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A Jesús pertenecemos
Author: J. B. Cabrera Appears in 9 hymnals Used With Tune: A JESUS PERTENECEMOS
A Jesús pertenecemos
[Á Jesús pertenecemos]
Appears in 84 hymnals Composer and/or Arranger: E. J. Gaunlett Tune Key: C Major Incipit: 13555 65355 17665 Used With Text: Á Jesús pertenecemos
[Á Jesús pertenecemos]
A JESUS PERTENECEMOS
Appears in 136 hymnals Composer and/or Arranger: E. S. Carter Tune Key: A Major Incipit: 55517 66627 71233 Used With Text: A Jesús pertenecemos
A JESUS PERTENECEMOS
A Jesús pertenecemos
Author: Juan Bautista Cabrera, 1837-1916 Hymnal: Culto Cristiano #221 (1964) Meter: 8.7.8.7 Lyrics: 1 A Jesús pertenecemos;
Nos debemos alegrar,
Que el buen Dios de cielo y tierra
No formó y nos ha de guiar.
2 A Jesús pertenecemos;
Por nosotros él murió;
Con el precio de su sangre
De la muerte nos libró.
3 A Jesús pertenecemos,
Y confiamos sólo en Él;
Pues su Espíritu nos lleva
Por su senda, siempre fiel.
4 A Jesús pertenecemos,
Redimidos por su amor;
Y a Dios trino y uno damos
Alabanza, prez y honor.
Topics: La Vida Cristiana Fe; La Santísima Trinidad; The Holy Trinity; The Christian Life Faith Languages: Spanish Tune Title: ARUNDEL
A Jesús pertenecemos
Á Jesús pertenecemos
Hymnal: Himnario Cristiano para uso de las Iglesias Evangélicas #14 (1908) Languages: Spanish Tune Title: [Á Jesús pertenecemos]
Á Jesús pertenecemos
A Jesús pertenecemos
Author: J. B. Cabrera Hymnal: El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo #276 (1931) Languages: Spanish Tune Title: A JESUS PERTENECEMOS
A Jesús pertenecemos
Henry J. Gauntlett
1805 - 1876 Person Name: E. J. Gaunlett Composer of "[Á Jesús pertenecemos]" in Himnario Cristiano para uso de las Iglesias Evangélicas Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844).
Bert Polman
Henry J. Gauntlett
Anonymous
Person Name: anónimo Author of "A Jesús Pertenecemos" in Himnario Bautista In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Martin Shaw
1875 - 1958 Composer of "MARCHING" in Himnario Bautista Martin F. Shaw was educated at the Royal College of Music in London and was organist and choirmaster at St. Mary's, Primrose Hill (1908-1920), St. Martin's in the Fields (1920-1924), and the Eccleston Guild House (1924-1935). From 1935 to 1945 he served as music director for the diocese of Chelmsford. He established the Purcell Operatic Society and was a founder of the Plainsong and Medieval Society and what later became the Royal Society of Church Music.
Author of The Principles of English Church Music Composition (1921), Shaw was a notable reformer of English church music. He worked with Percy Dearmer (his rector at St. Mary's in Primrose Hill); Ralph Vaughan Williams, and his brother Geoffrey Shaw in publishing hymnals such as Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). A leader in the revival of English opera and folk music scholarship, Shaw composed some one hundred songs as well as anthems and service music; some of his best hymn tunes were published in his Additional Tunes in Use at St. Mary's (1915).
Bert Polman
Martin Shaw
