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Richard Proulx

1937 - 2010 Person Name: RP Scripture: Psalm 47 Composer of "[God mounts his throne to shouts of joy]" in Worship (3rd ed.) Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman

Dale Grotenhuis

1931 - 2012 Scripture: Psalm 47:1 Harmonizer of "CLAP YOUR HANDS" in Psalter Hymnal (Gray) Dale Grotenhuis (b. Cedar Grove, WI, 1931; d. Jenison, Mi, August 17, 2012) was a member of the 1987 Psalter Hymnal 1987 Revision Committee, and was professor of music and director of choral music at Dordt College, Sioux Center, Iowa, from 1960 until he retired in 1994 to concentrate on composition. Educated at Calvin College; Michigan State University, Lansing; and Ohio State University, Columbus; he combined teaching with composition throughout his career and was a widely published composer of choral music. He also directed the Dordt choir in a large number of recordings, including many psalm arrangements found in the 1959 edition of the Psalter Hymnal. Before coming to Dordt, Grotenhuis taught music at Christian high schools in Washington and Michigan. Under his direction, the Dordt College concert choir participated in annual tours that took members throughout the United States, Canada and Europe. He loved the church and the music of the church. His favorite song was "All Glory Be to God on High". Bert Polman (last two sentences from Joy Grotenhuis, daughter-in-law)

Marty Haugen

b. 1950 Scripture: Psalm 47 Author of "Psalm 47: God Mounts His Throne" in Gather Comprehensive Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world. Emily Brink

John L. Bell

b. 1949 Person Name: John L. Bell (b. 1949) Scripture: Psalm 47 Author of "Clap your hands all you nations" in Ancient and Modern John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink

Paul Inwood

b. 1947 Person Name: Paul Inwood, b. 1947 Scripture: Psalm 47:2-3 Author (refrain) of "Psalm 47: God Mounts His Throne" in Glory and Praise (3rd. ed.)

Greg Scheer

b. 1966 Scripture: Psalm 47 Adapter of "Clap Your Hands" in Global Songs for Worship Greg Scheer is a composer, author, and speaker. His life’s work includes two sons (Simon and Theo), two books (The Art of Worship, 2006, and Essential Worship, 2016), and hundreds of compositions, songs, and arrangements in a dizzying variety of styles. Greg is also co-founder of Hymnary.org and source of many ideas and inspirations, some good. Greg Scheer

The Venerable Bede

673 - 735 Person Name: Bede, 673-735 Scripture: Psalm 47:5-9 Author of "A Hymn of Glory Let Us Sing" in Lutheran Service Book Bede (b. circa 672-673; d. May 26, 735), also known as Saint Bede or the Venerable Bede, was an English monk at Northumbrian monastery at Monkwearmouth (now Jarrow). Sent to the monastery at the young age of seven, he became deacon very early on, and then a priest at the age of thirty. An author and scholar, he is particularly known for his Ecclesiastical History of the English People, which gained him the title “Father of English History.” He also wrote many scientific and theological works, as well as poetry and music. Bede is the only native of Great Britain to have ever been made a Doctor of the Church. He died on Ascension Day, May 26, 735, and was buried in Durham Cathedral. Laura de Jong ========================== Bede, Beda, or Baeda, the Venerable. This eminent and early scholar, grammarian, philosopher, poet, biographer, historian, and divine, was born in 673, near the place where, shortly afterwards, Benedict Biscop founded the sister monasteries of Wearmouth and Jarrow, on an estate conferred upon him by Ecgfrith, or Ecgfrid, king of Northumbria, possibly, as the Rev. S. Baring-Gould, Lives of the Saints (May), p. 399, suggests, "in the parish of Monkton, which appears to have been one of the earliest endowments of the monastery." His education was carried on at one or other of the monasteries under the care of Benedict Biscop until his death, and then of Ceolfrith, Benedict's successor, to such effect that at the early age of nineteen he was deemed worthy, for his learning and piety's sake, to be ordained deacon by St. John of Beverley, who was then bishop of Hexham, in 691 or 692. From the same prelate he received priest's orders ten years afterwards, in or about 702. The whole of his after-life he spent in study, dividing his time between the two monasteries, which were the only home he was ever to know, and in one of which (that of Jarrow) he died on May 26th, 735, and where his remains reposed until the 11th century, when they were removed to Durham, and re-interred in the same coffin as those of St. Cuthbett, where they were discovered in 1104. He was a voluminous author upon almost every subject, and as an historian his contribution to English history in the shape of his Historia Ecclesiastica is invaluable. But it is with him as a hymnist that we have to do here. I. In the list of his works, which Bede gives at the end of his Ecclesiastical History, he enumerates a Liber Hymnorum, containing hymns in “several sorts of metre or rhyme." The extant editions of this work are:— (1) Edited by Cassander, and published at Cologne, 1556; (2) in Wernsdorf's Poetae Latin Min., vol. ii. pp.239-244. II. Bede's contributions to the stores of hymnology were not large, consisting principally of 11 or at most 12 hymns; his authorship of some of these even is questioned by many good authorities. While we cannot look for the refined and mellifluous beauty of later Latin hymnists in the works of one who, like the Venerable Bede, lived in the infancy of ecclesiastical poetry; and while we must acknowledge the loss that such poetry sustains by the absence of rhyme from so many of the hymns, and the presence in some of what Dr. Neale calls such "frigid conceits" as the epanalepsis (as grammarians term it) where the first line of each stanza, as in "Hymnum canentes Martyrum," is repeated as the last; still the hymns with which we are dealing are not without their peculiar attractions. They are full of Scripture, and Bede was very fond of introducing the actual words of Scripture as part of his own composition, and often with great effect. That Bede was not free from the superstition of his time is certain, not only from his prose writings, but from such poems as his elegiac "Hymn on Virginity," written in praise and honour of Queen Etheldrida, the wife of King Ecgfrith, and inserted in his Ecclesiastical History, bk. iv., cap. xx. [Rev. Digby S. Wrangham, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907)

Gottfried Wilhelm Sacer

1635 - 1699 Person Name: Dr. Gottfr. Wilhelm Sacer Scripture: Psalm 47:6-7 Author of "Gott fähret auf den Himmel" in Evangelisch-Lutherisches Gesang-Buch Sacer, Gottfried Wilhelm, son of Andreas Sacer, senior burgomaster of Naumburg, in Saxony, was born atNaumburg, July 11, 1635. He entered the University of Jena in 1653, and remained there for four years as a student of law. He was thereafter for two years secretary to Geheimrath von Platen, in Berlin; and then tutor, first to a son of the Swedish Regierungsrath von Pohlen, and then to the sons of the Saxon Landhauptmann von Bünau. In 1665 he entered the military service under Herr von Mollison, commandant at Lüneberg, at first as regimental secretary, and afterwards as ensign. Soon tiring of this he went to Kiel in 1667, in order to graduate LL.D., but before doing so undertook a tour in Holland and Denmark with some young noblemen from Holstein. In 1670 he settled down as advocate at the appeal and chancery courts in Brunswick (graduating LL.D. at Kiel in 1671), and in 1683 removed to Wolfenbüttel as Kammer-und Amts-advocat, receiving the title of Kammer-Consulent in 1690. He died at Wolfenbüttel, Sept. 8 [18], 1699. (Weizel, iii. p. i.; Koch, iii. 398, iv. 562, &c.) Sacer began early to write poetry, was admitted by Rist, in 1660, as one of his poetical order of Elbe Swans, and in hisNützliche Erinnerungen wegen der teutschen Poeterey, Altenstettin, 1661 [Wolfenbüttel Library], already described himself as " Kayserlicher Poët," i.e. as having been crowned as a poet by the Emperor of Austria. His hymns are among the best of the period immediately succeeding Gerhardt. They have a considerable measure of poetic glow, and sometimes of dramatic force, and are Scriptural and good in style. His earliest hymns seem to have appeared in hisBluttriefende, siegende und triumphirende Jesus, 1661, but no copy of this work is now known. Many are included in pt. ii. 1665, of the Stralsund Gesang-Buch (Ander Theil des erneuerten Gesang-Buchs), and in the other hymn-books of the period. They were collected and published by his son-in-law as his Geistliche, liebliche Lieder, at Gotha, 1714. Those of Sacer's hymns which have passed into English are:— i. Durch Trauera und durch Plagen. New Year. Included in 1665 as above, pt. ii. p. 35, in 7 stanzas of 8 lines; repeated 1714, p. 3, entitled "On the New Year." It is also in the Berlin Geistliche Lieder ed. 1863, No. 191. The translation in common use is:— Through many changeful morrows. This is a good tr. by Dr. F. W. Gotch, in the Baptist Magazine, Jan. 1857, p. 19, repeated in the 1880 Supplement to the Baptist Psalms & Hymns. ii. Gott fähret auf gen Himmel. Ascension. Founded on Ps. xlvii. 6-7. Included in 1665, as above, pt. ii. p. 147, in 7 st. of 8 1., and repeated 1714, p. 27, entitled "On the Ascension of Christ." It is also in the Berlin Geistliche Lieder, ed. 1863, No. 336. In the Württemberg Gesang-Buch, 1842, it begins, "Der Herr faint auf." The translations in common use are:— 1. Lo! God to heaven ascendeth. This is a good tr., omitting st. vi., by Miss Cox, in her Sacred Hymns from the German, 1841, p. 39 (Hymns from the German, 1864, p. 63). Repeated, abridged, in Alford's Psalms & Hymns, 1844, and his Year of Praise, 1867; in Dale's English Hymn Book, 1874, &c. 2. While up to Heaven God goeth. A spirited version, omitting st. vi., by W. J. Blew, printed as a leaflet for choir use in 1846, and included in his Church Hymn & Tune Book, 1852 ; in Rice's Selection from Blew, 1870, No. 67, and in Lyra Messianica, 1864, p. 3fr2. Other hymns by Sacer are:— iii. Gott, der du aller Himmel Heer. For those at Sea. Included in J. Crülger's Erneuerte Gesangbüchlein ...von Peter Sohren , Frankfurt am Main, 1670, No. 878, in 10 st., and repeated, 1714, p. 75, in 11 St., entitled “Hymn for Seafarers." Recently in Knapp's Evangelischer Lieder-Schatz 1837 and 1865. Translated as, "Thou who hast stretched the heaven's blue sky." In L. Rehfuess's Church at Sea, 1868, p. 34. iv. Lass mich nicht in Irrthum fallen. Christ for all. Included, 1714, as above, p. 53, in 10 st. of 8 1., founded on Ps. li. 13, and repeated in the Hannover Gesang-Buch, 1740, No. 848. Tr. as "Lord, forbid that e'er such error." By Dr. J. Guthrie, 1869, p. 117. v. 0 dass ich könnte Thränen gnug vergiessen. Passiontide. Included in 1665 as above, pt. ii. p. 60, in 16 st. of 4 1., and repeated, 1714, p. 20, entitled "Contemplation of the piteous death of Jesus Christ." In the Berlin Gesang-Buch, 1829, st. xiv.-xvi. altered and beginning, “Mein Herr und Heiland, lass mirs gehn zu Herzen," are included as No. 189. This form is tr. as, “Lord, touch my heart with that great Consummation," by N. L. Frothingham, 1870, p. 143. vi. So hab' ich obgesieget. Funeral of a Child. Included in 1665 as above, pt. ii. p. 665, in 13 st. of 8 1., st. i.-xii. being given as spoken by the child in Paradise, and xiii. as the answer of the bereaved parents. Re¬peated,in 1714, p. 91, entitled "Comfort from the de¬parted to those left behind," the 13th stanza being entitled “Farewell of the sorrowing ones." Recently as No. 855 in the Evangelischer Lieder-Schatz, 1851. Translated as (1) "Lo! now the victory's gain'd me," by Miss Cox, 1841, p. 77. In her edition of 1864, p. 87, it is altered and begins, "My race is now completed." (2) "Then I have conquer'd; then at last," by Miss Winkworth, 1855, p. 243. (3) "My course is run; in glory," by Dr. J. Guthrie, 1869, p. 105. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Twila Paris

b. 1958 Scripture: Psalm 47:9 Author of "He Is Exalted" in Sing With Me

Natalie Sleeth

1930 - 1992 Person Name: Natalie Allyn Wakeley Sleeth (1930-1992) Scripture: Psalm 47:5-7 Author of "Praise the Lord with the sound of trumpet" in Church Hymnary (4th ed.)

Dewey Westra

1899 - 1979 Scripture: Psalm 47 Author of "Praise The Lord, Ye Lands" in Psalter Hymnal (Blue) Dewey D. Westra (b. Holland, MI, 1899; d. Wyoming, MI, 1979) was a dedicated educator, writer, and musician who faithfully served the Christian Reformed Church. He attended Calvin College, Grand Rapids, Michigan, and Wayne State University in Detroit. In the 1920s and 30s he was a Christian school Principal in Byron Center and Detroit, Michigan. During the 1940s he was involved in various ventures, including becoming a diesel instructor for the Ford Motor Company. After 1947 he became a principal again, serving at Christian schools in Sioux Center, Iowa; Randolph, Wisconsin; and Walker, Michigan. Westra wrote poetry in English, Dutch, and Frisian, and translated poetry into English from Dutch and Frisian. He arranged many songs and composed songs for children's choirs. He also versified all one hundred and fifty psalms and the Lord's Prayer, as well as the songs of Mary, Zechariah, and Simeon, in meters that fit the corresponding Genevan psalm tunes. His manuscripts are housed in the library of Calvin College. Seventeen of his psalm versifications and his paraphrases of the Lucan canticles were included in the 1934 and in the 1959 editions of the Psalter Hymnal. Much of the credit for keeping the Genevan psalms alive in the Christian Reformed Church goes to Westra. Bert Polman

Joy F. Patterson

b. 1931 Scripture: Psalm 47 Paraphaser of "Peoples, Clap Your Hands!" in The Presbyterian Hymnal Joy F. Patterson (b. 1931), of Wassau, Wisconsin, is an elder in the Presbyterian Church who has written many texts and tunes; twenty-nine are collected in Come, You People of the Promise (Hope Publishing, Co., 1994); another collection, Teach Our Eyes New Ways of Seeing, was published in 2005 (Selah). Patterson has enjoyed a varied career as a French professor, homemaker, and claim representative for the Social Security Administration. Sing! A New Creation

Godwin Sadoh

Scripture: Psalm 47:1 Author of "Open Your Mouth and Praise the Lord!" in Glory to God Godwin Sadoh 1965- Nigerian Composer and Ethnomusicologist, Godwin Sadoh, Nigerian composer-ethnomusicologist, organist, pianist and choir director Dr. Godwin Sadoh was born in Lagos, Nigeria. He holds the Bachelor of Arts degree in piano performance composition from the Obafemi Awolowo University, Ile-Ife Nigeria, the Master of Arts degree in ethnomusicology from the University of Pittsburgh, as well as a Master of Music degree in organ performance from the University of Nebraska-Lincoln. Godwin Sadoh received his Doctorate of Musical Arts in organ performance and composition from Louisiana State University, Baton Rouge, where he studied composition with Dinos Constantinides and church music with Quentin Faulkner. Dr. Sadoh authored numerous scholarly articles on modern African art music, organ building, church music, as well as organist-composers in Nigeria appearing in publications such as The Organ, The Hymn, ComposerUSA, Living Music, Twentieth Century Music and Organ Encyclopedia. He has performed throughout Nigeria and the United States as a recitalist, accompanist, and choral director as well as founding the critically acclaimed Ile-Ife Choral Society and the Golden Bells Choral Group in Nigeria. --newscoreorch.org/the-composers/

W. P. Mackay

1839 - 1885 Person Name: William P. Mackay Scripture: Psalm 47:6 Author of "Hallelujah! Thine the Glory" in Trinity Hymnal (Rev. ed.) Mackay, William Paton, M.D., was born at Montrose, May 13, 1839, and educated at the University of Edinburgh. After following his medical profession for a time, he became minister of Prospect Street Presbyterian Church, Hull, in 1868, and died from an accident, at Portree, Aug. 22, 1885. Seventeen of his hymns are in W. Reid's Praise Book, 1872. Of these the best known is "We praise Thee, O God, for the Son of Thy love" (Praise to God), written 1863, recast 1867. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, Appendix II (1907) ====================== Born: May 13, 1839, Montrose, Scotland. Died: August 22, 1885, Portree, Scotland, of an accident. Mackay graduated from the University of Edinburgh and initially worked as a doctor. However, he was ordained, and in 1868 became pastor of the Prospect Street Presbyterian Church in Hull. He married Mary Loughton Livingstone 1868 in Kingston Upon Hull, Yorkshire; they were living in Sculcoates, Yorkshire, as of 1881. Seventeen of his hymns appeared in W. Reid’s Praise Book in 1872. Sources: Hustad, p. 278 Julian, p. 1667 Reynolds, p. 365 http://www.hymntime.com/tch/bio/m/a/c/mackay_wp.htm

Henry J. Kuiper

1885 - 1962 Scripture: Psalm 47:6 Alterer (stanza 1 and refrain) of "Hallelujah! Thine the Glory" in Trinity Hymnal (Rev. ed.)

John J. Husband

1760 - 1825 Person Name: John J. Husband, 1760-1825 Scripture: Psalm 47:6 Composer of "THINE THE GLORY" in Trinity Hymnal (Rev. ed.) Rv John Jenkins Husband United Kingdom 1760-1825. Born in Plymouth, England, he worked as a clerk at Surrey Chapel. He emigrated to the U.S. in 1809 and taught music in Philadelphia, PA. It is surmised that he married Anna Elizabeth Kirkhum, but no other family information was found. An author and composer, he also worked as a clerk at St. Paul’s Protestant Episcopal Church. In 1807 he published “A collection of hymns & Psalms for the use of singing school & musical societies”. He died in Philadelphia, PA. John Perry

Robert Grant

1779 - 1838 Person Name: Robert Grant (1779-1838) Scripture: Psalm 47 Author of "O Worship the King" in Common Praise (1998) Robert Grant (b. Bengal, India, 1779; d. Dalpoorie, India, 1838) was influenced in writing this text by William Kethe’s paraphrase of Psalm 104 in the Anglo-Genevan Psalter (1561). Grant’s text was first published in Edward Bickersteth’s Christian Psalmody (1833) with several unauthorized alterations. In 1835 his original six-stanza text was published in Henry Elliott’s Psalm and Hymns (The original stanza 3 was omitted in Lift Up Your Hearts). Of Scottish ancestry, Grant was born in India, where his father was a director of the East India Company. He attended Magdalen College, Cambridge, and was called to the bar in 1807. He had a distinguished public career a Governor of Bombay and as a member of the British Parliament, where he sponsored a bill to remove civil restrictions on Jews. Grant was knighted in 1834. His hymn texts were published in the Christian Observer (1806-1815), in Elliot’s Psalms and Hymns (1835), and posthumously by his brother as Sacred Poems (1839). Bert Polman ======================== Grant, Sir Robert, second son of Mr. Charles Grant, sometime Member of Parliament for Inverness, and a Director of the East India Company, was born in 1785, and educated at Cambridge, where he graduated in 1806. Called to the English Bar in 1807, he became Member of Parliament for Inverness in 1826; a Privy Councillor in 1831; and Governor of Bombay, 1834. He died at Dapoorie, in Western India, July 9, 1838. As a hymnwriter of great merit he is well and favourably known. His hymns, "O worship the King"; "Saviour, when in dust to Thee"; and "When gathering clouds around I view," are widely used in all English-speaking countries. Some of those which are less known are marked by the same graceful versification and deep and tender feeling. The best of his hymns were contributed to the Christian Observer, 1806-1815, under the signature of "E—y, D. R."; and to Elliott's Psalms & Hymns, Brighton, 1835. In the Psalms & Hymns those which were taken from the Christian Observer were rewritten by the author. The year following his death his brother, Lord Glenelg, gathered 12 of his hymns and poems together, and published them as:— Sacred Poems. By the late Eight Hon. Sir Robert Grant. London, Saunders & Otley, Conduit Street, 1839. It was reprinted in 1844 and in 1868. This volume is accompanied by a short "Notice," dated "London, Juno 18, 1839." ===================== Grant, Sir R., p. 450, i. Other hymns are:— 1. From Olivet's sequester'd scats. Palm Sunday. 2. How deep the joy, Almighty Lord. Ps. lxxxiv. 3. Wherefore do the nations wage. Ps. ii. These are all from his posthumous sacred Poems, 1839. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Darwall

1732 - 1789 Person Name: John Darwall (1731-1789) Scripture: Psalm 47 Composer of "DARWALL" in Common Praise (1998) John Darwall (b. Haughton, Staffordshire, England, 1731; d. Walsall, Staffordshire, England, 1789) The son of a pastor, he attended Manchester Grammar School and Brasenose College, Oxford, England (1752-1756). He became the curate and later the vicar of St. Matthew's Parish Church in Walsall, where he remained until his death. Darwall was a poet and amateur musician. He composed a soprano tune and bass line for each of the 150 psalm versifications in the Tate and Brady New Version of the Psalms of David (l696). In an organ dedication speech in 1773 Darwall advocated singing the "Psalm tunes in quicker time than common [in order that] six verses might be sung in the same space of time that four generally are." Bert Polman

William B. Bradbury

1816 - 1868 Person Name: William B. Bradbury, 1816-1868 Scripture: Psalm 47:1-7 Composer of "SUTHERLAND" in Hymns of the Saints William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Josiah Conder

1789 - 1855 Person Name: Josiah Conder (1789-1855) Scripture: Psalm 47:1-8 Author of "The Lord is King! Lift up thy voice!" in Church Hymnary (4th ed.) Josiah Conder was born in London, in 1789. He became a publisher, and in 1814 became proprietor of "The Eclectic Review." Subsequently to 1824, he composed a series of descriptive works, called the "Modern Traveller," which appeared in thirty volumes. He also published several volumes of poems and hymns. He was the author of the first "Congregational Hymn Book" (1836). He died in 1855. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ========================== Conder, Josiah, fourth son of Thomas Conder, engraver and bookseller, and grandson of the Rev. John Conder, D.D., first Theological Tutor of Homerton College, was born in Falcon Street (City); London, Sept. 17, 1789, and died Dec. 27, 1855. As author, editor and publisher he was widely known. For some years he was the proprietor and editor of the Eclectic Review, and also editor of the Patriot newspaper. His prose works were numerous, and include:— The Modern Traveller, 1830; Italy, 1831; Dictionary of Ancient and Modern Geography, 1834; Life of Bunyan, 1835; Protestant Nonconformity, 1818-19; The Law of the Sabbath, 1830; Epistle to the Hebrews (a translation), 1834; Literary History of the New Testament, 1845, Harmony of History with Prophecy, 1849, and others. His poetical works are:— (1) The Withered Oak,1805; this appeared in the Athenceum. (2) The Reverie, 1811. (3) Star in the East, 1824. (4) Sacred Poems, Domestic Poems, and Miscellaneous Poems, 1824. (5) The Choir and the Oratory; or, Praise and Prayer, 1837. Preface dated Nov. 8, 1836. (6) Hymns of Praise, Prayer, and Devout Meditation, 1856. This last work was in the press at the time of his death, and was revised and published by his son, the Rev. E. R. Conder, M.A. He also contributed many pieces to the magazines and to the Associated Minstrels, 1810, under the signature of " C." In 1838, selections from The Choir and Oratory were published with music by Edgar Sanderson, as Harmonia Sacra. A second volume was added in 1839. To Dr. Collyer’s (q.v.) Hymns, &c, he contributed 3 pieces signed "C"; and to Dr. Leifchild's Original Hymns, 1843, 8 hymns. As a hymn-book editor he was also well known. In 1836 he edited The Congregational Hymn Book: a Supplement to Dr. Watts’s Psalms and Hymns (2nd ed. 1844). To this collection he contributed fifty-six of his own hymns, some of which had previously appeared in The Star in the East, &c. He also published in 1851 a revised edition of Dr. Watts's Psalms and Hymns, and in the game year a special paper on Dr. Watte as The Poet of the Sanctuary, which was read before the Congregational Union at Southampton. The value of his work as Editor of the Congregational Hymn Book is seen in the fact that eight out of every ten of the hymns in that collection are still in use either in Great Britain or America. As a hymn writer Conder ranks with some of the best of the first half of the present century. His finest hymns are marked by much elevation of thought expressed in language combining both force and beauty. They generally excel in unity, and in some the gradual unfolding of the leading idea is masterly. The outcome of a deeply spiritual mind, they deal chiefly with the enduring elements of religion. Their variety in metre, in style, and in treatment saves them from the monotonous mannerism which mars the work of many hymn writers. Their theology, though decidedly Evangelical, is yet of a broad and liberal kind. Doubtless Conder's intercourse with many phases of theological thought as Editor of the Eclectic Review did much to produce this catholicity, which was strikingly shewn by his embodying many of the collects of the Book of Common Prayer, rendered into verse, in his Choir and Oratory. Of his versions of the Psalms the most popular are "How honoured, how dear" (84th), and "O be joyful in the Lord" (100th). His hymns in most extensive use are," Bread of heaven, on Thee I feed; " “Beyond, beyond that boundless sea;" "The Lord is King, lift up thy voice" (this last is one of his best); "Day by day the manna fell;" "How shall I follow him I serve;" "Heavenly Father, to whose eye" (all good specimens of his subdued and pathetic style); and "O shew me not my Saviour dying." This last is full of lyric feeling, and expresses the too often forgotten fact that the Church has a living though once crucified Lord. The popularity of Conder's hymns may be gathered from the fact that at the present time more of them are in common use in Great Britain and America than those of any other writer of the Congregational body, Watts and Doddridge alone excepted. [Rev. W. Garrett Horder] In addition to the hymns named above and others which are annotated under their respective first lines, the following, including two already named (4,16), are also in common use:— i. From Dr. Collyer's Hymns, &c, 1812. 1. When in the hours of lonely woe. Lent. ii. From The Star in the East, &c, 1824. 2. Be merciful, O God of grace. Ps. lxvii. 3. For ever will I bless the Lord. Ps. xxxiv. 4. How honoured, how dear. Ps. lxxxiv. 5. Now with angels round the throne. Doxology. 6. O Thou God, Who hearest prayer. Lent. Dated Sept. 1820. Usually abbreviated. iii. From The Congregational Hymn Book, 1836. 7. Blessed be God, He is not strict. Longsuffering of God. 8. Followers of Christ of every name. Communion of Saints. 9. Grant me, heavenly Lord, to feel. Zeal in Missions desired. 10. Grant, 0 Saviour, to our prayers. Collect 5th S. after Trinity. 11. Head of the Church, our risen Lord. Church Meetings. 12. Holy, holy, holy Lord, in the highest heaven, &c. Praise to the Father. 13. Jehovah's praise sublime. Praise. 14. Leave us not comfortless. Holy Communion. 15. Lord, for Thv Name's sake! such the plea. In National Danger. 16. O be joyful in the Lord. Ps. c. 17. 0 breathe upon this languid frame. Baptism of Holy Spirit desired. 18. 0 give thanks to Him Who made. Thanksgiving for Daily Mercies. 19. 0 God, Protector of the lowly. New Year. 20. 0 God, to whom the happy dead. Burial. 21. 0 God, Who didst an equal mate. Holy Matrimony. 22. 0 God, Who didst Thy will unfold. Holy Scriptures. 23. 0 God, Who dost Thy sovereign might. Prayer Meetings. 24. 0 how shall feeble flesh and blood. Salvation through Christ. 25. 0 how should those be clean who bear. Purity desired for God's Ministers. 26. 0 say not, think not in thy heart. Pressing Onward. 27. 0 Thou divine High Priest. Holy Communion. 28. 0 Thou Who givest all their food. Harvest. 29. 0 Thou Whose covenant is sure. Holy Baptism. 30. Praise on Thee, in Zion-gates. Sunday. 31. Praise the God of all creation. Doxology 32. See the ransomed millions stand. Praise to Christ. 33. The heavens declare His glory. Ps. xix. 34. Thou art the Everlasting Word. Praise to Christ. 35. Thy hands have made and fashioned me. Thanks for Daily Mercies. 36. To all Thy faithful people, Lord. For Pardon. 37. To His own world He came. Ascension. 38. To our God loud praises give. Ps. cxxxvi. 39. Upon a world of guilt and night. Purification of B.V.M. 40. Welcome, welcome, sinner, hear. Invitation to Christ. 41. Wheresoever two or three. Continued Presence of Christ desired. iv. From The Choir and the Oratory, 1837. 42. Baptised into our Saviour's death. Holy Baptism. 43. In the day of my [thy] distress. Ps. xx. 44. 0 comfort to the dreary. Christ the Comforter. v. From Leifchild's Original Hymns, 1843. 45. I am Thy workmanship, 0 Lord. God the Maker and Guardian. 46. 0 Lord, hadst Thou been here! But when. The Resurrection of Lazarus. 47. 'Tis not that I did choose Thee. Chosen of God. This is altered in the Church Praise Book, N. Y., 1882, to “Lord, 'tis not that I did choose Thee," thereby changing the metre from 7.6 to 8.5. vi. From Hymns of Praise, Prayer, &c, 1856. 48. Comrades of the heavenly calling. The Christian race. When to these 48 hymns those annotated under their respective first lines are added, Conder’s hymns in common use number about 60 in all. --John Julian, Dictionary of Hymnology (1907) =================== Conder, Josiah, p. 256, i. Other hymns are:— 1. O love beyond the reach of thought. The love of God. 2. O Thou, our Head, enthroned on high. Missions. 3. Son of David, throned in light. Divine Enlightenment desired. 4. Thou Lamb of God for sinners slain. Christ the Head of the Church. From "Substantial Truth, 0 Christ, Thou art." These hymns are all from his Hymns of Praise, &c, 1856. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

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