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SHEPHERDS' PIPES
Meter: 8.6.8.6 D Appears in 14 hymnals Composer and/or Arranger: Annabeth McClelland Gay Tune Key: g minor Incipit: 51327 11755 13271 Used With Text: Deep in the Shadows of the Past
SHEPHERDS' PIPES
The Song of Zechariah (Benedictus Dominus Deus): Canticle 16 (metrical paraphrase)
Author: Carl P. Daw, Jr. (b. 1944) Meter: 8.6.8.6 D Appears in 18 hymnals First Line: Blessed be the God of Israel Lyrics: 1 Blessed be the God of Israel
who comes to set us free
and raises up new hope for us:
a Branch from David’s tree.
So have the prophets long declared
that with his mighty arm
God would turn back our enemies
and all that wish us harm.
2 With promised mercy will God still
the covenant recall,
the oath once sworn to Abraham;
from foes to save us all;
that we might worship without fear
and offer lives of praise,
in holiness and righteousness
to serve God all our days.
3 My child, as prophet of the Lord
you will prepare the way,
to tell God’s people they are saved
from sin’s eternal sway.
Then shall God’s mercy from on high
shine forth and never cease,
to drive away the gloom of death
and lead us into peace. Topics: Service Music Canticles Scripture: Luke 1:68-79 Used With Tune: SHEPHERD'S PIPES
The Song of Zechariah (Benedictus Dominus Deus): Canticle 16 (metrical paraphrase)
O Mighty Rulers, Can You Claim
Author: Bert Polman Meter: 8.6.8.6 D Appears in 1 hymnal Topics: Enemies & Persecution; Laments; Enemies & Persecution; Justice; Laments; Nation; Poverty Scripture: Psalm 58 Used With Tune: SHEPHERDS' PIPES
O Mighty Rulers, Can You Claim
Deep in the Shadows of the Past
Author: Brian Wren, 1936- Meter: 8.6.8.6 D Appears in 9 hymnals Topics: Call/Calling; Change; Continuing Revelation; God Mystery of; God's Faithfulness; Hope; Scripture Scripture: 1 Timothy 4:13 Used With Tune: SHEPHERDS' PIPES
Deep in the Shadows of the Past
Deep in the Shadows of the Past
Author: Brian Wren Hymnal: Glory to God #50 (2013) Meter: 8.6.8.6 D Lyrics: 1 Deep in the shadows of the past,
far out from settled lands,
some nomads traveled with their God
across the desert sands.
The dawning hope of humankind
by them was sensed and shown:
a promise calling them ahead,
a future yet unknown.
2 While others bowed to changeless gods,
they met a mystery,
invisible, without a name:
"I AM WHAT I WILL BE";
and by their tents, around their fires
in story, song, and law,
they praised, remembered, handed on
a past that promised more.
3 From Exodus to Pentecost
the promise changed and grew,
while some, remembering the past,
recorded what they knew,
or with their letters and laments,
their prophecy and praise,
recovered, kindled, and expressed
new hope for changing days.
4 For all the writings that survived,
for leaders, long ago,
who sifted, copied, and preserved
the Bible that we know,
give thanks, and find its story yet
our promise, strength, and call,
the model of emerging faith,
alive with hope for all.
Topics: Faith; God's Covenant with Israel; The Word; Trusting in the Promises of God Scripture: Exodus 3:13-14 Languages: English Tune Title: SHEPHERDS' PIPES
Deep in the Shadows of the Past
Sing Out with Joy to God Our Strength (Psalm 81)
Author: Fred R. Anderson Hymnal: Glory to God #56 (2013) Meter: 8.6.8.6 D First Line: Sing out with joy to God our strength Topics: God's Covenant with Israel; Trusting in the Promises of God Scripture: Psalm 81 Languages: English Tune Title: SHEPHERDS' PIPES
Sing Out with Joy to God Our Strength (Psalm 81)
O Mighty Rulers, Can You Claim
Author: Bert Polman Hymnal: Psalter Hymnal (Gray) #58 (1987) Meter: 8.6.8.6 D Topics: Enemies & Persecution; Laments; Enemies & Persecution; Justice; Laments; Nation; Poverty Scripture: Psalm 58 Languages: English Tune Title: SHEPHERDS' PIPES
O Mighty Rulers, Can You Claim
Carl P. Daw Jr.
b. 1944 Person Name: Carl P. Daw, Jr. (b. 1944) Author of "The Song of Zechariah (Benedictus Dominus Deus): Canticle 16 (metrical paraphrase)" in Wonder, Love, and Praise Carl P. Daw, Jr. (b. Louisville, KY, 1944) is the son of a Baptist minister. He holds a PhD degree in English (University of Virginia) and taught English from 1970-1979 at the College of William and Mary, Williamsburg, Virginia. As an Episcopal priest (MDiv, 1981, University of the South, Sewanee, Tennesee) he served several congregations in Virginia, Connecticut and Pennsylvania. From 1996-2009 he served as the Executive Director of The Hymn Society in the United States and Canada. Carl Daw began to write hymns as a consultant member of the Text committee for The Hymnal 1982, and his many texts often appeared first in several small collections, including A Year of Grace: Hymns for the Church Year (1990); To Sing God’s Praise (1992), New Psalms and Hymns and Spiritual Songs (1996), Gathered for Worship (2006). Other publications include A Hymntune Psalter (2 volumes, 1988-1989) and Breaking the Word: Essays on the Liturgical Dimensions of Preaching (1994, for which he served as editor and contributed two essays. In 2002 a collection of 25 of his hymns in Japanese was published by the United Church of Christ in Japan. He wrote Glory to God: A Companion (2016) for the 2013 hymnal of the Presbyterian Church (U.S.A.).
Emily Brink
Carl P. Daw Jr.
Brian A. Wren
b. 1936 Person Name: Brian Wren Author of "Deep in the Shadows of the Past" in The Presbyterian Hymnal Brian Wren (b. Romford, Essex, England, 1936) is a major British figure in the revival of contemporary hymn writing. He studied French literature at New College and theology at Mansfield College in Oxford, England. Ordained in 1965, he was pastor of the Congregational Church (now United Reformed) in Hockley and Hawkwell, Essex, from 1965 to 1970. He worked for the British Council of Churches and several other organizations involved in fighting poverty and promoting peace and justice. This work resulted in his writing of Education for Justice (1977) and Patriotism and Peace (1983). With a ministry throughout the English-speaking world, Wren now resides in the United States where he is active as a freelance lecturer, preacher, and full-time hymn writer. His hymn texts are published in Faith Looking Forward (1983), Praising a Mystery (1986), Bring Many Names (1989), New Beginnings (1993), and Faith Renewed: 33 Hymns Reissued and Revised (1995), as well as in many modern hymnals. He has also produced What Language Shall I Borrow? (1989), a discussion guide to inclusive language in Christian worship.
Bert Polman
Brian A. Wren
Thomas T. Lynch
1818 - 1871 Person Name: T. T. Lynch Author of "O Where Is He That Trod the Sea?" in Rejoice in the Lord Lynch, Thomas Toke, was born at Dunmow, Essex, July 5, 1818, and educated at a school at Islington, in which he was afterwards an usher. For a few months he was a student at the Highbury Independent College; but withdrew, partly on account of failing health, and partly because his spirit was too free to submit to the routine of College life. From 1847 to 1849 he was Minister of a small charge at Highgate, and from 1849 to 1852 of a congregation in Mortimer Street, which subsequently migrated to Grafton Street, Fitzroy Square. From 1856 to 1859 he was laid aside by illness. In 1860 he resumed his ministry with his old congregation, in a room in Gower Street, where he remained until the opening of his new place of worship, in 1862, (Mornington Church), in Hampstead Road, London. He ministered there till his death, on the 9th of May, 1871.
The influence of Lynch's ministry was great, and reached far beyond his own congregation (which was never large), since it included many students from the Theological Colleges of London, and thoughtful men from other churches, who were attracted to him by the freshness and spirituality of his preaching. His prose works were numerous, beginning with Thoughts on a Day, 1844, and concluding with The Mornington Lecture, 1870. Several of his works were published after his death. His Memoir, by W. White, was published in 1874.
Lynch's hymns were published in:—
The Rivulet: a Contribution to Sacred Song, London., Longman, 1855, 2nd ed., 1856. This was enlarged by an addition of 67 hymns in 1868.
From the first edition of The Rivulet, 1855, the following hymns have come into common use:—
1. All faded is the glowing light. Second Advent.
2. Be Thy word with power fraught. Before Sermon.
3. Christ in His word draws near. Holy Scripture.
4. Dismiss me not Thy service, Lord. Work for Christ.
5. Gracious Spirit, dwell with me. Holy Spirit's presence desired.
6. How calmly the evening once more is descending. Evening. Sometimes "How calmly once more the night is descending."
7. I give myself to prayer. Prayer in Trouble.
8. Lord, on Thy returning day. Public Worship.
9. Lord, when in silent hours I muse. Resignation.
10. Love me, O Lord, forgivingly. Resignation.
11. Mountains by the darkness hidden. Resignation.
12. Now have we met that we may ask. Public Worship.
13. O, break my heart; but break it as a field. Penitence desired.
14. O Lord, Thou art not fickle. Sympathy.
15. O where is He that trod the sea. Christ Walking on the Sea.
16. Oft when of God we ask. Trust in Trial.
17. Rise, He calleth thee, arise. Blind Bartimaeus.
18. Say not, my soul, from whence. Resignation.
19. Where is thy God, my soul? Resignation and Hope.
There are also from the 1856 and 1868 eds. the following:—
20. A thousand years have come and gone. Christmas.
21. Lift up your heads, rejoice; (1856.) Advent.
22. Praying by the river side. Holy Baptism.
23. The Lord is rich and merciful. Have Faith in God.
24. There is purpose in this waste. Easter.
Lynch's hymns are marked by intense individuality, gracefulness and felicity of diction, picturesqueness, spiritual freshness, and the sadness of a powerful soul struggling with a weak and emaciated body. Although The Rivulet was published for use by his own congregation as a supplement to Watts, more than one half of the hymns were designed for private use only, but were not so distinguished in the work. Its publication caused one of the most bitter hymnological controversies known in the annals of modern Congregationalism. Time, however, and a criticism, broader and more just, have declared emphatically in favour of his hymns as valuable contributions to cultured sacred song. [Rev. W. Garrett Horder]
--John Julian, Dictionary of Hymnology (1907)
==================
Lynch, T. T., p. 705, ii. Other hymns by him in recent books are:—
1. My faith it is an oaken staff. Faith in Christ. In the Rivulet, 1855, p. 78.
2. Together for our country now we pray. National, In the Rivulet, 1868, p. 170. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Thomas T. Lynch
