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Ralph Vaughan Williams
1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Adapter of "FOREST GREEN" in Christian Worship Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
Alfred V. Fedak
b. 1953 Person Name: Alfred V. Fedak (1953-) Composer of "PETER'S BROOK" in Common Praise (1998) Alfred Fedak (b. 1953), is a well-known organist, composer, and Minister of Music at Westminster Presbyterian Church on Capitol Hill in Albany, New York. He graduated from Hope College in 1975 with degrees in organ performance and music history. He obtained a Master’s degree in organ performance from Montclair State University, and has also studied at Westminster Choir College, Eastman School of Music, the Institute for European Studies in Vienna, and at the first Cambridge Choral Studies Seminar at Clare College, Cambridge.
As a composer, he has over 200 choral and organ works in print, and has three published anthologies of his work (Selah Publishing). In 1995, he was named a Visiting Fellow in Church Music at Episcopal Seminary of the Soutwest in Austin, Texas. He is also a Fellow of the American Guild of Organists, and was awarded the AGO’s prestigious S. Lewis Elmer Award. Fedak is a Life Member of the Hymn Society, and writes for The American Organist, The Hymn, Reformed Worship, and Music and Worship. He was a member of the Presbyterian Committee on Congregational Song that prepared Glory to God, the 2013 hymnal of the Presbyterian Church (U.S.A.)
Laura de Jong
Alfred V. Fedak
Carl P. Daw Jr.
b. 1944 Person Name: Carl P. Daw, Jr., b. 1944 Author of "Rise Up and Shine" in Christian Worship Carl P. Daw, Jr. (b. Louisville, KY, 1944) is the son of a Baptist minister. He holds a PhD degree in English (University of Virginia) and taught English from 1970-1979 at the College of William and Mary, Williamsburg, Virginia. As an Episcopal priest (MDiv, 1981, University of the South, Sewanee, Tennesee) he served several congregations in Virginia, Connecticut and Pennsylvania. From 1996-2009 he served as the Executive Director of The Hymn Society in the United States and Canada. Carl Daw began to write hymns as a consultant member of the Text committee for The Hymnal 1982, and his many texts often appeared first in several small collections, including A Year of Grace: Hymns for the Church Year (1990); To Sing God’s Praise (1992), New Psalms and Hymns and Spiritual Songs (1996), Gathered for Worship (2006). Other publications include A Hymntune Psalter (2 volumes, 1988-1989) and Breaking the Word: Essays on the Liturgical Dimensions of Preaching (1994, for which he served as editor and contributed two essays. In 2002 a collection of 25 of his hymns in Japanese was published by the United Church of Christ in Japan. He wrote Glory to God: A Companion (2016) for the 2013 hymnal of the Presbyterian Church (U.S.A.).
Emily Brink
Carl P. Daw Jr.
Ian Kellam
b. 1933 Composer of "DUCHY" in Sing Praise to God Ian Kellam was born in Sheffield, England in 1933. As a young chorister he studied with Dr. Tustin Baker, organist at Sheffield Cathedral. He later studied with Herbert Sumsion at Gloucester Cathedral, and then with Howard Ferguson at the Royal Academy of Music in London. While there, he won the Langrish Award for choral writing, and in 1969, the Church of England Music Society prize for anthems. His first published pieces, written at age 16, were two Christmas carols for Solo Voice and Piano but, after a boyhood steeped in the traditions of church choral music, it is perhaps not surprising that much of his output seeks to further those traditions.
To date his major writings comprise nine choral and orchestral cantatas and numerous smaller works: anthems, motets, carols, and settings of the morning and evening canticles. These include "The Southwark Service" (Magnificat and Nunc dimittis), commissioned for the 750th Anniversary of the founding of Southwark Cathedral, London, and the "Gloucester Te Deum", commissioned for the 13th Centenary Celebrations of the founding of Gloucester Cathedral. He has also composed song cycles, instrumental works, and much music for children, including two operas and shorter works. "Balaam", a setting of a long poem by Charles Causley, for Children's Choir and Harp, was commissioned as a companion piece to Britten's "A Ceremony of Carols" for a concert at the Aldeburgh Festival.
He has written many theatre scores for the Royal Shakespeare Company in both Stratford-upon-Avon and in London, for productions at the Chichester Festival Theatre, and other open-air Shakespeare productions for the annual summer festivals at Ludlow Castle. Other venues include the Old Vic in London, the Comédie Français in Paris, the Moscow Arts Theatre, Broadway in New York, and numerous other worldwide locations.
Writing for voice or voices, whether it be for a local children's choir, large choral society, solo song cycles, church and/or Cathedral choirs, or congregational singing, remains his chief pleasure and inspiration.
Ian lives in a small 18th-century stone-built cottage in the Cotswolds of England, with two inseparable friends--a Jack Russell terrier and a large ginger tomcat.
--www.morningstarmusic.com/
Ian Kellam
