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Chas. H. Gabriel
1856 - 1932 Person Name: Charles H. Gabriel Meter: 11.6.11.6 with refrain Author of "Send the Light" in The Celebration Hymnal Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree
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For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades.
Bert Polman
Chas. H. Gabriel
Barney Elliott Warren
1867 - 1951 Person Name: B. E. W. Meter: 11.6.11.6 with refrain Author of "A Child of God" in Timeless Truths Barney Elliott Warren was an American Christian hymnwriter and minister.
See more in Wikipedia
Barney Elliott Warren
Juan A. Espinosa
b. 1940 Meter: 11.6.11.6 with refrain Author of "God Is My Rock" in Psalter Hymnal (Gray) Born: 1940, Badajoz, Spain.
Internationally recognized as one of the leading composers of Spanish liturgical music, Juan Antonio Espinosa composes songs that emphasize hope for the oppressed, social justice, and the power of faith. Currently, he directs the Association for the Promotion of Religious Music (APROMUR) in Spain and serves as a liturgical musician at San Estanislao Parish in Madrid.
After living for a time in Peru, Juan published music reflecting the Andes style and Latin American social realities. Hispanic assemblies in the U.S. are familiar with Juan's uplifting music through his songs in the OCP collections Pescador de Hombres and Resucitó, and in Cánticos, Segunda Edición, Misal Del Día, Unidos En Cristo Música and Flor y Canto, Segunda Edición.
His first collection for OCP was Al Señor del Nuevo Siglo.
--www.ocp.org/artists/358
Juan A. Espinosa
