My Starred Hymns
My FlexScores
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
Our Father, hear our longing prayer
Author: George MacDonald Appears in 13 hymnals Used With Tune: NAOMI
Our Father, hear our longing prayer
Our Father, hear our longing prayer
Author: George MacDonald Hymnal: The Mission Band Hymnal #d52 (1879) Languages: English
Our Father, hear our longing prayer
Our Father, hear our longing prayer
Author: George MacDonald Hymnal: The Faithist Hymnal #d79 (1957)
Our Father, hear our longing prayer
Our Father, hear our longing prayer
Author: George MacDonald Hymnal: The New Laudes Domini #127 (1892) Topics: Evening Worship Languages: English
Our Father, hear our longing prayer
Hans G. Nägeli
1773 - 1836 Person Name: Nägeli Composer of "NAOMI" in The School Hymnary Johann G. Nageli (b. Wetzikon, near Zurich, Switzerland, 1773; d. Wetzikon, 1836) was an influential music educator who lectured throughout Germany and France. Influenced by Johann Pestalozzi, he published his theories of music education in Gangbildungslehre (1810), a book that made a strong impact on Lowell Mason. Nageli composed mainly" choral works, including settings of Goethe's poetry. He received his early instruction from his father, then in Zurich, where he concentrated on the music of. S. Bach. In Zurich, he also established a lending library and a publishing house, which published first editions of Beethoven’s piano sonatas and music by Bach, Handel, and Frescobaldi.
Bert Polman
Hans G. Nägeli
George Macdonald
1824 - 1905 Person Name: George MacDonald Author of "Our Father, hear our longing prayer" in The School Hymnary Macdonald, George, LL.D., was born at Huntly, Aberdeenshire, Dec. 10, 1824, and educated at King's College, Aberdeen, where he graduated M.A., and from which he afterwards received the honorary degree of LL.D. For a brief time he studied for the Congregational ministry at Highbury College, London, and then became the Minister of the Congregational Church at Arundel, Sussex (1850-53). He afterwards preached for a short time to a small company at Manchester and Bolton. Relinquishing the ministry, he became Lecturer on English Literature at King's College, London, and ultimately gave himself up entirely to literary work. Dr. Macdonald has acquired a great reputation by means of his works of fiction, most of which were originally contributed to magazines, and the most notable of which are David Elginbrod; Robert Falconer; Alec Forbes of Howglen; and Annals of a Quiet Neighbourhood. He was some time Editor of Good Words for the Young, and wrote England's Antiphon for Macmillan's Sunday Library. His poetical works are:—
(1) Within and Without, 1855; (2) The Disciple, and Other Poems, 1860; (3) The Diary of an Old Soul (printed for private circulation), 1867"; (4) Exotics, a volume of translations from the German (most of which first appeared in the Sunday Magazine), 1876; and (5) A Threefold Cord, 1883, part of which previously appeared in his Works of Fancy and Imagination, 10 vols., 1871.
Most of his original hymns were contributed to Hymns and Sacred Songs for Sunday Schools and Social Worship, &c, published by Fletcher and Tubbs, Manchester, in 1855 (2nd. edition, 1856), and of which his brother, and the Rev. G. B. Bubier were the editors. The original hymns, which are signed "G. Macdonald," in this collection are:—
1. A quiet heart, submissive, meek. The Meek inherit the Earth.
2. Daylight fades away. Second Advent.
3. Father, I well may praise Thy name. Sunday Morning.
4. Father, these souls of ours have been. Blessed are the Pure in Heart.
5. If we were longing for the food. Blessed are they that Hunger and Thirst after Righteousness.
6. It was an awful hour that gave. Blessed are the Merciful.
7. Let Thy own voice, 0 Father, say. Blessed are they that mourn.
8. 0 Son of Man, Thy Name by choice. Blessed are the Meek.
9. Our Father, hear our longing prayer. Blessed are the Poor in Spirit.
Some of these hymns were afterwards revised by their author. The next two are from The Disciple, and Other Poems, 1860 :—
10. O God, Whose daylight leadeth down. Evening.
11. O Lord [God] of life, Thy quickening voice. Morning.
Dr. Macdonald's hymns are rich in ideas, but are touched with a mysticism which renders them a little difficult of apprehension. They are however of great value in setting forth truths rarely expressed in hymns, and are likely to grow in favour. [Rev. W. Garrett Horder]
-- John Julian, Dictionary of Hymnology (1907)
=======================
http://en.wikipedia.org/wiki/George_MacDonald
George Macdonald
William Horsley
1774 - 1858 Composer of "HORSLEY" in The Pilgrim Hymnal Born: November 15, 1774, Mayfair, London, England.
Died: June 12, 1858, Kensington, London, England.
Buried: Kensal Green Cemetery, London, England.
Horsley studied music privately, then became organist of Ely Chapel, Holborn, London, in 1794. He assisted Dr. J. W. Callcott (who encouraged him in persevering at Glee-writing, at which he became successful) as organist of the Asylum for Female Orphans, and married Callcott’s daughter. He succeeded Callcott in 1802, holding that post 52 years. A difference of opinion with the Asylum Committee led to him being dismissed. In 1838 he also became organist of Charterhouse "at a salary of £70 and a room set apart and a fire provided when necessary for his use on those days upon which his duty requires his attendance at the Hospital." He founded the London Philharmonic Society, and in later years was a close friend of Felix Mendelssohn.
J. C. Horsley, the eminent painter, relates in his Reminiscences the following experience when he went with his father to one of the services:
"When I was four years old my father was organist to the Asylum for Female Orphans, which was a stately building on the Westminster Bridge Road; and one Sunday he took me in with him to the morning service and landed me in the organ-loft. Everything was new and surprising to me, especially the crowd of buxom girls, at least a hundred in number, all dressed alike, ranged right and left of the organ, and who, when the organ had played a bar or two of the opening hymn, sang out with open mouths and such energy that I was positively scared, and in continently accompanied the performance with a prolonged howl; upon which my father, continuing to play the accompaniment with one hand, supplied me promptly with paper out of his capacious pocket, where he always kept a store of backs of letters (envelopes were not invented then), and a silver pencil-case of heroic proportions, thus quieting me." Lightwood, pp. 171-72
--www.hymntime.com/tch/
William Horsley
