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[Glory be to Thee, O Lord]
Appears in 7 hymnals Composer and/or Arranger: Thomas Tallis, d. 1585 Tune Key: C Major Incipit: 55556 65 Used With Text: Glory Be to Thee
[Glory be to Thee, O Lord]
[Glory be to Thee, O Lord]
Appears in 4 hymnals Composer and/or Arranger: Anon. Tune Key: C Major Incipit: 55556 71 Used With Text: Glory Be to Thee
[Glory be to Thee, O Lord]
[Glory be to thee O Lord]
Appears in 5 hymnals Composer and/or Arranger: T. Tallis, c. 1505-85 Tune Key: C Major Incipit: 11111 17 Used With Text: Glory be to thee, O Lord
[Glory be to thee O Lord]
Glory Be to Thee, O Lord
Hymnal: The Church School Hymnal #299 (1922) Languages: English Tune Title: [Glory be to Thee, O Lord]
Glory Be to Thee, O Lord
Glory Be to Thee
Hymnal: Rejoice in the Lord #557 (1985) First Line: Glory be to thee, O Lord Lyrics: Glory be to thee, O Lord. Topics: Service Music Glory be to thee Languages: English Tune Title: [Glory be to Thee, O Lord]
Glory Be to Thee
Glory Be to Thee
Hymnal: Rejoice in the Lord #558 (1985) First Line: Glory be to thee, O Lord Lyrics: Glory be to thee, O Lord. Topics: Service Music Glory be to thee Languages: English Tune Title: [Glory be to Thee, O Lord]
Glory Be to Thee
Anonymous
Person Name: Anon. Composer of "[Glory be to thee, O Lord] (Anon)" in The Church Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
John Bacchus Dykes
1823 - 1876 Person Name: J. B. Dykes Composer of "[Glory be to thee, O Lord] (Dykes)" in The Church Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
Thomas Tallis
1505 - 1585 Person Name: Thomas Tallis, d. 1585 Composer of "[Glory be to Thee, O Lord]" in Rejoice in the Lord Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561).
Bert Polman
Thomas Tallis
