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Gentiles By Nature
Author: Isaac Watts Meter: 8.6.8.6 Appears in 26 hymnals First Line: Gentiles by nature, we belong Lyrics: 1 Gentiles by nature, we belong
To the wild olive wood;
Grace took us from the barren tree,
And grafts us in the good.
2 With the same blessings grace endows
The Gentile and the Jew;
If pure and holy be the root,
Such are the branches, too.
3 Then let the children of the saints
Be dedicate to God;
Pour out Thy Spirit on them, Lord,
And wash them in Thy blood.
4 Thus to the parents and their seed
Shall Thy salvation come,
And numerous households meet at last
In one eternal home. Used With Tune: SARAH Text Sources: Hymns and Spiritual Songs, Book I, 1707
Gentiles By Nature
Promised Merces
Meter: 8.6.8.6 Appears in 17 hymnals First Line: Thy promised mercies send to me Lyrics: 1 Thy promised mercies send to me,
Thy great salvation, Lord;
So shall I answer those who scoff;
My trust is in Thy word.
2 My hope is in thy judgment, Lord;
Take not thy truth from me,
And in thy law for evermore
My daily walk shall be.
3 And I will walk at liberty
Because Thy truth I seek;
Thy truth before the kings of earth
With boldness I will speak.
4 The Lord's commands, which I have loved,
Shall still new joy impart;
With rev'rence I will hear Thy laws
And keep them in my heart. Topics: Aspirations For Grace; Aspirations For Holiness; Assurance Desired; Christ Confessing; Christians Evangelists; Faith Confession of; Faith Walking by; God Hearer of Prayer; Gospel Fulness of ; Heart Good, Perfect, Pure and Upright; Hope; Law of God; Mercy of God Prayer for; Ministers; Obedience; Perseverance; Salvation Prayers for; Truth; Walking with God Scripture: Psalm 119 Used With Tune: SARAH
Promised Merces
To Thee, O God! Our Thanks We Rear
Author: William S. Towers Meter: 8.6.8.6 Appears in 1 hymnal Lyrics: 1 To Thee, O God! our thanks we rear,
To Thee our thanks and prayer;
For that Thy name is ever near,
Thy wondrous works declare.
2 I’ll judge uprightly, when our train
In due assembly stand;
Tho’ weak the earth, I will sustain
The pillars of the land.
3 Already to th’unwise I cry,
“Ah! why thus madly deal;
Or why, your horn exalted high,
Such bold presumption feel?
4 Raise not your horn, nor with rude mouth
Dispense your impious lies;
For not from east, or west, or south,
Shall your promotion rise.
5 And why? our judge is God alone,
He governs by His will:
He pulls the mighty from their throne,
Their place while others fill.
6 Red and well mixed, within His hand
He bears a deadly cup:
The dregs, the wicked at command
Shall suck and swallow up.
7 But I’ll the Lord of Jacob bless,
His name for ever praise;
The unrighteous’ horns will I depress,
The righteous I will raise. Used With Tune: SARAH Text Sources: A Version of the Psalms, by the Late W. S. Towers, etc. (London: H. Reynell, 1811)
To Thee, O God! Our Thanks We Rear
Eternal Spirit, God of Truth
Author: Thomas Cotterill Hymnal: The Cyber Hymnal #1376 Meter: 8.6.8.6 Lyrics: 1. Eternal Spirit, God of truth,
Our contrite hearts inspire;
Kindle a flame of heavenly love,
And feed the pure desire.
2. ’Tis Thine to soothe the sorrowing mind,
With guilt and fear oppressed;
’Tis Thine to bid the dying live,
And give the weary rest.
3. Subdue the power of every sin,
Whate’er that sin may be,
That we, in singleness of heart,
May worship only Thee.
4. Then with our spirit witness bear
That we are sons of God,
Redeemed from sin and death and hell
Through Christ’s atoning blood. Languages: English Tune Title: SARAH (Gabriel)
Eternal Spirit, God of Truth
Eternal Spirit, God of Truth
Author: T. Cotterill Hymnal: The New Christian Hymnal #119 (1929) Meter: 8.6.8.6 Lyrics: 1. Eternal Spirit, God of truth,
Our contrite hearts inspire;
Kindle a flame of heav'nly love,
And feed the pure desire.
2. 'Tis Thine to soothe the sorr'wing mind,
With guilt and fear oppressed;
'Tis Thine to bid the dying live,
And give the weary rest.
3. Subdue the pow'r of ev'ry sin,
Whate'er that sin may be;
That we, in singleness of heart,
May worship only Thee.
4. Then with our spirits witness bear,
That we're the sons of God;
Redeemed from sin, and death, and hell,
Thro' Christ's atoning blood.
Topics: The Holy Spirit Languages: English Tune Title: SARAH
Eternal Spirit, God of Truth
Thy promised mercies send to me
Hymnal: The Psalter Hymnal #230 (1927) Languages: English Tune Title: SARAH
Thy promised mercies send to me
Chas. H. Gabriel
1856 - 1932 Person Name: Charles Hutchinson Gabriel Composer of "SARAH (Gabriel)" in The Cyber Hymnal Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree
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For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades.
Bert Polman
Chas. H. Gabriel
Isaac Watts
1674 - 1748 Person Name: Isaac Watts Author of "Gentiles By Nature" in The Cyber Hymnal Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
=================================
Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
==================================
Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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See also in:
Hymn Writers of the Church
Isaac Watts
Thomas Cotterill
1779 - 1823 Author of "Eternal Spirit, God of Truth" in The Cyber Hymnal Thomas Cotterill (b. Cannock, Staffordshire, England, 1779; d. Sheffield, Yorkshire, England, 1823) studied at St. John's College, Cambridge, England, and became an Anglican clergyman. A central figure in the dispute about the propriety of singing hymns, Cotterill published a popular collection of hymns (including many of his own as well as alterations of other hymns), Selection of Psalms and Hymns in 1810. But when he tried to introduce a later edition of this book in Sheffield in 1819, his congregation protested. Many believed strongly that the Church of England should maintain its tradition of exclusive psalm singing. In a church court the Archbishop of York and Cotterill reached a compromise: the later edition of Selection was withdrawn, and Cotterill was invited to submit a new edition for the archbishop's approval. The new edition was published in 1820 and approved as the first hymnal for the Anglican church of that region. Cotterill's suppressed book, however, set the pattern for Anglican hymnals for the next generation, and many of its hymns are still found in modern hymnals.
Bert Polman
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Thomas Cotterill was born in 1779; studied at S. John's College, Cambridge, graduating M.A.; ordained in 1806, and enterred upon parochial work at Tutbury; afterwards removed to Lane End, where he remained for nine years among the Potteries; in 1817, became perpetual Curate of S. Paul's, Sheffield. He died in 1823. He was the author of several books; among them, "A Selection of Psalms and Hymns for Public and Private Use, adapted to the Services of the Church of England." In the preparation of this collection (the 8th ed., 1819), he had the assistance of Montgomery, who in this work did what he condemned in others, viz., altering and remodeling other authors' hymns.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
======================
Cotterill, Thomas, M.A., was the son of a woolstapler at Cannock, Staffordshire, where he was born Dec. 4, 1779. After attending the local boarding-school of the Rev. J. Lomax, he proceeded to the Free School, Birmingham. He graduated at St. John's College, Cambridge (B.A. 1801, M.A. 1805), of which he became a Fellow. Taking Holy Orders, he became Curate of Tutbury in June, 1803 (not 1806, as stated by Miller in Singers & Songs of the Church). His subsequent charges were the Incumbency of Lane End, Staffordshire, 1808-17, and the Perpetual Curacy of St. Paul's Sheffield, 1817-23. He died at Sheffield Dec. 29, 1823 (not Jan. 5, 1824, as in the Gentleman’s Magazine), aged 44. His volume of Family Prayers attained to the sixth edi¬tion in 1824. As a hymn-writer, Cotterill is less known than as the compiler of a Selection of Psalms and Hymns which has had a most marked effect on modern hymnals. The first edition of that Selection was published in 1810, and the 9th in 1820. All subsequent issues were reprints of the last. The most important edition is the 8th, 1819. To that Selection Cotterill contributed at various dates 25 original hymns and versions of individual psalms. These, in common with all the hymns in the Selection, are given without author's name. Through the aid, however, of marked copies [in the collections of Brooke and Julian] and of members of Cotterill's family, we are enabled to identify most, if not all, of his original productions. In addition to those which are annotated under their first lines, we have—
i. In his Selection of Psalms & Hymns for Public and Private Use, adapted to the Festivals of the Church of England, &c, 1st ed., 1810:—
1. Awake, O sword, the Father cried. Atonement.
2. Before Thy throne of grace, O Lord. Lent.
3. From Sinai's mount, in might array'd. The Law and the Gospel.
4. From Thine all-seeing Spirit, Lord. Ps. 139.
5. In all the ways and works of God. Ps. 145.
6. Out of the deeps, O Lord, we call. Ps. 130.
7. The Lord, who once on Calvary. The Intercessor. This is based on “Where high the heavenly temple stands," q. v.
ii. In the Appendix to the 6th ed. of the same Selection, Staffordshire, 1815:—
8. Blessed are they who mourn for sin. Lent.
9. Father of mercies, let our songs [way, ways]. Thanksgiving.
10. I was alive without the law. Lent.
11. Lord of the Sabbath, 'tis Thy day. Sunday.
iii. In the 8th edition of the same, 1819 :—
12. Help us, O Lord, Thy yoke to wear. Charity Sermons. This is sometimes given as "Lord, let us learn Thy yoke to wear," as in Kennedy, 1863, &c.
13. I love the Lord, for He hath heard. Ps. 116.
14. Lo in the East a star appears. Epiphany. This in an altered form begins in Kennedy, 1863, No. 188, with stanza ii., "The ancient sages from afar."
15. Lord, cause Thy face on us to shine. For Unity.
16. When Christ, victorious from the grave. Easter. The 9th ed. of the Selection, 1820, was practically a new work. It was compiled by Cotterill, but revised by Dr. Harcourt, the Archbishop of York, and was dedi¬cated to him. It was the outcome of the compromise in the legal proceedings over the 8th ed., 1819. The 8th ed. contained 367 hymns in addition to 128 versions of the Psalms and 6 Doxologies, the 9th only 152. Its full title was A Selection of Psalms and Hymns for Public Worship, Lond., T. Cadell, 1820. It may be noted that copies of the 8th ed., 1819, are found with two distinct title-pages. One of these, accompanied with the preface, was for the general public, the second, without the preface, for the use of the congregations of St. James's and St. Paul's, Sheffield.
Of Cotterill's hymns the most popular are, "O'er the realms of pagan darkness," "Let songs of praises fill the sky," and "Jesus exalted far on high," but these are not distinguished by any striking features of excellence. He was more happy in some of his alterations of older hymns, and in the com¬piling of centos. Many of the readings introduced into the great hymns of the Church first appeared in his Selection. The most notable amongst these are, "Rock of Ages," in 3 stanzas, as in Hymns Ancient & Modern, 1861, the Wesleyan Hymn Book, and other collections; "Lo! He comes with clouds descending;" and “Great God, what do I see and hear." Cotterill's connection with the Uttoxeter Psalms & Hymns, 1805, is given in detail in the article on Staffordshire Hymn-books, and his lawsuit over the 8th ed. of his Selection, 1819, in the article on England Hymnody, Church of.
--John Julian, Dictionary of Hymnology (1907)
Thomas Cotterill
