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Melchior Teschner

1584 - 1635 Person Name: M. Teschner Hymnal Number: 75 Composer of "[Hail to the Lord's Anointed]" in Hymnal for Church and Home Melchior Teschner (b. Fraustadt [now Wschowa, Poland], Silesia, 1584; d. Oberpritschen, near Fraustadt, 1635) studied philosophy, theology, and music at the University of Frankfurt an-der-Oder and later studied at the universities of Helmstedt and Wittenberg, Germany. From 1609 until 1614 he served as cantor in the Lutheran church in Fraustadt, and from 1614 until his death he was pastor of the church in Oberpritschen. Bert Polman

A. L. Peace

1844 - 1912 Person Name: Albert L. Peace Hymnal Number: 314 Composer of "[O Love that wilt not let me go]" in Hymnal for Church and Home Albert Lister Peace DMus United Kingdom 1844-1912. Born at Huddersfield, Yorkshire, England, son of a warehouseman and woolstapler, he was extremely gifted as a musician, largely self-taught, playing the organ at Holmfirth Parish Church near Huddersfield at age nine. He married Margaret Martin Steel Gilchrist, and they had three children: Lister, Archibald, and Margaret. In 1865 he was appointed organist of Trinity Congregational Church in Glasgow, Scotland. He obtained his doctorate degree from the University of Oxford in 1875. He became organist at Glasgow Cathedral in 1879. In 1897 he succeeded William Best as organist at St George’s Hall, Liverpool. In later years he was in much demand to play the organ in recitals. He did so at Canterbury Cathedral (1886), Victoria Hall, Hanley, Stoke-on-Trent (1888), and Newcastle Cathedral (1891). He composed orchestrations, sonatas, cantatas, and concert and church service anthems. He was an arranger, author, and editor. He died at Blundelsands, Liverpool, England. John Perry

George James Webb

1803 - 1887 Person Name: George J. Webb Hymnal Number: 240 Composer of "[The morning light is breaking]" in Hymnal for Church and Home George James Webb, b. 1803,England; d. 1887, Orange, N. J. Evangelical Lutheran Hymnal, 1908

Thomas Shepherd

1665 - 1739 Hymnal Number: 229 Author of "Must Jesus Bear The Cross Alone" in Hymnal for Church and Home Shepherd, Thomas, son of William Shepherd, sometime Vicar of Tilbrook, Bedfordshire, and subsequently a Nonconformist Minister at Oundle, and at Kettering, was born in 1665. Taking Holy Orders he held for some time preferment in Huntingdonshire, and in Buckinghamshire. Seceding from the Church of England, he became, in 1694, pastor of the Castle Hill Meeting House (Independent), Nottingham, of which Dr. Doddridge was subsequently pastor. In 1700 he removed to Bocking, near Braintree, Essex, where he began his work in a barn. A chapel was erected for his congregation in 1707. He died Jan. 29, 1739. His publications consisted chiefly of Sermons, His Penitential Cries were a continuance of those by John Mason, who wrote the first six and the version of Ps. 86, and were published with Mason's Songs of Praise in 1693. It must be noted that in D. Sedgwick's reprint of the Songs, and the Penitential Cries, in 1859, Mason's Cries are under the head of Songs, &c, pp. 49-61, and those under Penitential Cries, are all by Shepherd. Some of these Cries are still in common use including, "My God, my God, my Light, my Love " (Longing for God) ; and "When wilt Thou come unto me, Lord" (Communion with God desired). -- John Julian, Dictionary of Hymnology (1907)

Peter Ritter

1760 - 1846 Person Name: P. Ritter Hymnal Number: 56 Composer of "[Sun of my soul! Thou Savior dear]" in Hymnal for Church and Home Peter Ritter; b. 1760, Mannheim; d. 1846 Evangelical Lutheran Hymnal, 1908

Alexander Robert Reinagle

1799 - 1877 Person Name: A. R. Reinagle Hymnal Number: 69 Composer of "[How sweet the name of Jesus sounds]" in Hymnal for Church and Home Alexander Robert Reinagle United Kingdom 1799-1877. Born at Brighton, Sussex, England, gf Austrian descent, he came from a family of musicians, studying music with his father (a cellist), then with Raynor Taylor in Edinburgh, Scotland. Reinagle became a well-known organ teacher. He became organist at St Peter’s Church, Oxford (1823-1853). He was also a theatre musician. He wrote Teaching manuals for stringed instruments as well. He also compiled books of hymn tunes, one in 1830: “Psalm tunes for the voice and the pianoforte”, the other in 1840: “A collection of Psalm and hymn tunes”. He also composed waltzes. In 1846 he married Caroline Orger, a pianist, composer, and writer in her own right. No information found regarding children. In the 1860s he was active in Oxford music-making and worked with organist, John Stainer, then organist at Magdalen College. Reinagle also composed a piano sonata and some church music. At retirement he moved to Kidlington, Oxfordshire, England. He died at Kidlington. John Perry

Johann Franck

1618 - 1677 Person Name: J. Franck Hymnal Number: 204 Author of "Jesus, Priceless Treasure" in Hymnal for Church and Home Johann Franck (b. Guben, Brandenburg, Germany, 1618; d. Guben, 1677) was a law student at the University of Köningsberg and practiced law during the Thirty Years' War. He held several positions in civil service, including councillor and mayor of Guben. A significant poet, second only to Paul Gerhardt in his day, Franck wrote some 110 hymns, many of which were published by his friend Johann Crüger in various editions of the Praxis Pietatis melica. All were included in the first part of Franck’s Teutsche Gedichte bestehend im geistliche Sion (1672). Bert Polman ============= Franck, Johann, son of Johann Franck, advocate and councillor at Guben, Brandenburg, was born at Guben, June 1, 1618. After his father's death, in 1620, his uncle by marriage, the Town Judge, Adam Tielckau, adopted him and sent him for his education to the schools at Guben, Cottbus, Stettin and Thorn. On June 28, 1638, he matriculated as a student of law at the University of Königsberg, the only German university left undisturbed by the Thirty Years' War. Here his religious spirit, his love of nature, and his friendship with such men as Simon Dach and Heinrich Held, preserved him from sharing in the excesses of his fellow students. He returned to Guben at Easter, 1640, at the urgent request of his mother, who wished to have him near her in those times of war during which Guben frequently suffered from the presence of both Swedish and Saxon troops. After his return from Prague, May, 1645, he commenced practice as a lawyer. In 1648 he became a burgess and councillor, in 1661 burgomaster, and in 1671 was appointed the deputy from Guben to the Landtag (Diet) of Lower Lusatia. He died at Guben, June 18, 1677; and on the bicentenary of his death, June 18, 1877, a monumental tablet to his memory was affixed to the outer wall of the Stadtkirche at Guben (Koch, iii. 378-385; Allgemeine Deutsche Biographie, vii. 211-212; the two works by Dr. Hugo Jentsch of Guben, Johann Franck, 1877, and Die Abfassungszeit der geistlichen Lieder Johann Franck's, 1876). Of Franck's secular poems those before 1649 are much the best; his later productions becoming more and more affected and artificial, long-winded and full of classical allusions, and much inferior to those of Dach or Opitz. As a hymn writer he holds a high rank and is distinguished for unfeigned and firm faith, deep earnestness, finished form, and noble, pithy, simplicity of expression. In his hymns we miss the objectivity and congregational character of the older German hymns, and notice a more personal, individual tone; especially the longing for the inward and mystical union of Christ with the soul as in his "Jesus, meine Freude." He stands in close relationship with Gerhardt, sometimes more soaring and occasionally more profound, but neither on the whole so natural nor so suited for popular comprehension or Church use. His hymns appeared mostly in the works of his friends Weichmann, Crüger and Peter. They were collected in his Geistliches Sion, Guben, 1674, to the number of 110; and of these the 57 hymns (the other 53 being psalm versions of no great merit) were reprinted with a biographical preface by Dr. J. L. Pasig as Johann Franck's Geistliche Lieder, Grimma, 1846. Two of those translated into English are from the Latin of J. Campanus (q. v.). Four other hymns are annotated under their own first lines:—"Brunquell aller Güter"; "Dreieinigkeit der Gottheit wahrer Spiegel"; "Jesu, meine Freude"; "Schmücke dich, o liebe Secle." The rest are:— i. Hymns in English common use: -- i. Erweitert eure Pforten . [Advent]. Founded on Psalm xxiv. 7-10. First published in C. Peter's Andachts-Zymbeln, Freiberg, 1655, p. 25, in 7 stanzas of 8 lines; repeated 1674, p. 3, and 1846, p. 3, as above. Included in the 1688 and later editions of Crüger's Praxis pietatis, in Bollhagen's Gesang-Buch, 1736, &c. The only translation in common use is:—- Unfold your gates and open, a translation of st. 1, 3, 6, by A. T. Russell, as No. 30 in his Hymns & Psalms, 1851; repeated altered as No. 30 in Kennedy, 1863, and thus as No. 102 in Holy Song, 1869. ii. Herr Gott dich loben wir, Regier. Thanksgiving for Peace. Evidently written as a thanksgiving for the conclusion of the Thirty Years' War, by the Peace of Westphalia, Oct. 24, 1648. First published in the Crüger-Runge Gesang-Buch, Berlin, 1653, No. 306, in 9 st. of 8 l., as the first of the "Hymns of Thanksgiving for Peace attained"; and repeated 1674, p. 182, and 1846, p. 77, as above. Included in Crüger's Praxis, 1653, and many later collections, and, as No. 591, in the Unverfälschter Liedersegen, 1851. The only translation in common use is:— Lord God, we worship Thee, a very good version of st. 2, 3, 6, 8, by Miss Winkworth in her Chorale Book for England, 1863, No. 183. Repeated in full in the Society for Promoting Christian Knowledge Church Hymns, 1871; the Hymnary, 1872; the Psalmist, 1878; and in America in the Pennsylvania Lutheran Church Book, 1868. In the American Protestant Episcopal Collection, 1871; the Hymns & Songs of Praise, N. Y. 1874; and the Ohio Lutheran Hymnal, 1880, the translation of stanza 8 is omitted. iii. Herr ich habe missgehandelt. Lent. Of this fine hymn of penitence stanza i. appeared as No. 19 in Cruger's Geistliche Kirchenmelodien , Leipzig, 1649. The full form in 8 stanzas of 6 lines is No. 41 in the Crüger-Runge Gesang-Buch, Berlin, 1653, entitled "For the forgiveness of sins," repeated 1674, p. 39, and 1846, p. 37, as above. Included in Crüger's Praxis, 1653, and others, and in the Unverfälschter Liedersegen, 1851. The only translation in common use is:— Lord, to Thee I make confession, a very good translation, omitting st. 4, 5, 6, by Miss Winkworth in her Chorale Book for England, 1863, No. 44, repeated in the Appendix to the Hymnal for St. John's, Aberdeen, 1865-1870; and in the Pennsylvania Lutheran Ch. Book, 1868; Evangelical Hymnal, N. Y., 1880; Ohio Lutheran Hymnal, 1880. Another translation is: "Lord, how oft I have offended," by N. L. Frothingham, 1870, p. 177. iv. Herr Jesu, Licht der Heiden. Presentation in the Temple. Founded on the account in St. Luke ii., and probably the finest hymn on the subject. Dr. Jentsch, 1876, p. 9, thinks it was written before Dec. 8, 1669, as C. Peter, who died then, left a melody for it. We have not found the full text earlier than 1674, as above, p. 10, in 6 stanzas of 8 lines, entitled "On the Festival of the Purification of Mary" (1846, p. 10). Included in the 1688 and later editions of Crüger's Praxis, and in the Unverfälschter Liedersegen, 1851, No. 197. The translations in common use are:— 1. Light of the Gentile world , a translation, omitting st. 6, by Miss Winkworth in the first service of her Lyra Germanica, 1855, p. 193 (ed. 1876, p. 195), and thence as No. 147 in the Pennsylvania Lutheran Hymn Book, 1865. This version is in S.M. Double. 2. Light of the Gentile Nations, a good translation, omitting st. 6, by Miss Winkworth in her Chorale Book for England, 1863, No. 80. Repeated in Dr. Thomas's Augustine Hymn Book, 1866, and in America in the Pennsylvania Lutheran Church Book, 1868, and the Ohio Lutheran Hymnal, 1880. ii. Hymns not in English common use: v. Du geballtes Weltgebäude. Christ above all earthly things. Stanza i. in Cruger's Kirchenmelodien, 1649, No. 116. The full text (beginning "Du o schönes) is No. 239 in the Crüger-Runge Gesang-Buch, 1653, in 8 stanzas, entitled "Longing after Eternal Life." Repeated, 1674, p. 194, and 1846, p. 60, as above. The translations are: (1) "Let who will in thee rejoice," by Miss Winkworth, 1855, p. 180 (1876, p. 182). (2) "O beautiful abode of earth," by Miss Warner, 1858 (1861, p. 233). (3) "Thou, O fair Creation-building," by N. L. Frothingham, 1870, p. 232. vi. Unsre müden Augenlieder. Evening. Probably written while a student at Königsberg. First published in J. Weichmann's Sorgen-lägerin, Königsberg, 1648, Pt. iii., No. 4, in 7 st.; repeated 1674, p. 213, and 1846, p. 91, as above. The only translation is by H. J. Buckoll, 1842, p. 79, beginning with st. vi., "Ever, Lord, on Thee relying." [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

William G. Tomer

1833 - 1896 Person Name: W. G. Tomer Hymnal Number: 343 Composer of "[God be with you till we meet again]" in Hymnal for Church and Home Born: Oc­to­ber 5, 1833, New Jer­sey. Died: Sep­tem­ber 26, 1896, New Jer­sey. Buried: Un­ion Cem­e­te­ry, Fines­ville, New Jer­sey. Tomer stu­died sing­ing and sang in the choir in Fines­ville, New Jer­sey, and be­gan teach­ing school at age 17. He served in the Un­ion army dur­ing the Amer­i­can ci­vil war, then worked as a clerk in Wash­ing­ton, DC, served as mu­sic di­rect­or for Grace Meth­od­ist Epis­co­pal Church, and taught school in New Car­pen­ters­ville and Green­wich, New Jer­sey. He was liv­ing in Green­wich as of 1880. --www.cyberhymnal.org/

Ithamar Conkey

1815 - 1867 Hymnal Number: 113 Composer of "[In the cross of Christ I glory]" in Hymnal for Church and Home Ithamar D. Conkey USA 1815-1867. Born of Scottish ancestry in Shutesbury, MA, he became a wool merchant. He married Elizabeth Billings, and they had a daughter and two sons. He was organist at Central Baptist Church,Norwich, CN. After that, he went to NewYork City and served as bass soloist at Calvary Episcopal church and Grace Church. Later, he served as bass soloist and choir director of Madison Avenue Baptist Church. His famous hymn was written in 1849. Two years later, William Howard Doane was baptized in the same church. John Perry

Michael Schirmer

1606 - 1673 Person Name: M. Schirmer Hymnal Number: 120 Author of "O Holy Spirit, Enter In" in Hymnal for Church and Home Schirmer, Michael, son of Michael Schirmer, inspector of wine casks at Leipzig, was born at Leipzig, apparently, in July, 1606, his baptism being entered as on July 18, in the registers of St. Thomas's Church there. He matriculated at the University of Leipzig, at Easter, 1619, and graduated M.A. in 1630. In 1636 he was appointed subrector, and in 1651 conrector of the Greyfriars Gymnasium at Berlin. During his conrectorship the rectorship fell vacant several times, and each time, after he had officiated as prorector during the vacancy, a younger man than he was set over him (probably on account of Schirmer's feeble health) till, last of all, in May, 1668, the sub-rector was promoted over his head. In the same year Schirmer retired from office. The remainder of his life he spent in Berlin, where he published, in the end of 1668, a version of the Aeneid in German Alexandrine verse, wrote various occasional poems, &c. He died at Berlin, apparently on May 4, and was certainly buried there, in the churchyard of the Kloster Kirche, on May 8, 1673…. Schirmer had many domestic and personal afflictions to bear. His wife and his two children predeceased him. The early part of his life in Berlin was spent amid the distress caused by the Thirty Years War, during which Brandenburg, and Berlin itself, suffered greatly from pestilence and poverty. In 1644 a deep melancholy fell upon him, which lasted for five years; and something of the same kind seems to have returned to him for a time, after his wife's death, in Feb. 1667. Schirmer was crowned as a poet in 1637. His earlier productions were mostly occasional pieces in German and Latin. In 1655 he published, at Berlin, a metrical version of Ecclesiasticus as, Das Buch Jesus Sirach, &c.; and in 1660, also at Berlin, a Scriptural play, which was acted by the scholars of the Gymnasium, and was entitled Der verfolgte David, &c. He also published, at Berlin, in 1650, versions of the Songs of the Old and New Testament as, Biblische Lieder und Lehrsprüche. The only compositions by him which have come into use as hymns, are those which he contributed to J. Crüger's Newes vollkömliches Gesang-Buch, Berlin, 1640; and to Crüger's Praxis pietatis melica, Berlin, 1648, &c. These, have in all, passed into many German hymnbooks of the 17th century, and most of them are still in use. They were reprinted by Dr. Bachmann …together with various selections irom his other poetical compositions. They are practical, clear, objective, churchly hymns, somewhat related to those of Gerhardt; and still more closely to those of Johann Heermann, from whom indeed Schirmer borrows a few expressions. The only hymn by Schirmer which has passed into English is:— 0 heilger Geist, kehr bei uns ein. Whitsuntide. First published, 1640, as above, No. 75, in 7 stanzas of 10 lines, entitled, "Another short hymn for Whitsuntide, M. Michael Schirmers." … Translated as:— 1. 0 Holy Ghost, desoend, we pray. This is a somewhat free translation of st. i., v., ii., iii., by W. M. Reynolds, as No. 794, in the American Lutheran Gen. Synod's Collection, 1850; and is repeated, with translations of st. iv., vi., vii., added, as No. 103, in the Ohio Lutheran Hymnal, 1880. 2. 0 Holy Spirit, enter in. This is a good translation, omitting st. ii., iv., by Miss Winkworth, in her Chorale Book for England, 1863, No. 70. It was repeated, as No. 249, in the Pennsylvania Luth. Church Book, 1868. In Dr. Thomas's Augustine Hymn Book, 1866, it is Nos. 480, 481; No. 481 beginning, "O mighty Rock, O source of Life," which is the tr. of st. v. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

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