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Text Identifier:"^we_rear_not_a_temple_like_judahs_of_old$"

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We rear not a temple, like Judah's of old

Author: Henry Ware, Jr. Appears in 17 hymnals Topics: Dedication of churches Used With Tune: PORTUGUESE HYMN (ADESTE FIDELES)

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PORTUGUESE HYMN

Appears in 1,337 hymnals Composer and/or Arranger: Unknown Incipit: 11512 55323 43211 Used With Text: We rear not a temple, like Judah's of old
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DARWALL

Appears in 486 hymnals Composer and/or Arranger: John Darwall Tune Key: D Major Incipit: 13153 17654 32231 Used With Text: We rear not a temple, like Judah's of old
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CRADLE SONG

Meter: 11.11.11.11 Appears in 135 hymnals Composer and/or Arranger: William James Kirkpatrick Tune Sources: In his 1895 pamphlet "Around the World with Christmas" Tune Key: F Major Incipit: 51123 11345 56423 Used With Text: We Rear Not a Temple

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We rear not a temple, like Judah's of old

Author: Henry Ware Hymnal: The Seventh-Day Adventist Hymn and Tune Book #1127 (1886) Lyrics: 1 We rear not a temple, like Judah's of old, Whose portals were marble, whose vaultings were gold; No incense is lighted, no victims are slain, No monarch kneels praying to hallow the fane. 2 More simple and lowly the walls that we raise, And humbler the pomp of procession and praise, Where the heart is the altar whence incense shall roll, And Messiah the King who shall plead for the soul. 3 O Father, come in! but not in the cloud Which filled the bright courts where thy chosen ones bowed; But come in that Spirit of glory and grace Which beams on the soul and illumines the race. 4 O come in the power of thy life-giving word, And reveal to each heart its Redeemer and Lord, Till faith bring the peace to the penitent given, And love fill the air with the fragrance of heaven. Topics: The Church Dedication Tune Title: DARWALL

We rear not a temple, like Judah's of old

Author: Henry Ware Hymnal: Standard Hymns and Gospel Songs. Evangelical Congregational Church ed. #d98 (1930)
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We rear not a temple, like Judah's of old

Author: Henry Ware Hymnal: Singers and Songs of the Liberal Faith #110 (1875) Topics: Dedication

People

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Authors, composers, editors, etc.

Anonymous

Person Name: Anon. Composer of "PORTUGUESE HYMN (ADESTE FIDELES)" in The Evangelical Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William J. Kirkpatrick

1838 - 1921 Person Name: William James Kirkpatrick Composer of "CRADLE SONG" in The Cyber Hymnal William J. Kirkpatrick (b. Duncannon, PA, 1838; d. Philadelphia, PA, 1921) received his musical training from his father and several other private teachers. A carpenter by trade, he engaged in the furniture business from 1862 to 1878. He left that profession to dedicate his life to music, serving as music director at Grace Methodist Church in Philadelphia. Kirkpatrick compiled some one hundred gospel song collections; his first, Devotional Melodies (1859), was published when he was only twenty-one years old. Many of these collections were first published by the John Hood Company and later by Kirkpatrick's own Praise Publishing Company, both in Philadelphia. Bert Polman

John Darwall

1732 - 1789 Composer of "DARWALL" in The Seventh-Day Adventist Hymn and Tune Book John Darwall (b. Haughton, Staffordshire, England, 1731; d. Walsall, Staffordshire, England, 1789) The son of a pastor, he attended Manchester Grammar School and Brasenose College, Oxford, England (1752-1756). He became the curate and later the vicar of St. Matthew's Parish Church in Walsall, where he remained until his death. Darwall was a poet and amateur musician. He composed a soprano tune and bass line for each of the 150 psalm versifications in the Tate and Brady New Version of the Psalms of David (l696). In an organ dedication speech in 1773 Darwall advocated singing the "Psalm tunes in quicker time than common [in order that] six verses might be sung in the same space of time that four generally are." Bert Polman