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Out of the depths have I cried
Appears in 74 hymnals Topics: Prose Psalms Scripture: Psalm 130 Used With Tune: [Out of the depths have I cried] (Croft)
Out of the depths have I cried
[Out of the depths have I cried]
Appears in 80 hymnals Composer and/or Arranger: R. Farrant, -1580 Tune Key: G Major Incipit: 11235 43221 Used With Text: Out of the depths have I cried
[Out of the depths have I cried]
[Out of the depths have I cried] CROFT
Appears in 45 hymnals Composer and/or Arranger: W. Croft, 1678 - 1727 Tune Key: a minor Incipit: 17653 21171 Used With Text: Out of the depths have I cried
[Out of the depths have I cried] CROFT
[Out of the deep have I called unto Thee O Lord]
Appears in 12 hymnals Incipit: 33325 655 Used With Text: De profundis
[Out of the deep have I called unto Thee O Lord]
De Profundis
Hymnal: The Woman's Hymnal #109 (1892) First Line: Out of the depths have I cried unto thee, O Lord Languages: English Tune Title: [Out of the depths have I cried unto thee, O Lord]
De Profundis
Out of the depths have I cried
Hymnal: The Hymnary for use in Baptist churches #740a (1936) Topics: Prose Psalms Scripture: Psalm 130 Languages: English Tune Title: [Out of the depths have I cried] (Croft)
Out of the depths have I cried
Out of the depths have I cried
Hymnal: The Hymnary for use in Baptist churches #740b (1936) Topics: Prose Psalms Scripture: Psalm 130 Languages: English Tune Title: [Out of the depths have I cried]
Out of the depths have I cried
Henry Purcell
1659 - 1695 Person Name: H. Purcell Composer of "[Out of the depths have I cried]" in Sunday-School Book Henry Purcell (b. Westminster, London, England, 1659; d. Westminster, 1695), was perhaps the greatest English composer who ever lived, though he only lived to the age of thirty-six. Purcell's first piece was published at age eight when he was also a chorister in the Chapel Royal. When his voice changed in 1673, he was appointed assistant to John Hingston, who built chamber organs and maintained the king's instruments. In 1674 Purcell began tuning the Westminster Abbey organ and was paid to copy organ music. Given the position of composer for the violins in 1677, he also became organist at Westminster Abbey in 1679 (at age twenty) and succeeded Hingston as maintainer of the king's instruments (1683). Purcell composed music for the theater (Dido and Aeneas, c. 1689) and for keyboards, provided music for royal coronations and other ceremonies, and wrote a substantial body of church music, including eighteen full anthems and fifty-six verse anthems.
Bert Polman
Henry Purcell
William Croft
1678 - 1727 Person Name: W. Croft , 1678 - 1727 Composer of "[Out of the depths have I cried] (Croft)" in The Hymnary for use in Baptist churches William Croft, Mus. Doc. was born in the year 1677 and received his musical education in the Chapel Royal, under Dr. Blow. In 1700 he was admitted a Gentleman Extraordinary of the Chapel Boyd; and in 1707, upon the decease of Jeremiah Clarke, he was appointed joint organist with his mentor, Dr. Blow. In 1709 he was elected organist of Westminster Abbey. This amiable man and excellent musician died in 1727, in the fiftieth year of his age. A very large number of Dr. Croft's compositions remain still in manuscript.
Cathedral chants of the XVI, XVII & XVIII centuries, ed. by Edward F. Rimbault, London: D. Almaine & Co., 1844
William Croft
Thomas Tallis
1505 - 1585 Person Name: T. Tallis Composer of "[Out of the depths]" in The Methodist Hymn-Book with Tunes Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561).
Bert Polman
Thomas Tallis
