordained Deacon in the Church of England, but was refused Priest's Orders, and subsequently attached himself to the Calvinistic Methodists. For half a century he travelled in Wales, preaching the Gospel. He died in 1791. Williams composed his hymns chiefly in the Welsh language; they are still largely used by various religious bodies in the principality. Many of his hymns have appeared in English, and have been collected and published by Sedgwick. His two principal poetical works are "Hosannah to the Son of David," and "Gloria in Excelsis."
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
=====================
Williams, William, of Pantycelyn, was the Sweet Singer of Wales. He was born at Cefn-y-Coed, in the Parish of Llanfair-y-bryn, near Llandovery, in 1717. He was ordained a deacon of the Established Church in 1740, by Dr. Claget, Bishop of St. Davids, and for three years he served the Curacies of Llan-wrtyd and Llanddewi-Abergwesyn. He never received Priest's Orders. He became early acquainted with the revivalist Daniel Rowlands, and for thirty-five years he preached once a month at Llanllian and Caio and Llansawel, besides the preaching journeys he took in North and South Wales. He was held in great esteem as a preacher. In 1744 his first book of hymns appeared under the title of Halleluiah, and soon ran through three editions. In1762, he published another book under the title of Y Môr o Wydr, which soon went through five editions. His son John published an excellent edition of his hymns in the year 181lines In addition to his Welsh hymns Williams also published several in English as:—
(1.) Hosannah to the Son of David; or, Hymns of Praise to God, For our glorious Redemption by Christ. Some few translated from the Welsh Hymn-Book, but mostly composed on new Subjects. By William Williams. Bristol: Printed by John Grabham, in Narrow-Wine Street, 1759. This contains 51 hymns of which 11 are translated from his Welsh hymns. This little book was reprinted by D. Sedgwick in 1859.
(2.) Gloria in Excelsis: or, Hymns of Praise to God and the Lamb. By W. Williams . . . Carmarthen. Printed for the Author by John Ross, removed to Priory Street, near the Church, M.DCC.LXXI. This contains 70 hymns, not including parts.
From these volumes the following hymns are in common use:—
i. From the Hosannah, 1759:—
1. Jesus, my Saviour is enough. Jesus, All in All.
2. My God, my God, Who art my all. Communion with God desired.
3. The enormous load of human guilt. God's love unspeakable.
ii. From the Gloria in Excelsis, 1772.
4. Awake, my soul, and rise. Passiontide.
5. Beneath Thy Cross I lay me down. Passiontide.
6. Hark! the voice of my Beloved. The Voice of Jesus.
7. Jesus, lead us with Thy power. Divine Guidance Desired. Sometimes given as "Father, lead us with Thy power."
8. Jesus, Whose Almighty sceptre. Jesus as King.
9. Saviour, look on Thy beloved. The Help of Jesus desired.
10. White and ruddy is my Beloved. Beauties of Jesus.
Williams is most widely known through his two hymns, "Guide me, O Thou great Jehovah," and "O'er those gloomy hills of darkness." Williams died at Pantycelyn, Jan. 11, 1791. [Rev. W. Glanffrwd Thomas]
-- John Julian, Dictionary of Hymnology (1907)
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See also in:
Hymn Writers of the Church
William Williams
Venantius Honorius Clementianus Fortunatus
540 - 600 Person Name: Venantius H. C. Fortunatus, c. 530-609 Author of "Sing, my tongue, how glorious battle" in Trinity Hymnal Venantius Honorius Clematianus Fortunatus (b. Cenada, near Treviso, Italy, c. 530; d. Poitiers, France, 609) was educated at Ravenna and Milan and was converted to the Christian faith at an early age. Legend has it that while a student at Ravenna he contracted a disease of the eye and became nearly blind. But he was miraculously healed after anointing his eyes with oil from a lamp burning before the altar of St. Martin of Tours. In gratitude Fortunatus made a pilgrimage to that saint's shrine in Tours and spent the rest of his life in Gaul (France), at first traveling and composing love songs. He developed a platonic affection for Queen Rhadegonda, joined her Abbey of St. Croix in Poitiers, and became its bishop in 599. His Hymns far all the Festivals of the Christian Year is lost, but some of his best hymns on his favorite topic, the cross of Jesus, are still respected today, in part because of their erotic mysticism.
Bert Polman
==================
Fortunatus, Venantius Honorius Clementianus, was born at Ceneda, near Treviso, about 530. At an early age he was converted to Christianity at Aquileia. Whilst a student at Ravenna he became almost blind, and recovered his sight, as he believed miraculously, by anointing his eyes with some oil taken from a lamp that burned before the altar of St. Martin of Tours, in a church in that town. His recovery induced him to make a pilgrimage to the shrine of St. Martin, at Tours, in 565, and that pilgrimage resulted in his spending the rest of his life in Gaul. At Poitiers he formed a romantic, though purely platonic, attachment for Queen Rhadegunda, the daughter of Bertharius, king of the Thuringians, and the wife, though separated from him, of Lothair I., or Clotaire, king of Neustria. The reader is referred for further particulars of this part of the life of Fortunatus to Smith and Wace's Dictionary of Christian Biography, vol. ii. p. 552. It is sufficient to say here that under the influence of Rhadegunda, who at that time lived at Poitiers, where she had founded the convent of St. Croix, Fortunatus was ordained, and ultimately, after the death of Rhadegunda in 597, became bishop of Poitiers shortly before his own death in 609.
The writings, chiefly poetical, of Fortunatus, which are still extant, are very numerous and various in kind; including the liveliest Vers de Societé and the grandest hymns; while much that he is known to have written, including a volume of Hymns for all the Festivals of the Christian Year, is lost. Of what remains may be mentioned, The Life of St. Martin of Tours, his Patron Saint, in four books, containing 2245 hexameter lines. A complete list of his works will be found in the article mentioned above.
His contributions to hymnology must have been very considerable, as the name of his lost volume implies, but what remains to us of that character, as being certainly his work, does not comprise at most more than nine or ten compositions, and of some of these even his authorship is more than doubtful. His best known hymn is the famous "Vexilla Regis prodeunt," so familiar to us in our Church Hymnals in some English form or other, especially, perhaps, in Dr. Neale's translation, "The Royal Banners forward go." The next most important composition claimed for him is "Pange, lingua, gloriosi praelium certaminis," but there would seem to be little doubt according to Sirmond (Notis ad Epist. Sidon. Apollin. Lib. iii., Ep. 4), that it was more probably written by Claudianus Mamertus. Besides these, which are on the Passion, there are four hymns by Fortunatus for Christmas, one of which is given by Daniel, "Agnoscat omne saeculum," one for Lent, and one for Easter. Of "Lustra sex qui jam peregit," of which an imitation in English by Bishop. Mant, "See the destined day arise," is well-known, the authorship is by some attributed to Fortunatus, and by some to St. Ambrose.
The general character of the poetry of Venantius Fortunatus is by no means high, being distinguished neither for its classical, nor, with very rare exceptions, for its moral correctness. He represents the "last expiring effort of the Latin muse in Gaul," to retain something of the "old classical culture amid the advancing tide of barbarism." Whether we look at his style, or even his grammar and quantities, we find but too much that is open to criticism, whilst he often offends against good taste in the sentiments he enunciates. Occasionally, as we see in the "Vexilla Regis," he rises to a rugged grandeur in which he has few rivals, and some of his poems are by no means devoid of simplicity and pathos. But these are the exceptions and not the rule in his writings, and we know not how far he may have owed even these to the womanly instincts and gentler, purer influence of Rhadegunda. Thierry, in his Récits des Temps Mérovingiens, Récit 5, gives a lively sketch of Fortunatus, as in Archbishop Trench's words (Sacred Latin Poetry, 1874,p. 132), "A clever, frivolous, self-indulgent and vain character," an exaggerated character, probably, because one can hardly identify the author of "Vexilla Regis," in such a mere man of the world, or look at the writer of "Crux benedicta nitet, Dominus qua carne pependit" q.v., as being wholly devoid of the highest aspirations after things divine. A quarto edition of his Works was published in Rome in 1786. [Rev. Digby S. Wrangham, M.A.]
- John Julian, Dictionary of Hymnology (1907)
====================
Fortunatus, V. H. C., p. 384, i. The best edition of his poems is F. Leo's edition of his Opera Poetica, Berlin, 1881 (Monumenta Germaniae, vol. iv.).
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Venantius Honorius Clementianus Fortunatus
George Rawson
1807 - 1889 Author of "God the Lord Is King" in The Cyber Hymnal Born: June 5, 1807, Leeds, England.
Died: March 25, 1889, Clifton, England.
Buried: Arno’s Vale Cemetery, Bristol, England.
Pseudonym: A Leeds Layman.
Rawson, George, was born June 5, 1807, at Leeds, in which town he practised for many years as a solicitor. In 1853 he assisted the Congregational ministers of Leeds in the compilation of Psalms, Hymns, and Passages of Scripture for Christian Worship, a volume commonly known as the Leeds Hymn-book. Mr. Rawson was a member of the Congregational body. In 1858 he also assisted Rev. Dr. Green and other Baptist ministers in the preparation of Psalms and Hymns for the use of the Baptist Denomination. A number of Mr. Rawson's own compositions first appeared in this and in the Leeds Hymn-book In 1876 he published his Hymns, Verses and Chants (Hodder and Stoughton, London), including his previously published hymns, and containing (exclusive of chants) 80 original pieces. In 1885 most of these, with several additional hymns, were published by the R. T. S. under the title Songs of Spiritual Thought. Mr. Rawson died March 25, 1889.
His hymns are distinguished by refinement of thought, and delicacy and propriety of language; and if they do not attain the first rank among the songs of the Christian Church, many are of great excellence. The most widely known are, "By Christ redeemed, in Christ restored;" "Come to our poor nature's night;" "Father in high heaven dwelling;" "In the dark and cloudy day;" and "Reaper, behold the fields are white." In the Leeds Hymn-book, 1853, and the Baptist Psalms & Hymns, 1858, there are also several recasts of and additions to the hymns of other writers. In addition to Mr. Rawson's hymns which are annotated under their respective first lines, the following are also in common use:-
i. From the Leeds Hymn-book, 1853.
1. Captain and Saviour of the host. Burial.
2. Give dust to dust: and here we leave. Burial.
3. God the Lord is King-—before him. Ps. xcix.
4. In the dark and cloudy day. Consolation.
5. Soul, thy week of toil is ended. Saturday Evening.
6. Though the night be very long. Resignation.
ii. From the Baptist Psalms & Hymns, 1858.
7. Beautiful, desired, and dear. Public Worship.
8. Blessed are they who have not seen. Faith.
9. Blessed is the faithful heart. Faithfulness.
10. Christ to heaven is gone before. Ascension.
11. God the Father, be Thou near. Evening.
12. He fell asleep in Christ the Lord. Burial.
13. Immersed beneath the closing wave. Holy Baptism.
14. Lord, we bless Thee, Who hast given. Holy Communion.
15. My Father God, with filial awe. Abiding in God.
16. Our eyes we lift up to the hills. The Lord the Pastor's Keeper.
17. Reaper, behold the fields are ripe [white] . Missions.
18. Rise, heart, thy Lord arose. Sunday.
19. Upon the holy mountains high. Security of the Church.
iii. From the Leeds Sunday School Hymn Book, 1858.
20. And will [How shall] the mighty God. The Holy Ghost.
21. Jesus, the Lord, our Righteousness. Jesus, the children's Friend.
22. O Thou Good Shepherd. The Good Shepherd.
iv. From Dr. Allon's Supplemental Hymns, 1868.
23. My Father, it is good for me. Trust.
24. Thou Who hast known the careworn breast. Evening.
25. Walking with Thee, my God. Walking with God.
v. From Mr. Rawson's Hymns, Verses, &c. 1876.
26. God is our Refuge; God our Strength. Ps. xlvi.
27. Lo, a voice from heaven hath said. Burial.
28. Lord, let me pray. I know not how. The Holy Spirit desired.
29. O pallid, gentle, grief-worn face. Easter Eve.
30. Out of the depths, the gulfs, the night. Ps. cxxx.
31. This, the old world's day of rest. Saturday Evening. [1854-7.]
32. Thou who Thyself didst sanctify. Ordination. [1854-7.]
33. Voices of the deep blue night. The Heavenly Call.
34. With gladness we worship. Public Worship.
Mr. Rawson is represented by about 50 hymns in the collections of the present day. It must be noted that in the Hymns, &c, 1876, and in the Songs, &c, 1885, the texts of the hymns have been revised, and in several instances been weakened thereby. [Rev.W. R. Stevenson, M.A.]
--John Julian, Dictionary of Hymnology (1907)
================
Rawson, George, p. 952, i. Additional hymns by this author in common use include:—
1. Come, Spirit of the Lord. From his “How shall the mighty God," in his Hymns, Verses, &c, 1876, No. 43.
2. Each trial hath a gentle voice. Patience and Hope. In the 1880 Supplement to the Baptist Psalms and Hymns. This is dated 1857. It is not in the author's Hymns, 1876.
3. Stand up before your God. All Saints. In the 1880 Baptist Psalms and Hymns this is dated 1865. It is not in Rawson's Hymns, 1876.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
George Rawson
Small Church Music
Editors: Venantius Honorius Clementianus Fortunatus Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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