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[Work, for the Night Is Coming]
Appears in 517 hymnals Composer and/or Arranger: Lowell Mason Incipit: 53455 65111 12353 Used With Text: 黑夜將臨快作工，
(Work, for the Night Is Coming)
[Work, for the Night Is Coming]
"The night cometh"
Author: Anna L. Walker Appears in 1,168 hymnals First Line: Work, for the night is coming Lyrics: 1 Work, for the night is coming;
Work, through the morning hours;
Work, while the dew is sparkling;
Work, 'mid springing flowers;
Work, when the day grows brighter,
Work, in the glowing sun;
Work, for the night is coming,
When man's work is done.
2 Work, for the night is coming,
Work through the sunny noon;
Fill brightest hours with labor,
Rest comes sure and soon.
Give every flying minute
Something to keep in store:
Work, for the night is coming,
When man works no more.
3 Work, for the night is coming,
Under the sunset skies;
While their bright tints are glowing,
Work, for daylight flies,
Work till the last beam fadeth,
Fadeth to shine no more;
Work, while the night is darkening,
When man's work is o'er. Topics: Christian Experience; Activity; Christians Duties; Church Work of; Missions; Activity; Christians Duties; Church Work of; Missions Used With Tune: WORK SONG
"The night cometh"
Work, for the Day Is Coming!!
Author: Unknown Appears in 15 hymnals First Line: Work, for the Day is coming Used With Tune: [Work, for the Day is coming]
Work, for the Day Is Coming!!
Pronto la Noche Viene
Author: Annie Louise Coghill ; Epigmenio Velasco Appears in 13 hymnals Scripture: John 9:4 Used With Tune: WORK SONG
Pronto la Noche Viene
Work Song
Author: Sidney Dyer Hymnal: The Christian Sunday School Hymnal #5 (1883) First Line: Work, for the night is coming Lyrics: 1 Work, for the night is coming;
Work thro' the morning hours;
Work while the dew is sparkling;
Work 'mid springing flowers;
Work when the day grows brighter,
Work in the glowing sun;
Work, for the night is coming,
When man's work is done.
2 Work, for the night is coming;
Work thro' the sunny noon;
Fill brightest hours with labor—
Rest comes sure and soon.
Give every flying moment
Something to keep in store;
Work, for the night is coming,
When man works no more. Scripture: John 9:4 Tune Title: [Work, for the night is coming]
Work Song
Work, for the Night Is Coming
Author: Anna L. Coghill ; Lowell Mason Hymnal: The Hymnbook #297 (1955) Meter: 7.6.7.5 D Lyrics: 1 Work, for the night is coming,
Work through the morning hours;
Work while the dew is sparkling,
Work 'mid springing flowers;
Work when the day grows brighter,
Work in the glowing sun;
Work, for the night is coming,
When man's work is done.
2 Work, for the night is coming,
Work through the sunny noon;
Fill brightest hours with labor,
Rest comes sure and soon.
Give every flying minute,
Something to keep in store;
Work, for the night is coming,
When man works no more.
3 Work, for the night is coming,
Under the sunset skies;
While their bright tints are glowing,
Work, for daylight flies.
Work till the last beam fadeth,
Fadeth to shine no more;
Work while the night is dark'ning,
When man's work is o'er.
Amen. Topics: Commitment; Life in Christ Dedication and Consecration Scripture: Psalm 104:23 Tune Title: WORK SONG
Work, for the Night Is Coming
Lowell Mason
1792 - 1872 Composer of "[Work, for the night is coming]" in The Christian Sunday School Hymnal Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
Charitie Lees Smith
1841 - 1923 Person Name: Miss C. L. Smith Author of "O! for the robe of whiteness" in Messages of Love Hymn Book Bancroft, Charitie Lees, née Smith, daughter of the Rev. Sidney Smith, D.D., Rector of Drumragh, County Tyrone, Ireland; was born at Bloomfield, Merrion, in the county of Dublin, June 21,1841; and married, in 1869, to Arthur E. Bancroft. Her hymns have appeared in periodicals, Lyra Britannica, Bishop Ryle's Spiritual Songs, and other collections, and also as leaflets. The following have come into common usage:—
1. O for the [a] robes [robe] of whiteness. Heaven desired. This favorite children's hymn was 1st pub. as a leaflet in 1860. In 1867 it was included in Lyra Britannica, and thence has passed into several collections in Great Britain and America.
2. The King of glory standeth. Christ the Saviour. Contributed in 7 stanzas of 8 1ines to the Lyra Britannica, 1867, and entitled "Mighty to save." In the Hymns & Songs of Praise, N. Y., 1874, No. 1196, it begins with stanza iii., "He comes in bloodstained garments."
3. Before the throne of God above. The Advocate. Dated 1863, and given in Spurgeon's Our Own Hymn Book, 1806, Laudes Domini, N. Y., 1884.
In 1867 Mrs. Bancroft's hymns were collected and published as Within the Veil, by C. L. S.
-- John Julian, Dictionary of Hymnology (1907)
==========================
De Chenez, Charitie L. [Bancroft] née Smith, widow of Arthur Bancroft, p. 109, ii., is by a second marriage Mrs. De Chenez.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
========================
She was apparently widowed twice. She died in Oakland, California, in 1923, at the age of 82, bearing the name Charitie de Cheney (or Chenez) - Dianne Shapiro
Charitie Lees Smith
Basil Manly
1825 - 1892 Person Name: Basil Manley Ascribed to of "Work, for the day is coming!" in The Book of Common Praise Manly, Basil, junior, D.D., born in Edgefield County, South Carolina, Dec. 19, 1825, was educated at the State University of Alabama, and entered the Baptist ministry in 1848. He has held several important appointments amongst the Baptists. He is the author of nearly 40 hymns, several of which are in common use. Of these the following 9 appeared in The Baptist Psalmody, 1850, which he edited with his father:—
1. Before a pool the sufferer lay. The Pool of Bethesda.
2. God of the seas, Whose ruling voice. For those at Sea.
3. God with us, 0 glorious [wondrous] name, Manifest in flesh He came. Christmas.
4. Holy, holy, holy Lord, God of hosts in heaven adored. The Divine Holiness.
5. In doubt's dim twilight here I stray.
6. Jesus, my Lord, I own Thee God. Divinity of Jesus.
7. Lord, I deserve Thy deepest wrath.
8. Our God invites the wanderers home. Invitation.
9. There is a light which shines from heaven.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
==============================
Manly, Basil M., Jr. (Edgefield County, South Carolina, December 19, 1825--January 31, 1892, Louisville, Kentucky). Southern Baptist. University of Alabama, Dipl. 1844; honorary D.D. 1859; Princeton Theological Seminary, Dipl. 1847; Agricultural College, Auburn, Alabama, honorary LL.D. 1874. Pastorates in Sumter County, Ala., and Noxubee County, Mississippi, 1848; Richmond, Virginia, 1850-1854. President of Richmond Female Institute, 1854-1859, and Georgetown College, Ky., 1871-1879. Faculty member at Southern Baptist Theological Seminary, Ky., 1859-1871, 1879-1892. Leader in formation of first Southern Baptist Sunday School Board (1863-1873). His hymnal, The Baptist Psalmody (Charleston, 1850, with Basil Manly, Sr.), became quite popular among Southern Baptists; also compiled Baptist Chorals (Richmond, 1859) and The Choice (Louisville, 1891); served on editorial board for The Baptist Praise Book (New York, 1872). His best-known hymn, "Soldiers of Christ, in truth arrayed" was written for the first commencement at Southern Baptist Theological Seminary (1860), where it is still sung on every such occasion. Another of his hymns, "Holy, holy, holy Lord, God of hosts, in heaven adored" found its way into C.H. Spurgeon's Our Own Hymn-Book (London, 1866, No. 189).
--David W. Music, DNAH Archives
=========================
http://en.wikipedia.org/wiki/Basil_Manly,_Jr.
Basil Manly
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
