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Text Identifier:"^o_worship_the_king_all_glorious_above$"

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O Worship the King all glorious above

Author: Robert Grant Meter: 10.10.11.11 Appears in 1,138 hymnals Lyrics: 1 O worship the King all-glorious above, O gratefully sing his power and his love: our shield and defender, the Ancient of Days, pavilioned in splendor and girded with praise. 2 O tell of his might and sing of his grace, whose robe is the light, whose canopy space. His chariots of wrath the deep thunderclouds form, and dark is his path on the wings of the storm. 3 Your bountiful care, what tongue can recite? It breathes in the air, it shines in the light; it streams from the hills, it descends to the plain, and sweetly distills in the dew and the rain. 4 Frail children of dust, and feeble as frail, in you do we trust, nor find you to fail. Your mercies, how tender, how firm to the end, our Maker, Defender, Redeemer, and Friend! 5 O measureless Might, unchangeable Love, whom angels delight to worship above! Your ransomed creation, with glory ablaze, in true adoration shall sing to your praise! Psalter Hymnal, (Gray) Topics: God Love and Mercy; God the Father God in Nature; God the Father His Majesty and Power; Worship; liturgical Opening Hymns

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LYONS

Meter: 10.10.11.11 Appears in 757 hymnals Composer and/or Arranger: Johann Michael Haydn, 1737-1806 Tune Sources: Arr. In William Gardiner's Sacred Melodies, 1815 Tune Key: A Flat Major Incipit: 51123 14432 51123 Used With Text: O Worship the King
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HOUGHTON

Meter: 10.10.11.11 Appears in 56 hymnals Composer and/or Arranger: H. J. Gauntlett Incipit: 53165 53165 14425 Used With Text: O Worship the King!
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HANOVER

Meter: 10.10.11.11 Appears in 324 hymnals Composer and/or Arranger: William Croft, 1678-1727 Tune Key: G Major Incipit: 51123 51271 23217 Used With Text: O worship the King, all glorious above

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Published text-tune combinations (hymns) from specific hymnals
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O Worship the King, All Glorious Above

Author: William Kethe; Robert H. Grant Hymnal: Hymns of Faith #60 (1980) Lyrics: 1 O worship the King, all glorious above, O gratefully sing His pow'r and His love; Our Shield and Defender, the Ancient of Days, Pavilioned in splendor and girded with praise. 2 O tell of His might, O sing of His grace, Whose robe is the light, whose canopy space. His chariots of wrath the deep thunder clouds form, And bright is His path on the wings of the storm. 3 Thy bountiful care what tongue can recite? It breathes in the air, it shines in the light; It streams from the hills, it descends to the plain, And sweetly distills in the dew and the rain. 4 Frail children of dust, and feeble as frail, In Thee do we trust, nor find Thee to fail; Thy mercies how tender! how firm to the end! Our Maker, Defender, Redeemer, and Friend. Amen. Topics: God Majesty and Power; Worship; God Majesty and Power; Worship Scripture: Psalm 84:11 Languages: English Tune Title: [O worship the King, all glorious above]
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O Worship the King, All Glorious Above

Author: Robert Grant Hymnal: Sing Joyfully #90 (1989) Lyrics: 1 O worship the King, all glorious above, O gratefully sing His pow'r and His love; Our Shield and Defender, the Ancient of Days, Pavilioned in splendor and girded with praise. 2 O tell of His might, O sing of His grace, Whose robe is the light, whose canopy space. His chariots of wrath the deep thunder clouds form, And dark is His path on the wings of the storm. 3 Thy bountiful care what tongue can recite? It breathes in the air, it shines in the light; It streams from the hills, it descends to the plain, And sweetly distills in the dew and the rain. 4 Frail children of dust, and feeble as frail, In Thee do we trust, nor find Thee to fail; Thy mercies how tender! how firm to the end! Our Maker, Defender, Redeemer, and Friend. Amen. Topics: God Love and Mercy; God Creator Languages: English Tune Title: [O worship the King, all glorious above]
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O worship the King all glorious above

Author: Sir Robert Grant Hymnal: Trinity Hymnal #13 (1961) Meter: 10.10.11.11 Lyrics: 1 O worship the King all glorious above, O gratefully sing his pow'r and his love; Our Shield and Defender, the Ancient of Days, Pavilioned in splendor, and girded with praise. 2 O tell of his might, O sing of his grace, Whose robe is the light, whose canopy space. His chariots of wrath the deep thunderclouds form, And dark is his path on the wings of the storm. 3 The earth with its store of wonders untold, Almighty, thy pow'r hath founded of old; Hath stablished it fast by a changeless decree, And round it hath cast, like a mantle, the sea. 4 Thy bountiful care what tongue can recite? It breathes in the air; it shines in the light; It streams from the hills; it descends to the plain; And sweetly distils in the dew and the rain. 5 Frail children of dust, and feeble as frail, In thee do we trust, nor find thee to fail; Thy mercies how tender, how firm to the end, Our Maker, Defender, Redeemer, and Friend! 6 O measureless Might! Ineffable Love! While angels delight to hymn thee above, The humbler creation, though feeble their lays, With true adoration shall lisp to thy praise. Amen. Topics: God Defender; God Divine Perfections of; God Glory of; God Greatness of ; God Majesty of; Heaven Worship in ; Music; God in Nature; Worship Scripture: Psalm 104:1-2 Languages: English Tune Title: LYONS

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George Frideric Handel

1685 - 1759 Person Name: Handel Composer of "HANOVER" in The New Canadian Hymnal George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

G. Winston Cassler

1906 - 1990 Harmonizer of "LYONS" in The United Methodist Hymnal Music Supplement

William Kethe

? - 1594 Paraphraser of "O Worship The King" in The Hymn Book of the Anglican Church of Canada and the United Church of Canada William Kethe (b. Scotland [?], d. Dorset England, c. 1594). Although both the time and place of Kethe's birth and death are unknown, scholars think he was a Scotsman. A Protestant, he fled to the continent during Queen Mary's persecution in the late 1550s. He lived in Geneva for some time but traveled to Basel and Strasbourg to maintain contact with other English refugees. Kethe is thought to be one of the scholars who translated and published the English-language Geneva Bible (1560), a version favored over the King James Bible by the Pilgrim fathers. The twenty-five psalm versifications Kethe prepared for the Anglo-Genevan Psalter of 1561 were also adopted into the Scottish Psalter of 1565. His versification of Psalm 100 (All People that on Earth do Dwell) is the only one that found its way into modern psalmody. Bert Polman ======================== Kethe, William, is said by Thomas Warton in his History of English Poetry, and by John Strype in his Annals of the Reformation, to have been a Scotsman. Where he was born, or whether he held any preferment in England in the time of Edward VI., we have been unable to discover. In the Brieff discours off the troubles begonne at Franckford, 1575, he is mentioned as in exile at Frankfurt in 1555, at Geneva in 1557; as being sent on a mission to the exiles in Basel, Strassburg, &c, in 1558; and as returning with their answers to Geneva in 1559. Whether he was one of those left behind in 1559 to "finishe the bible, and the psalmes bothe in meeter and prose," does not appear. The Discours further mentions him as being with the Earl of Warwick and the Queen's forces at Newhaven [Havre] in 1563, and in the north in 1569. John Hutchins in his County history of Dorset, 1774, vol. ii. p. 316, says that he was instituted in 1561 as Rector of Childe Okeford, near Blandford. But as there were two Rectors and only one church, leave of absence might easily be extended. His connection with Okeford seems to have ceased by death or otherwise about 1593. The Rev. Sir Talbot H. B. Baker, Bart., of Ranston, Blandford, who very kindly made researches on the spot, has informed me that the Registers at Childe Okeford begin with 1652-53, that the copies kept in Blandford date only from 1732 (the earlier having probably perished in the great fire there in 1731), that no will can be found in the district Probate Court, and that no monument or tablet is now to be found at Childe Okeford. By a communication to me from the Diocesan Registrar of Bristol, it appears that in a book professing to contain a list of Presentations deposited in the Consistory Court, Kethe is said to have been presented in 1565 by Henry Capel, the Patron of Childe Okeford Inferior. In the 1813 edition of Hutchins, vol. iii. pp. 355-6, William Watkinson is said to have been presented to this moiety by Arthur Capel in 1593. Twenty-five Psalm versions by Kethe are included in the Anglo-Genevan Psalter of 1561, viz. Ps. 27, 36, 47, 54, 58, 62, 70, 85, 88, 90, 91, 94, 100, 101, 104, 107, 111, 112, 113, 122, 125, 126, 134, 138, 142,—the whole of which were adopted in the Scottish Psalter of 1564-65. Only nine, viz. Ps. 104, 107, 111, 112, 113, 122, 125, 126, 134, were included in the English Psalter of 1562; Ps. 100 being however added in 1565. Being mostly in peculiar metres, only one, Ps. 100, was transferred to the Scottish Psalter of 1650. The version of Ps. 104, "My soul, praise the Lord," is found, in a greatly altered form, in some modern hymnals. Warton calls him ”a Scotch divine, no unready rhymer," says he had seen a moralisation of some of Ovid by him, and also mentions verses by him prefixed to a pamphlet by Christopher Goodman, printed at Geneva in 1558; a version of Ps. 93 added to Knox's Appellation to the Scottish Bishops, also printed at Geneva in 1558; and an anti-papal ballad, "Tye the mare Tom-boy." A sermon he preached before the Sessions at Blandford on Jan. 17, 1571, was printed by John Daye in 1571 (preface dated Childe Okeford, Jan. 29,157?), and dedicated to Ambrose Earl of Warwick. [Rev James Mearns, M.A]. -- John Julian, Dictionary of Hymnology (1907) ==================== Kethe, William, p. 624, i., line 30. The version which Warton describes as of Psalm 93 is really of Psalm 94, and is that noted under Scottish Hymnody, p. 1022, ii., as the version of Psalms 94 by W. Kethe. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)