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O for a thousand tongues to sing
Author: Charles Wesley, 1707-1788 Meter: 8.6.8.6 Appears in 1,731 hymnals Lyrics: 1 O for a thousand tongues to sing
my dear Redeemer's praise,
the glories of my God and King,
the triumphs of his grace!
2 Jesus! the name that charms our fears,
that bids our sorrows cease;
'tis music in the sinner's ears,
'tis life and health and peace.
3 He breaks the power of cancelled sin,
he sets the prisoner free:
his blood can make the foulest clean;
his blood availed for me.
4 He speaks; and, listening to his voice,
new life the dead receive,
the mournful broken hearts rejoice,
the humble poor believe.
5 Hear him, ye deaf; his praise, ye dumb,
your loosened tongues employ;
ye blind, behold your Saviour come;
and leap, ye lame, for joy!
6 My gracious Master and my God,
assist me to proclaim
and spread through all the earth abroad
the honours of thy name. Topics: Joy, Praise and Thanksgiving; Year B Advent 3; Year C Bible Sunday; Year C Epiphany 3 Scripture: Acts 3:8 Used With Tune: SELBY
O for a thousand tongues to sing
O, for a heart to praise my God
Author: C. Wesley Appears in 1,160 hymnals Topics: Aspiration Used With Tune: SELBY
O, for a heart to praise my God
Thou art the Way, to thee alone
Author: G. W. Doane Appears in 600 hymnals Topics: Trust and Confidence Used With Tune: SELBY
Thou art the Way, to thee alone
Gird us, O God, with humble might
Author: William Hiram Foulkes Hymnal: At Worship #66 (1951) Languages: English Tune Title: SELBY
Gird us, O God, with humble might
O, for a heart to praise my God
Author: C. Wesley Hymnal: The Academic Hymnal #149 (1899) Topics: Aspiration Tune Title: SELBY
O, for a heart to praise my God
Thou art the Way, to thee alone
Author: G. W. Doane Hymnal: The Academic Hymnal #150 (1899) Topics: Trust and Confidence Tune Title: SELBY
Thou art the Way, to thee alone
Charles Wesley
1707 - 1788 Person Name: C. Wesley Author of "O, for a heart to praise my God" in The Academic Hymnal Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
George Washington Doane
1799 - 1859 Person Name: G. W. Doane Author of "Thou art the Way, to thee alone" in The Academic Hymnal Doane, George Washington, D.D. Bishop Doane was born at Trenton, New Jersey, May 27, 1799, and graduated at Union College, Schenectady, New York. Ordained in 1821, he was Assistant Minister at Trinity Church, New York, till 1824. In 1824 he became a Professor at Trinity College, Hartford, Conn.; in 1828 Rector of Trinity Church, Boston; and, in 1832, Bishop of New Jersey. He founded St. Mary's Hall, Burlington, 1837, and Burlington College, Burlington, 1846. Died April 27, 1859. Bishop Doane's exceptional talents, learning, and force of character, made him one of the great prelates of his time. His warmth of heart secured devoted friends, who still cherish his memory with revering affection. He passed through many and severe troubles, which left their mark upon his later verse. He was no mean poet, and a few of his lyrics are among our best. His Works, in 4 volumes with Memoir by his son, were published in 1860. He issued in 1824 Songs by the Way, a small volume of great merit and interest. This edition is now rare. A second edition, much enlarged, appeared after his death, in 1859, and a third, in small 4to, in 1875. These include much matter of a private nature, such as he would not himself have given to the world, and by no means equal to his graver and more careful lyrics, on which alone his poetic fame must rest.The edition of 1824 contains several important hymns, some of which have often circulated without his name. Two of these are universally known as his, having been adopted by the American Prayer Book Collection, 1826:--
1. Softly now the light of day. Evening. This, in addition to its use in American hymnals, is also found in the English Collections, including Snepp's Songs of Grace & Glory. Written in 1824.
2. Thou art the way, to Thee alone. Christ the Way. This, in the judgment of many, is the first of American hymns, and one of the most admirable and useful in the English language. In the United States its use is most extensive, and since its introduction into the English Collections by Bickersteth in 1833, Hall in his Mitre, in 1836, and others, it has grown in favour until it ranks with the most popular of the great English hymns. Near in merit to the foregoing stands a companion piece in the same work, which deserves to be better known :—
3. Lord, should we leave Thy hallowed feet.
The next three have been overlooked at home, but have obtained considerable circulation in English Collections.
4. Father of mercies hear, Thy pardon we implore. Ash Wednesday or Lent. A translation of "Audi, benigne Conditor" q.v.), published in his Songs by the Way, 1824, together with several other translations, thus anticipating by twelve years the great English movement in that direction. Original translation in his Songs by the Way, 1875Miller (S. & S., p. 12) attributes this translation to Dr. Neale in error.
5. Return and come to God. Invitation. In his Songs, &c, 1824. It is found in Hall’s Mitre, 1836; the Baptist Hymnal, 1879, and several others.
6. To thee, 0 Lord, with dawning light. Morning. This hymn is attributed to Heber by Miller (S. & S. , p. 381) in error. It is included in the Society for Promoting Christian Knowledge Hymns, 1852; in Windle and others. It is from the Songs, &c, 1824.
His later hymns, the dates of which are generally preserved in the last edition of his Songs by the Way, include the following, which are more or less in use :—
7. Beloved, it is well. All well in Christ. This is entitled "To my wife"; is dated Mar. 12, 1833, and was written in a copy of Dr. Bedell's "It is well." It is given in Kennedy, 1863.
8. Broken-hearted, weep no more. Assurance of Peace. The date of this hymn is not preserved. It is found as early as 1829, when it appeared in the 2nd edition of Cleland's (Baptist) Hymns.
9. Fling out the banner, let it float. Missions, Home & Foreign. This hymn, sometimes dated 1824 in error, was written at Riverside, 2nd Sunday in Advent, 1848, and is one of the author's latest effusions. It is in extensive use both in Great Britain and America.
10. He came not with His heavenly crown. The two Advents. In his Songs by the Way, edition 1875, this poem is dated Dec. 1827. In Dale's English Hymnbook, 1879, it is given with the omission of stanza iii., and in the American Protestant Episcopal Hymnal, 1871, it begins with stanza iv., "Once more, O Lord, Thy sign shall be." Full text in Lyra Sac. Amer., p. 92.
11. Lift not thou the wailing voice. Burial. A funeral hymn, adopted by the Anglican Hymnbook, but dated 1826 in error, for 1830.
12. What is that, mother? The lark, my child. This is not a hymn, but a familiar and long popular song.
13. "When darkness erst [once] at God's command. Israel in Egypt. In Kennedy, 1863, No. 722.
14. Young and happy while thou art. Youth for Christ. A favourite piece in many juvenile collections. It is dated Sept., 1827, and is given in Songs by the Way, 1875.
The Lyra Sacra Americana also contains the following:—
15. Brightness of the Father's glory. Morning. A tr. of "Consors Paterni luminis " (q.v.). It is from the Songs, &c, 1824.
16. Child that kneelest meekly there. Child at Prayer. Suggested by a cast from a piece of sculpture by Greenough representing a child at prayer.
17. Grant me, Lord, Thy graces three. Faith, Hope, and Charity desired.
18. Perfect through suffering may it be. Uses of suffering. Dated in Songs by the Way, "The Breakers, June 1, 1853."
19. Yes, it is a faithful saying. Redemption. In his Songs, &c, 1824. [Rev. F. M. Bird, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
George Washington Doane
Alfred J. Eyre
1853 - 1919 Composer of "SELBY" in The Academic Hymnal Born: October 24 1853, Lambeth, England.
Died: October 11, 1919, Lower Norwood, England.
Buried: Elmer’s End Cemetery (also known as the Beckenham Crematorium), Norwood, England.
Eyre studied at the Royal Academy of Music & served as organist at St. Peter’s, Vauxhall (1867-72 & 1874-81); St. Ethelberga’s, Bishopgate (1872-74); St. John the Evangelist, Upper Norwood, London (1881); & at the Crystal Palace (1880-94).
--www.hymntime.com/tch
Alfred J. Eyre
Small Church Music
Editors: Charles Wesley Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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