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Text Identifier:"^our_cities_cry_to_you_o_god$"

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Our Cities Cry to You, O God

Author: E. Margaret Clarkson Meter: 8.6.8.6 D Appears in 7 hymnals Hymnal Title: Calvin Hymnary Project

Tunes

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Tune authorities

HANDS OF THE POOR

Meter: 8.6.8.6 D Appears in 1 hymnal Composer and/or Arranger: Alfred V. Fedak, 1953- Hymnal Title: Common Praise (1998) Tune Key: f minor Used With Text: Our Cities cry to You, O God
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SALVATION

Meter: 8.6.8.6 D Appears in 52 hymnals Hymnal Title: Sing! A New Creation Tune Sources: Kentucky Harmony, 1816 Tune Key: d minor Incipit: 53127 11234 53432 Used With Text: Our Cities Cry to You, O God
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THE THIRD TUNE

Appears in 44 hymnals Composer and/or Arranger: Thomas Tallis, c.1505-1585; Ralph Vaughan Williams, 1872-1958 Hymnal Title: The Book of Praise Tune Key: e minor or modal Incipit: 13333 44555 55655 Used With Text: Our cities cry to you, O God

Instances

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Published text-tune combinations (hymns) from specific hymnals

Our Cities cry to You, O God

Author: Margaret Clarkson, 1915-2008 Hymnal: Common Praise (1998) #591 (1998) Meter: 8.6.8.6 D Hymnal Title: Common Praise (1998) Topics: Healing; Justice; Nation and City; Reign of Christ; Servanthood; The New Jerusalem; Peace Scripture: Isaiah 5:1-7 Languages: English Tune Title: HANDS OF THE POOR

Our cities cry to you, O God

Hymnal: Sing Glory #251 (1999) Meter: 8.6.8.6 D Hymnal Title: Sing Glory
Audio

Our Cities Cry to You, O God

Author: Margaret Clarkson, b. 1915 Hymnal: Sing! A New Creation #266 (2002) Meter: 8.6.8.6 D Hymnal Title: Sing! A New Creation Topics: Service Scripture: 1 Corinthians 16 Languages: English Tune Title: SALVATION

People

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Authors, composers, editors, etc.

Alfred V. Fedak

b. 1953 Person Name: Alfred V. Fedak, 1953- Hymnal Title: Common Praise (1998) Composer of "HANDS OF THE POOR" in Common Praise (1998) Alfred Fedak (b. 1953), is a well-known organist, composer, and Minister of Music at Westminster Presbyterian Church on Capitol Hill in Albany, New York. He graduated from Hope College in 1975 with degrees in organ performance and music history. He obtained a Master’s degree in organ performance from Montclair State University, and has also studied at Westminster Choir College, Eastman School of Music, the Institute for European Studies in Vienna, and at the first Cambridge Choral Studies Seminar at Clare College, Cambridge. As a composer, he has over 200 choral and organ works in print, and has three published anthologies of his work (Selah Publishing). In 1995, he was named a Visiting Fellow in Church Music at Episcopal Seminary of the Soutwest in Austin, Texas. He is also a Fellow of the American Guild of Organists, and was awarded the AGO’s prestigious S. Lewis Elmer Award. Fedak is a Life Member of the Hymn Society, and writes for The American Organist, The Hymn, Reformed Worship, and Music and Worship. He was a member of the Presbyterian Committee on Congregational Song that prepared Glory to God, the 2013 hymnal of the Presbyterian Church (U.S.A.) Laura de Jong

E. Margaret Clarkson

1915 - 2008 Person Name: Margaret Clarkson, b. 1915 Hymnal Title: Sing! A New Creation Author of "Our Cities Cry to You, O God" in Sing! A New Creation

Thomas Tallis

1505 - 1585 Person Name: Thomas Tallis, c.1505-1585 Hymnal Title: The Book of Praise Composer of "THE THIRD TUNE" in The Book of Praise Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman