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Richard Leach

b. 1953 Meter: 7.6.7.6 D Author of "The One Born Blind Is Silent" in Singing the New Testament

John Ernest Bode

1816 - 1874 Meter: 7.6.7.6 D Author of "O Jesus, I Have Promised" in The Presbyterian Hymnal John E. Bode (b. St. Pancras, England, 1816; d. Castle Camps, Cambridgeshire, England, 1874) A fine student at Christ Church, Oxford, England, and a prominent scholar who gave the famous Bampton Lectures ("for the exposition and defense of the Christian faith") at Oxford in 1855, was a rector in Westwell, Oxfordshire, and in Castle Camps. This gifted poet and hymn writer published Hymns for the Gospel of the Day, for Each Sunday and Festivals of Our Lord in 1860. Bert Polman ============== Bode, John Ernest, M.A., son of Mr. William Bode, late of the General Post Office, b. 1816, and educated at Eton, the Charter House, and at Christ Church, Oxford, graduating B.A. 1837, and M.A. in due course. Taking Holy Orders in 1841, he became Rector of Westwell, Oxfordshire, 1847; and then of Castle Camps, Cambridgeshire, 1860. He was also for a time Tutor of his College, and Classical Examiner. His Bampton Lectures were delivered in 1855. He d. at Castle Camps, Oct. 6, 1874. In addition to his Bampton Lectures, and Ballads from Herodotus, he published Hymns from the Gospel of the Day for each Sunday and Festivals of our Lord, 1860; and Short Occasional Poems, Lond., Longmans, 1858. In addition to his well-known hymn, “O Jesu, I have promised " (q. v.), the following from his Hys. from the Gospel are also in common use:— 1. God of heaven, enthroned in might. H. Trinity. 2. Spirit of Truth, indwelling Light. Whitsuntide. -John Julian, Dictionary of Hymnology (1907) ================= Bode, John E. , p. 151, ii. Additional pieces from his Hys.from the Gospel of the Day, &c, 1800, are in common use :— (1) "Sweetly the Sabbath bell" (Sunday); (2) "Thou Who hast called us by Thy word" (20th S. after Trinity). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Reginald Heber

1783 - 1826 Meter: 7.6.7.6 D Author of "From Greenland's icy mountains" in The Hymnal Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today. -- Greg Scheer, 1995 ==================== Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service ”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437. Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.] Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:— 1. Beneath our feet, and o'er our head. Burial. 2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity. 3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity. 4. 0 God, by Whom the seed is given. Sexagesima. 6. 0 God, my sins are manifold. Forgiveness, or, Gospel for 22nd S. after Trinity. 6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany. 7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent. 8. 0 more than merciful, Whose bounty gave. Good Friday. 9. 0 most merciful! 0 most bountiful. Introit Holy Communion. 10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent. 11. 0 weep not o'er thy children's tomb. Innocents Day. 12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity. 13. Sit thou on my right hand, my Son, saith the Lord. Ascension. 14. Spirit of truth, on this thy day. Whit-Sunday. 15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity. 16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace. 17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity. 18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent. 19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity. 20. Though sorrows rise and dangers roll. St. James's Day. 21. To conquer and to save, the Son of God. Christ the Conqueror. 22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent. 23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity. 24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany. 25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany. 26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity. This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work. --John Julian, Dictionary of Hymnology (1907)

Geoffrey Beaumont

1903 - 1970 Person Name: Geoffrey Beaumount Meter: 7.6.7.6 D Composer of "HATHEROP CASTLE"

George Ratcliffe Woodward

1848 - 1934 Meter: 7.6.7.6 D Harmonizer of "ES FLOG EIN KLEINS WALDVÖGELEIN" in The Presbyterian Hymnal Educated at Caius College in Cambridge, England, George R. Woodward (b. Birkenhead, Cheshire, England, 1848; d. Highgate, London, England, 1934) was ordained in the Church of England in 1874. He served in six parishes in London, Norfolk, and Suffolk. He was a gifted linguist and translator of a large number of hymns from Greek, Latin, and German. But Woodward's theory of translation was a rigid one–he held that the translation ought to reproduce the meter and rhyme scheme of the original as well as its contents. This practice did not always produce singable hymns; his translations are therefore used more often today as valuable resources than as congregational hymns. With Charles Wood he published three series of The Cowley Carol Book (1901, 1902, 1919), two editions of Songs of Syon (1904, 1910), An Italian Carol Book (1920), and the Cambridge Carol Book

E. H. Plumptre

1821 - 1891 Person Name: Edward H. Plumptre Meter: 7.6.7.6 D Author of "Your Hand, O God, Has Guided" in Trinity Psalter Hymnal Edward H. Plumptre (b. London, England, August 6, 1821; d. Wells, England, February 1, 1891) was an eminent classical and biblical scholar who gained prominence in both church and university. Educated at King's College, London, and University College, Oxford, he was ordained in the Church of England in 1846. Plumptre served as a preacher at Oxford and a professor of pastoral theology at King's College, and held a number of other prestigious positions. His writings include A Life of Bishop Ken (1888), translations from Greek and Latin classics, and poetry and hymns. Plumptre was also a member of the committee that produced the Revised Version of the Bible. Bert Polman ==================== Plumptre, Edward Hayes, D.D., son of Mr. E. H. Plumptre, was born in London, Aug. 6, 1821, and educated at King's College, London, and University College, Oxford, graduating as a double first in 1844. He was for some time Fellow of Brasenose. On taking Holy Orders in 1846 he rapidly attained to a foremost position as a Theologian and Preacher. His appointments have been important and influential, and include that of Assistant Preacher at Lincoln's Inn; Select Preacher at Oxford; Professor of Pastoral Theology at King's College, London; Dean of Queen's, Oxford; Prebendary in St. Paul's Cathedral, London; Professor of Exegesis of the New Testament in King's College, London; Boyle Lecturer; Grinfield Lecturer on the Septuagint, Oxford; Examiner in the Theological schools at Oxford; Member of the Old Testament Company for the Revision of the A.V. of the Holy Scriptures; Rector of Pluckley, 1869; Vicar of Bickley, Kent, 1873; and Dean of Wells, 1881. Dean Plumptre's literary productions have been very numerous and important, and embrace the classics, history, divinity, biblical criticism, biography, and poetry. The list as set forth in Crockford's Clerical Directory is very extensive. His poetical works include Lazarus, and Other Poems, 1864; Master and Scholar, 1866; Things New and Old, 1884; and translations of Sophocles, Æschylus, and Dante. As a writer of sacred poetry he ranks very high. His hymns are elegant in style, fervent in spirit, and broad in treatment. The subjects chosen are mainly those associated with the revived Church life of the present day, from the Processional at a Choral Festival to hospital work and the spiritual life in schools and colleges. The rhythm of his verse has a special attraction for musicians, its poetry for the cultured, and its stately simplicity for the devout and earnest-minded. The two which have attained to the most extensive use in Great Britain and America are: Rejoice, ye pure in heart," and "Thine arm, O Lord, in days of old." His translations from the Latin, many of which were made for the Hymnary, 1871 and 1872, are very good and musical, but they have not been used in any way in proportion to their merits. His original hymns in common use include:— 1. Behold they gain the lonely height. The Transfiguration. Written for and first published in the Society for Promoting Christian Knowledge Church Hymns, 1871. 2. For all Thy countless bounties. National Hymns. Written for the Jubilee of Queen Victoria, 1887, and set to music by C. W. Lavington. It was printed, together with the National Anthem adapted for the Jubilee, in Good Words, 1887. 3. Lo, summer comes again! Harvest. Written in 1871 for use at the Harvest Festival in Pluckley Church, Kent, of which the author was then rector, and published in the same year in the Hymnary, No. 466. 4. March, march, onward soldiers true. Processional at Choral Festivals. Written in 1867 for the tune of Costa's March of the Israelites in the Oratorio of Eli, at the request of the Rev. Henry White, Chaplain of the Savoy, and first used in that Chapel. It was subsequently published in the Savoy Hymnary, N.D. [1870], in 4 stanzas of 4 lines; in a Choral Festival book at Peterborough, and in the S. P. C. K. Church Hymns, 1871. 5. 0 Light, Whose beams illumine all. The Way, the Truth, and the Life. Written in May 1864, and published in his Lazarus, and Other Poems, 1864, as one of five Hymns for School and College. It passed into the 1868 Appendix to Hymns Ancient & Modern, and again into other collections. 6. 0 Lord of hosts, all heaven possessing. For School or College. Written in May, 1864, and published in his Lazarus and other Poems, 1864, in 5 stanzas of 6 lines. 7. 0 praise the Lord our God. Processional Thanksgiving Hymn. Written May 1864, and published in his Lazarus, and other Poems, 1864, in 4 stanzas of 8 lines. It is a most suitable hymn for Sunday school gatherings. 8. Rejoice, ye pure in heart. Processional at Choral Festival. Written in May 1865, for the Peterborough Choral Festival of that year, and first used in Peterborough Cathedral. In the same year it was published with special music by Novello & Co; and again (without music) in the 2nd edition of Lazarus, and Other Poems, 1865. It was included in the 1868 Appendix to Hymns Ancient & Modern with the change in stanza i., line 3, of "Your orient banner wave on high," to "Your festal banner wave on high." It is more widely used than any other of the author's hymns. Authorized text in Hymns Ancient & Modern. 9. Thine arm, 0 Lord, in days of old. Hospitals. Written in 1864 for use in King's College Hospital, London, and first printed on a fly-sheet as "A Hymn used in the Chapel of King's College Hospital." It was included in the 2nd edition of Lazarus, and Other Poems, 1865; in the 1868 Appendix to Hymns Ancient & Modern; the S. P. C. K. Church Hymns, 1871; Thring's Collection, 1882; and many others. 10. Thy hand, 0 God, has guided. Church Defence. Included in the 1889 Supplemental Hymns to Hymns Ancient & Modern The closing line of each stanza, "One Church, one Faith, one Lord," comes in with fine effect. Dean Plumptre's Life of Bishop Ken, 1888, is an exhaustive and excellent work. -- John Julian, Dictionary of Hymnology (1907) =============== Plumptre, E. H., p. 897, i. Died at the Deanery, Wells, Feb. 1, 1891. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John A. Dalles

b. 1954 Meter: 7.6.7.6 D Author of "Come, O Spirit" in The Cyber Hymnal Born: Sep­tem­ber 13, 1954, Pitts­burgh, Penn­syl­van­ia. A lifelong Pres­by­ter­i­an, John Dalles has lived in Pitts­burgh, Coates­ville, Lan­cas­ter, and State Coll­ege, Penn­syl­van­ia; and South Bend, In­di­a­na. He re­ceived the Ba­che­lor of Sci­ence in Ar­chi­tect­ure from Penn­syl­van­ia State in 1976. While en­gaged in a se­mes­ter abroad in Pet­worth, Eng­land, he sensed a call to the min­is­try. An ar­chi­tect­ur­al de­sign­er be­fore di­vin­i­ty stu­dies, he re­ceived the Mas­ter of Di­vin­ity from Lan­cas­ter The­o­lo­gic­al Sem­in­a­ry in 1982. Dur­ing sem­in­a­ry, he served as a re­source con­sult­ant for the orig­in­al Par­ish Re­source Cen­ter in Lan­cas­ter. Ordained in High­land Pres­by­ter­i­an Church, Lan­cas­ter, on Au­gust 1, 1982, John’s first call was to serve the First Pres­by­ter­i­an Church of South Bend, In­di­a­na, as as­so­ci­ate pas­tor. Re­spons­i­bil­i­ties there in­clud­ed wor­ship lead­er­ship and preach­ing, ad­min­is­tra­tion of mis­sion and me­mor­i­al en­dow­ment dis­burse­ment for mis­sion (over $130,000 an­nu­al­ly), min­is­ter for ed­u­ca­tion and pas­tor­al care (Di­a­con­ate), co­ord­in­at­or of new mem­ber out­reach and staff li­ai­son to the church owned res­i­dent camp. He served the area coun­cil of re­li­gious or­gan­iz­a­tions, was a mem­ber of the Wor­ship Task Force and Di­sci­ple­ship/Church Life Com­mit­tee of Wa­bash Val­ley Pres­by­te­ry, mem­ber and awards chair­man of the St. Jo­seph Coun­ty Schol­ar­ship Foun­da­tion, and found­ing mem­ber of Notre Dame Ci­vi­tan and the South Bend, In­di­a­na, Hab­i­tat for Hu­man­i­ty. In De­cem­ber 1986, Dalles was called to Fox Cha­pel Pres­by­ter­i­an Church, Pitts­burgh, Penn­syl­van­ia, where his du­ties in­clud­ed wor­ship lead­er­ship and preach­ing, pro­gram­ming for spir­it­u­al growth, con­gre­ga­tion­al life, ad­min­is­tra­tion of pas­tor­al care, adult ed­u­ca­tion, Ste­phen Min­is­try, and new mem­ber out­reach (with an­nu­al mem­ber­ship in­creas­es of 100 or more). In May 1994, Dalles received the Doc­tor of Min­is­try de­gree from Pitt­sburgh The­o­lo­gic­al Sem­in­a­ry for his work in the ar­ea of pas­tor­al lead­er­ship in the mul­ti­-staff church. While at Fox Cha­pel, he in­sti­tut­ed an an­nu­al com­mun­i­ty pray­er break­fast, served on the Pres­by­te­ry’s Prepa­ra­tion for Min­is­try Com­mit­tee, and as li­ai­son to an ar­ea re­hab­ilita­tion cen­ter. He wrote and edited In Life and Death We Be­long to God, the Pres­by­ter­i­an Church (U.S.A.) stu­dy re­source on end-of-life is­sues. Since May 1997, Dalles has served as pas­tor and head of staff of We­ki­va Pres­by­ter­i­an Church, Or­lan­do, Flor­i­da, an ac­tive and grow­ing con­gre­ga­tion in its 26th year. Ac­comp­lish­ments dur­ing his pas­tor­ate have in­clud­ed a ma­jor cap­it­al and fa­cil­i­ties ex­pansion, growth in new mem­bers, and the im­ple­ment­a­tion of new staff­ing and pro­grams at ev­ery le­vel of the con­gre­ga­tion’s life. He has chaired the The­ol­o­gy and Wor­ship Com­mit­tee of Cen­tral Flor­i­da Pres­by­te­ry for the past three years. Dalles has writ­ten num­er­ous ar­ti­cles and ma­ny pub­lished hymn texts. His hymns "Come, O Spir­it" and "God Bless Your Church with Strength!" are in the 1990 Pres­by­ter­i­an Hym­nal. His lyr­ics are al­so in: The New Cen­tu­ry Hym­nal, The Mo­rav­i­an Book of Wor­ship, Wor­ship To­ge­ther (Men­non­ite Breth­ren), The Co­ve­nant Hym­nal (Evan­gel­ica­l Co­ven­ant Church), The Book of Praise (Pres­by­ter­i­an Church in Ca­na­da) and The Aus­tral­ian Book of Praise II. He has written anniversary hymn texts, in­clud­ing: Pres­by­ter­i­an Heritage Sun­day, Augsburg, Goshen, Maryville, Tusculum, Wilson and Knox Coll­eges, Amer­i­can Un­i­ver­si­ty, Pittsburgh and Lancaster Seminaries, Peachtree Pres­by­ter­i­an Church, the Lu­ther­an World Federa­tion and the Pres­by­ter­i­an Associa­tion of Mu­sicians. A mem­ber of the Hymn Society, he has been listed in na­tional and world editions of Who’s Who since 1997. Two of his an­thems are on a CD by com­pos­er Bob Moore en­ti­tled "Like a Whis­per in the Heart." His other works in­clude: Swift Cur­rents and Still Wa­ters (Chi­ca­go, Il­li­nois: GIA Pub­li­ca­tions, 2000) Lyrics-- As Christ the Lit­tle Child­ren Blessed Bless the Ones Who Nur­ture Child­ren Change Your Church, O God, to Be Come, O Spir­it God Bless the Work Your Peo­ple Do God, Bless Your Church with Strength! God Is the One Who Calls God, Re­new Us by Your Spir­it! May God’s Love Be Fixed Above You O God of Love, Grant Us Your Peace O Seek the Lord in Pray­er © The Cyber Hymnal™ (www.hymntime.com/tch)

S. Trevor Francis

1834 - 1925 Meter: 7.6.7.6 D Author of "I Am Waiting for the Dawning" in The Christian Hymnary. Bks. 1-4 Francis, Samuel Trevor, son of an artist, was born at Cheshunt, Herts, in 1835, and is a merchant in London. He has written numerous hymns, which have been printed in various religious newspapers and periodicals during the past 30 years. Of these hymns the following are in the Enlarged London Hymn Book, 1873:— 1. Blessed, blessed Jesus. Pressing Onward. 2. Gracious Saviour, grant Thy word. Lent. 3. Home, home of light and glory. Heaven Desired. 4. I am waiting for the dawning. Heaven Anticipated. 5. Jesus, we remember Thee. Passiontide. 6. O child of sorrow, weary, distressed. Salvation in Jesus only. 7. O Jesus, how great is Thy mercy. Salvation in Jesus. 8. Safe to land, no shadows darken. Death and Burial. Printed in Word and Work. 9. The pearly gates are open. Heaven. In W. Carter's Gospel Hymn Book, 1863. 10. We are pilgrims far from our fatherland. Heaven Desired. Of these hymns Nos. 1, 2, 4-7 first appeared in the Enlarged London Hymn Book, 1873. Mr. Francis also published in 1891 Gems from the Revised Version with Poems. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Bert Witvoet

b. 1934 Meter: 7.6.7.6 D Alterer of "Deliver Me From Evil" in Psalms for All Seasons b. Joure, Friesland, the Netherlands, 1934

John Stainer

1840 - 1901 Meter: 7.6.7.6 D Composer of "MAGDALENA" in The Hymnal

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