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WATERBANK

Meter: 8.7.8.7 D Appears in 2 hymnals Composer and/or Arranger: J. R. Higinbotham Tune Key: D Major Incipit: 32123 54421 23565

Heaven With Rosy Morn Is Glowing

Author: Ambrose of Milan, 340-397; John Williams Meter: 8.7.8.7 D Appears in 5 hymnals Lyrics: 1 Heaven with rosy morn is glowing, Songs of triumph fill the air, Strains of praise from earth are flowing, Hell is writhing in despair. Earth’s great king, in glory springing, From the deep sepulchral night, While loud anthems round are ringing, Leads His saints to life and light. 2 Useless watch the guards are keeping O’er that tomb so still and lone; He who there in death was sleeping, Bursts the seal, and rends the stone. "Weep no more; no more be given Gushing tears and mournful sighs, For the grave’s dark gates are riven, Christ is risen!" the angel cries. 3 Be our Paschal joy unending! And, O Lord, deign Thou to save Contrite souls, that lowly bending, Pray for life beyond the grave. Praise the Father, earth and Heaven, Praise the Son, who rose this day, To the Spirit praise be given— Three in One, and One in three. Used With Tune: WATERBANK Text Sources: Ancient Hymns of the Holy Church (Hartford, Conn., 1845)

Instances

Published text-tune combinations (hymns) from specific hymnals

Heaven With Rosy Morn Is Glowing

Author: Ambrose of Milan, 340-397; John Williams Hymnal: The Cyber Hymnal #10345 Meter: 8.7.8.7 D Lyrics: 1 Heaven with rosy morn is glowing, Songs of triumph fill the air, Strains of praise from earth are flowing, Hell is writhing in despair. Earth’s great king, in glory springing, From the deep sepulchral night, While loud anthems round are ringing, Leads His saints to life and light. 2 Useless watch the guards are keeping O’er that tomb so still and lone; He who there in death was sleeping, Bursts the seal, and rends the stone. "Weep no more; no more be given Gushing tears and mournful sighs, For the grave’s dark gates are riven, Christ is risen!" the angel cries. 3 Be our Paschal joy unending! And, O Lord, deign Thou to save Contrite souls, that lowly bending, Pray for life beyond the grave. Praise the Father, earth and Heaven, Praise the Son, who rose this day, To the Spirit praise be given— Three in One, and One in three. Languages: English Tune Title: WATERBANK

Heaven with rosy Morn is glowing

Hymnal: Carols Old and Carols New #75 (1916) Topics: Easter Languages: English Tune Title: [Heaven with rosy Morn is glowing]

People

Authors, composers, editors, etc.

St. Ambrose

340 - 397 Person Name: Ambrose of Milan, 340-397 Author (attributed to) of "Heaven With Rosy Morn Is Glowing" in The Cyber Hymnal Ambrose (b. Treves, Germany, 340; d. Milan, Italy, 397), one of the great Latin church fathers, is remembered best for his preaching, his struggle against the Arian heresy, and his introduction of metrical and antiphonal singing into the Western church. Ambrose was trained in legal studies and distinguished himself in a civic career, becoming a consul in Northern Italy. When the bishop of Milan, an Arian, died in 374, the people demanded that Ambrose, who was not ordained or even baptized, become the bishop. He was promptly baptized and ordained, and he remained bishop of Milan until his death. Ambrose successfully resisted the Arian heresy and the attempts of the Roman emperors to dominate the church. His most famous convert and disciple was Augustine. Of the many hymns sometimes attributed to Ambrose, only a handful are thought to be authentic. Bert Polman ===================== Ambrosius (St. Ambrose), second son and third child of Ambrosius, Prefect of the Gauls, was born at Lyons, Aries, or Treves--probably the last--in 340 A.D. On the death of his father in 353 his mother removed to Rome with her three children. Ambrose went through the usual course of education, attaining considerable proficiency in Greek; and then entered the profession which his elder brother Satyrus had chosen, that of the law. In this he so distinguished himself that, after practising in the court of Probus, the Praetorian Prefect of Italy, he was, in 374, appointed Consular of Liguria and Aemilia. This office necessitated his residence in Milan. Not many months after, Auxentius, bishop of Milan, who had joined the Arian party, died; and much was felt to depend upon the person appointed as his successor. The church in which the election was held was so filled with excited people that the Consular found it necessary to take steps fur preserving the peace, and himself exhorted them to peace and order: when a voice suddenly exclaimed, "Ambrose is Bishop," and the cry was taken up on all sides. He was compelled to accept the post, though still only a catechumen; was forthwith baptized, and in a week more consecrated Bishop, Dec. 7, 374. The death of the Emperor Valentinian I., in 375, brought him into collision with Justina, Valentinian's second wife, an adherent of the Arian party: Ambrose was supported by Gratian, the elder son of Valentinian, and by Theodosius, whom Gratian in 379 associated with himself in the empire. Gratian was assassinated in 383 by a partisau of Maximus, and Ambrose was sent to treat with the usurper, a piece of diplomacy in which he was fairly successful. He found himself, however, left to carry on the contest with the Arians and the Empress almost alone. He and the faithful gallantly defended the churches which the heretics attempted to seize. Justina was foiled: and the advance of Maximus on Milan led to her flight, and eventually to her death in 388. It was in this year, or more probably the year before (387), that Ambrose received into the Church by baptism his great scholar Augustine, once a Manichaean heretic. Theodosius was now virtually head of the Roman empire, his colleague Valentinian II., Justina's son, being a youth of only 17. In the early part of 390 the news of a riot at Thessalonica, brought to him at Milan, caused him to give a hasty order for a general massacre at that city, and his command was but too faithfully obeyed. On his presenting himself a few days after at the door of the principal church in Milan, he was met by Ambrose, who refused him entrance till he should have done penance for his crime. It was not till Christmas, eight months after, that the Emperor declared his penitence, and was received into communion again by the Bishop. Valentinian was murdered by Arbogastes, a Frank general, in 392; and the murderer and his puppet emperor Eugenius were defeated by Theodosius in 394. But the fatigues of the campaign told on the Emperor, and he died the following year. Ambrose preached his funeral sermon, as he had done that of Valentinian. The loss of these two friends and supporters was a severe blow to Ambrose; two unquiet years passed, and then, worn with labours and anxieties, he himself rested from his labours on Easter Eve, 397. It was the 4th of April, and on that day the great Bishop of Milan is remembered by the Western Church, but Rome commemorates his consecration only, Dec. 7th. Great he was indeed, as a scholar, an organiser, a statesman; still greater as a theologian, the earnest and brilliant defender of the Catholic faith against the Arians of the West, just as Athanasius (whose name, one cannot but remark, is the same as his in meaning) was its champion against those of the East. We are now mainly concerned with him as musician and poet, "the father of Church song" as he is called by Grimm. He introduced from the East the practice of antiphonal chanting, and began the task, which St. Gregory completed, of systematizing the music of the Church. As a writer of sacred poetry he is remarkable for depth and severity. He does not warm with his subject, like Adam of St. Victor, or St. Bernard. "We feel," says Abp. Trench, "as though there were a certain coldness in his hymns, an aloofness of the author from his subject. "A large number of hymns has been attributed to his pen; Daniel gives no fewer than 92 called Ambrosian. Of these the great majority (including one on himself) cannot possibly be his; there is more or less doubt about the rest. The authorities on the subject are the Benedictine ed. of his works, the Psalterium, or Hymnary, of Cardinal Thomasius, and the Thesaurus Hymnologicus of Daniel. The Benedictine editors give 12 hymns as assignable to him, as follows:—1. Aeterna Christi munera. 2. Aeterne rerum Conditor. 3. Consors Paterni luminii. 4. Deus Creator omnium. 5. Fit porta Christi pervia, 6. Illuminans Altissimus. 7. Jam surgit hora tertia. 8. 0 Lux Beata Trinitas. 9. Orabo mente Dominum. 10. Somno refectis artubus. 11. Splendor Paternae gloriae. 12. Veni Redemptor gentium. Histories of these hymns, together with details of translations into English, are given in this work, and may be found under their respective first lines. The Bollandists and Daniel are inclined to attribute to St. Ambrose a hymn, Grates tibi Jesu novas, on the finding of the relics of SS. Gervasius and Protasius. These, we know, were discovered by him in 386, and it is by no means unlikely that the bishop should have commemorated in verse an event which he announces by letter to his sister Marcellina with so much satisfaction, not to say exultation.A beautiful tradition makes the Te Deum laudamus to have been composed under inspiration, and recited alternately, by SS. Ambrose and Augustine immediately after the baptism of the latter in 387. But the story rests upon a passage which there is every reason to consider spurious, in the Chronicon of Dacius, Bishop of Milan in 550. There is no hint of such an occurrence in the Confessions of St. Augustine, nor in Paulinue's life of St. Ambrose, nor in any authentic writing of St. Ambrose himself. The hymn is essentially a compilation, and there is much reason to believe, with Merati, that it originated in the 5th century, in the monastery of St. Honoratus at Lerins. [Te Deum.] -- John Julian, Dictionary of Hymnology (1907) Also known as: Ambrotio, Ambrosio de Milán Ambrosius Mediolanensis Ambrosius Saint, Bp. of Milan Ambrosius von Mailand Aurelio Ambrogio, Saint, Bishop of Milan Aurelius Ambrosius, Saint, Bishop of Milan Milan, d. 397

J. Williams

1817 - 1899 Person Name: John Williams Translator of "Heaven With Rosy Morn Is Glowing" in The Cyber Hymnal John Williams was born at Deerfield, Mass., in 1817; graduated at Trinity College, Hartford, in 1835; was ordained Deacon, 1838; Priest, 1841; Rector of S. George's, Schenectady, N.Y., 1842; President of Trinity College, 1848-1853; Assistant Bishop of Connecticut, 1851, and sole Bishop, by the death of Bishop Brownell, in 1865. He has edited a number of works of value. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ================ Williams, John, D.D., LL.D., was born at Deerfield, Massachusetts, Aug. 30, 1817; graduated at Trinity College, 1835, and was ordained in 1838. From 1842 to 1848 he was Rector at Schenectady, New York, and President of Trinity College, Hartford, Connecticut, from 1848 to 1853. In 1861 he was consecrated Assistant Bishop of Connecticut, taking, in 1865, the full charge of that diocese. Bishop Williams is an eminent scholar. His contributions to hymnology were Ancient Hymns of Holy Church , Hartford, 1845, being translations from the Latin; the "Additional Hymns," pp. 81-127, were selected from the translations from the Latin by Isaac Williams. A few of Bishop Williams's translations have come into common use. -- John Julian, Dictionary of Hymnology (1907)

Julia R. Higinbotham

Person Name: J. R. Higinbotham Composer of "WATERBANK" in The Cyber Hymnal We have little data on this composer, except that Higinbotham was her maiden name. Lyrics: WATERBANK --www.hymntime.com/tch