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Tune Identifier:"^simply_trusting_every_day_sankey$"

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TRUSTING JESUS

Meter: 7.7.7.7 with refrain Appears in 127 hymnals Composer and/or Arranger: Ira D. Sankey Tune Key: G Major Incipit: 32433 21161 65132 Used With Text: Trusting Jesus

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Simply Trusting Every Day

Author: Edgar P. Stites Meter: 7.7.7.7 with refrain Appears in 284 hymnals Refrain First Line: Trusting as the moments fly Lyrics: 1 Simply trusting every day, Trusting through a stormy way; Even when my faith is small, Trusting Jesus– that is all. Refrain: Trusting as the moments fly, Trusting as the days go by; Trusting Him whate’er befall, Trusting Jesus– that is all. 2 Brightly doth His Spirit shine Into this poor heart of mine; While He leads I cannot fall, Trusting Jesus– that is all. [Refrain] 3 Singing if my way is clear, Praying if the path be drear; If in danger, for Him call, Trusting Jesus– that is all. [Refrain] 4 Trusting Him while life shall last, Trusting Him till earth be past; Till within the jasper wall, Trusting Jesus– that is all. [Refrain] Scripture: Psalm 37:5 Used With Tune: TRUSTING JESUS

Hilinai mau ia Iesu

Author: E. P. Stites; Laiana Appears in 2 hymnals Refrain First Line: Hilinai a po ka la Used With Tune: [Hilinai mau ia Iesu]

Trøst i Blodet

Appears in 1 hymnal First Line: Hver en stund ved Jesus bryst Refrain First Line: Trøst i blodet hver en stund Used With Tune: [Hver en stund ved Jesus bryst]

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Simply Trusting Every Day

Author: Edgar P. Stites Hymnal: Hymns for the Living Church #320 (1974) Meter: 7.7.7.7 with refrain Refrain First Line: Trusting as the moments fly Lyrics: 1 Simply trusting every day, Trusting through a stormy way; Even when my faith is small, Trusting Jesus– that is all. Refrain: Trusting as the moments fly, Trusting as the days go by; Trusting Him whate’er befall, Trusting Jesus– that is all. 2 Brightly doth His Spirit shine Into this poor heart of mine; While He leads I cannot fall, Trusting Jesus– that is all. [Refrain] 3 Singing if my way is clear, Praying if the path be drear; If in danger, for Him call, Trusting Jesus– that is all. [Refrain] 4 Trusting Him while life shall last, Trusting Him till earth be past; Till within the jasper wall, Trusting Jesus– that is all. [Refrain] Scripture: Psalm 37:5 Languages: English Tune Title: TRUSTING JESUS
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Simply trusting every day

Author: Edgar Page Stites, 1836-1921 Hymnal: The Book of Praise #689 (1997) Meter: 7.7.7.7 with refrain Refrain First Line: Trusting as the moments fly Lyrics: 1 Simply trusting every day, trusting through a stormy way, even when my faith is small, trusting Jesus, that is all. Refrain: Trusting as the moments fly, trusting as the days go by; trusting him whate'er befall, trusting Jesus, that is all. 2 Brightly doth his Spirit shine into this poor heart of mine; while he leads I cannot fall, trusting Jesus, that is all. [Refrain] 3 Singing, if my way be clear, praying, if the path be drear, if in danger for him call, trusting Jesus, that is all. [Refrain] 4 Trusting him while life shall last, trusting him till earth be past, till within the jasper wall, trusting Jesus, that is all. [Refrain] Topics: One Life in Christ Faith; Storm; Trust Scripture: Matthew 8:23-27 Languages: English Tune Title: TRUSTING JESUS

Simply Trusting Every Day

Author: Edgar P. Stites Hymnal: Good News Hymns #105 (1914) Refrain First Line: Trusting as the moments fly Languages: English Tune Title: [Simply trusting every day]

People

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Authors, composers, editors, etc.

Ira David Sankey

1840 - 1908 Person Name: Ira D. Sankey Composer of "TRUSTING JESUS" in Hymns for the Living Church Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known. Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages. --John Julian, Dictionary of Hymnology (1907) Pseudonymns: Harry S. Low­er Rian A. Dykes ==================== Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:— 1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:— "I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full." The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus. 2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:— "During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888. From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns. From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:— In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns. In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Edgar Page

1836 - 1921 Person Name: Edgar P. Stites Author of "Simply Trusting Every Day" in Hymns for the Living Church Real name Edgar Page Stites. Used Edgar Page ====================== Page, Edgar, is set forth in I. D. Sankey's Sacred Songs & Solos, 1878-81, as the author of (1) "I've reached the land of corn and wine" (Peace with God); (2) ”Simply trusting every day" (Trust in Jesus). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ===================== Page, Edgar, p. 1585, i. In his Sacred Songs, &c, Mr. Sankey attributes the hymns "I've reached the land of corn and wine," and "Simply trusting every day," to "Edgar Page," as stated on p. 1585, i.; but in his My Life and Sacred Songs, 1906, he gives both to "E. P. Stites," together with some details concerning them, but without any reference to the change in his ascription of authorship. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Wm. Appel

Person Name: W. Appel Translator of "Jesu trau' ich" in Evangeliums-Lieder 1 und 2 (Gospel Hymns)

Hymnals

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Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library