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Author: Jane Parker Huber, 1926-2008 Meter: 8.8.8.8 Appears in 2 hymnals First Line: The peace of mind that Christ can bring Topics: Faith; Fear; Justice; Peace of Jesus Christ; Inner Peace; Pursuit of Peace; Shalom Scripture: John 14:27 Used With Tune: TALLIS' CANON

Tunes

Tune authorities

TALLIS' CANON

Meter: 8.8.8.8 Appears in 480 hymnals Composer and/or Arranger: Thomas Tallis, 1505-1585 Tune Key: G Major or modal Incipit: 11711 22343 14433 Used With Text: The Peace of Mind

Instances

Published text-tune combinations (hymns) from specific hymnals

The Peace of Mind That Christ Can Bring

Author: Jane Parker Huber Hymnal: Scripture Song Database #3434 (2008) First Line: [The Peace of Mind That Christ Can Bring] Scripture: Philippians 4:9 Languages: English

The Peace of Mind

Author: Jane Parker Huber, 1926-2008 Hymnal: Community of Christ Sings #320 (2013) Meter: 8.8.8.8 First Line: The peace of mind that Christ can bring Topics: Faith; Fear; Justice; Peace of Jesus Christ; Inner Peace; Pursuit of Peace; Shalom Scripture: John 14:27 Languages: English Tune Title: TALLIS' CANON

People

Authors, composers, editors, etc.

Jane Parker Huber

1926 - 2008 Person Name: Jane Parker Huber, 1926-2008 Author of "The Peace of Mind" in Community of Christ Sings

Thomas Tallis

1505 - 1585 Person Name: Thomas Tallis, 1505-1585 Composer of "TALLIS' CANON" in Community of Christ Sings Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman