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"Prepare us, Lord"
Author: Thomas Cotterill Appears in 42 hymnals First Line: Prepare us, Lord to view thy cross Lyrics: 1 Prepare us, Lord, to view thy cross,
Who all our griefs hast borne;
To look on thee, whom we have pierced--
To look on thee and mourn.
2 While thus we mourn, we would rejoice,
And as thy cross we see,
Let each exclaim, in faith and hope,
"The Saviour died for me!" Topics: Church Ordinances of; Communion of Saints At Lord's Table Scripture: 2 Chronicles 30:18 Used With Tune: CHERITH
"Prepare us, Lord"
"Prepare us, Lord"
Author: Thomas Cotterill Hymnal: Laudes Domini #506 (1890) First Line: Prepare us, Lord, to view thy cross Lyrics: 1 Prepare us, Lord, to view thy cross,
Who all our griefs hast borne;
To look on thee, whom we have pierced
To look on thee and mourn.
2 While thus we mourn, we would rejoice,
And as thy cross we see,
Let each exclaim, in faith and hope,
"The Saviour died for me!" Topics: The Church of God; Church Ordinances of; Lord's Supper; Ordinances; Church Ordinances of; Lord's Supper; Ordinances Languages: English
"Prepare us, Lord"
"Prepare us, Lord"
Author: Thomas Cotterill Hymnal: Laudes Domini #529 (1888) First Line: Prepare us, Lord to view thy cross Lyrics: 1 Prepare us, Lord, to view thy cross,
Who all our griefs hast borne;
To look on thee, whom we have pierced--
To look on thee and mourn.
2 While thus we mourn, we would rejoice,
And as thy cross we see,
Let each exclaim, in faith and hope,
"The Saviour died for me!" Topics: Church Ordinances of; Communion of Saints At Lord's Table Scripture: 2 Chronicles 30:18 Languages: English Tune Title: CHERITH
"Prepare us, Lord"
Prepare us, Lord! to view thy cross
Hymnal: Church Psalmody #H191 (1831) Languages: English
Prepare us, Lord! to view thy cross
William Gardiner
1770 - 1853 Person Name: W. Gardiner Composer of "DEDHAM" in Songs for the Lord's House William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music.
Bert Polman
William Gardiner
Anonymous
Person Name: Anon. Author of "Prepare us, Lord, to view thy cross" in Hymns for the Sanctuary and Social Worship In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Thomas Cotterill
1779 - 1823 Author of ""Prepare us, Lord"" in Laudes Domini Thomas Cotterill (b. Cannock, Staffordshire, England, 1779; d. Sheffield, Yorkshire, England, 1823) studied at St. John's College, Cambridge, England, and became an Anglican clergyman. A central figure in the dispute about the propriety of singing hymns, Cotterill published a popular collection of hymns (including many of his own as well as alterations of other hymns), Selection of Psalms and Hymns in 1810. But when he tried to introduce a later edition of this book in Sheffield in 1819, his congregation protested. Many believed strongly that the Church of England should maintain its tradition of exclusive psalm singing. In a church court the Archbishop of York and Cotterill reached a compromise: the later edition of Selection was withdrawn, and Cotterill was invited to submit a new edition for the archbishop's approval. The new edition was published in 1820 and approved as the first hymnal for the Anglican church of that region. Cotterill's suppressed book, however, set the pattern for Anglican hymnals for the next generation, and many of its hymns are still found in modern hymnals.
Bert Polman
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Thomas Cotterill was born in 1779; studied at S. John's College, Cambridge, graduating M.A.; ordained in 1806, and enterred upon parochial work at Tutbury; afterwards removed to Lane End, where he remained for nine years among the Potteries; in 1817, became perpetual Curate of S. Paul's, Sheffield. He died in 1823. He was the author of several books; among them, "A Selection of Psalms and Hymns for Public and Private Use, adapted to the Services of the Church of England." In the preparation of this collection (the 8th ed., 1819), he had the assistance of Montgomery, who in this work did what he condemned in others, viz., altering and remodeling other authors' hymns.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
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Cotterill, Thomas, M.A., was the son of a woolstapler at Cannock, Staffordshire, where he was born Dec. 4, 1779. After attending the local boarding-school of the Rev. J. Lomax, he proceeded to the Free School, Birmingham. He graduated at St. John's College, Cambridge (B.A. 1801, M.A. 1805), of which he became a Fellow. Taking Holy Orders, he became Curate of Tutbury in June, 1803 (not 1806, as stated by Miller in Singers & Songs of the Church). His subsequent charges were the Incumbency of Lane End, Staffordshire, 1808-17, and the Perpetual Curacy of St. Paul's Sheffield, 1817-23. He died at Sheffield Dec. 29, 1823 (not Jan. 5, 1824, as in the Gentleman’s Magazine), aged 44. His volume of Family Prayers attained to the sixth edi¬tion in 1824. As a hymn-writer, Cotterill is less known than as the compiler of a Selection of Psalms and Hymns which has had a most marked effect on modern hymnals. The first edition of that Selection was published in 1810, and the 9th in 1820. All subsequent issues were reprints of the last. The most important edition is the 8th, 1819. To that Selection Cotterill contributed at various dates 25 original hymns and versions of individual psalms. These, in common with all the hymns in the Selection, are given without author's name. Through the aid, however, of marked copies [in the collections of Brooke and Julian] and of members of Cotterill's family, we are enabled to identify most, if not all, of his original productions. In addition to those which are annotated under their first lines, we have—
i. In his Selection of Psalms & Hymns for Public and Private Use, adapted to the Festivals of the Church of England, &c, 1st ed., 1810:—
1. Awake, O sword, the Father cried. Atonement.
2. Before Thy throne of grace, O Lord. Lent.
3. From Sinai's mount, in might array'd. The Law and the Gospel.
4. From Thine all-seeing Spirit, Lord. Ps. 139.
5. In all the ways and works of God. Ps. 145.
6. Out of the deeps, O Lord, we call. Ps. 130.
7. The Lord, who once on Calvary. The Intercessor. This is based on “Where high the heavenly temple stands," q. v.
ii. In the Appendix to the 6th ed. of the same Selection, Staffordshire, 1815:—
8. Blessed are they who mourn for sin. Lent.
9. Father of mercies, let our songs [way, ways]. Thanksgiving.
10. I was alive without the law. Lent.
11. Lord of the Sabbath, 'tis Thy day. Sunday.
iii. In the 8th edition of the same, 1819 :—
12. Help us, O Lord, Thy yoke to wear. Charity Sermons. This is sometimes given as "Lord, let us learn Thy yoke to wear," as in Kennedy, 1863, &c.
13. I love the Lord, for He hath heard. Ps. 116.
14. Lo in the East a star appears. Epiphany. This in an altered form begins in Kennedy, 1863, No. 188, with stanza ii., "The ancient sages from afar."
15. Lord, cause Thy face on us to shine. For Unity.
16. When Christ, victorious from the grave. Easter. The 9th ed. of the Selection, 1820, was practically a new work. It was compiled by Cotterill, but revised by Dr. Harcourt, the Archbishop of York, and was dedi¬cated to him. It was the outcome of the compromise in the legal proceedings over the 8th ed., 1819. The 8th ed. contained 367 hymns in addition to 128 versions of the Psalms and 6 Doxologies, the 9th only 152. Its full title was A Selection of Psalms and Hymns for Public Worship, Lond., T. Cadell, 1820. It may be noted that copies of the 8th ed., 1819, are found with two distinct title-pages. One of these, accompanied with the preface, was for the general public, the second, without the preface, for the use of the congregations of St. James's and St. Paul's, Sheffield.
Of Cotterill's hymns the most popular are, "O'er the realms of pagan darkness," "Let songs of praises fill the sky," and "Jesus exalted far on high," but these are not distinguished by any striking features of excellence. He was more happy in some of his alterations of older hymns, and in the com¬piling of centos. Many of the readings introduced into the great hymns of the Church first appeared in his Selection. The most notable amongst these are, "Rock of Ages," in 3 stanzas, as in Hymns Ancient & Modern, 1861, the Wesleyan Hymn Book, and other collections; "Lo! He comes with clouds descending;" and “Great God, what do I see and hear." Cotterill's connection with the Uttoxeter Psalms & Hymns, 1805, is given in detail in the article on Staffordshire Hymn-books, and his lawsuit over the 8th ed. of his Selection, 1819, in the article on England Hymnody, Church of.
--John Julian, Dictionary of Hymnology (1907)
Thomas Cotterill
