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PANGE LINGUA

Meter: 8.7.8.7.8.7 Appears in 50 hymnals Tune Sources: Mode III Tune Key: d minor Incipit: 33432 55611 12117 Used With Text: Sing, My Tongue, the Song of Triumph

Sing, my tongue, the glorious battle

Author: Venantius Fortunatus, 530-609; John Mason Neale, 1818-66 Meter: 8.7.8.7.8.7 Appears in 59 hymnals Lyrics: 1 Sing, my tongue, the glorious battle; of the mighty conflict sing: tell the triumph of the victim, to his cross your tribute bring. Jesus Christ, the world's Redeemer, from that cross now reigns as King. 2 When at length the appointed fullness of the sacred time was come, he was sent, the world's Creator, from the Father's heavenly home and was found in human fashion offspring of the Virgin's womb. 3 When the thirty years were ended which on earth he willed to see, willingly he meets his passion, born to set his people free; on the cross the Lamb is lifted, there the sacrifice to be. 4 There the nails and spear he suffers, vinegar and gall and reed; from his sacred body pierced blood and water both proceed: precious flood, which all creation from the stain of sin has freed. 5 Faithful cross, above all other, one and only noble tree, none in foliage, none in blossom, none in fruit your peer may be; sweet the wood and sweet the iron, and your load, most sweet is he. 6 Praise and honour to the Father, praise and honour to the Son, praise and honour to the Spirit, ever Three and ever One: One in might and One in glory while eternal ages run. Topics: Good Friday; Jesus Christ Passion and Cross; Passion Sunday Scripture: Colossians 1:19-20 Used With Tune: PANGE LINGUA

Now, my tongue, the myst'ry telling

Author: St. Thomas Aquinas Appears in 51 hymnals Used With Tune: PANGE LINGUA

Hail our Savior's glorious Body (Pange lingua gloriósi) (Canta lengua jubilosa)

Author: Thomas Aquinas, 1227-1274; James Quinn, SJ, 1919-2010 Meter: 8.7.8.7.8.7 Appears in 6 hymnals Topics: Thursday of the Lord's Supper: Evening Mass ABC Transfer of the Most Blessed Sacrament; Jueves Santo: Misa Vespertina de la Cena del Señor ABC Traslación del Santísimo Sacramento; Paschal Triduum Thursday of the Lord's Supper; Triduo Pascual Jueves Santo; Rites of the Church Eucharistic Adoration and Benediction; Ritos de la Iglesia Adoración y Bendición Eucaristica Scripture: Luke 1:26-31 Used With Tune: PANGE LINGUA GLORIOSI Text Sources: Spanish tr. anonymous

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Instances

Published text-tune combinations (hymns) from specific hymnals

Pange, Lingua, Gloriosi (Tantum Ergo)

Author: St. Thomas Aquinas, 1227-1274 Hymnal: Breaking Bread (Vol. 39) #24 (2019) Meter: 8.7.8.7.8.7 First Line: Pange, lingua, gloriosi Lyrics: LATIN - 1 Pange, lingua, gloriosi Corporis mysterium Sanguinisque pretiosi, Quem in mundi pretium Fructus ventris generosi Rex effudit gentium. 2 Nobis datus, nobis natus Ex intacta Virgine, Et in mundo conversatus, Sparso verbi semine, Sui moras incolatus Miro clausit ordine. 3 In supremae nocte coenae, Recumbens cum fratribus, Observata lege plene Cibis in legalibus, Cibum turbae duodenae Se dat suis manibus. 4 Verbum caro, panem verum Verbo carnem efficit: Fitque sanguis Christi merum, Et si sensus deficit, Ad firmandum cor sincerum Sola fides sufficit. 5 Tantum ergo Sacramentum Veneremur cernui: Et antiquum documentum Novo cedat ritui; Praestet fides supplementum Sensuum defectui. 6 Genitori, Genitoque Laus et jubilatio, Salus, honor, virtus quoque Sit et benedictio: Procedenti ab utroque Compar sit laudatio. Amen. Languages: English; Latin Tune Title: PANGE LINGUA GLORIOSI

Pange Lingaua, Gloriosi

Author: Thomas Aquinas, 1227-1274 Hymnal: Catholic Book of Worship III #68 (1994) Meter: 8.7.8.7.8.7 First Line: Pange lingua, gloriosi Lyrics: 1 Pange, lingua, gloriósi, Córporis mystérium Sanguinísque pretiósi, Quem in mundi prétium Fructus ventris generósi Rex effúdit géntium. 2 Nobis datus, nobis natus Ex intácta Vírgine, Et in mundo conversátus, Sparso verbi sémine, Sui moras incolátus Miro clausit órdine. 3 In suprémae nocte coenae, Recúmbens cum frátribus, Observáta lege plene Cibis in legálibus, Cibum turbæ duodénæ Se dat suis mánibus. 4 Verbum caro, panem verum Verbo carnem éfficit: Fitque sanguis Christi merum, Et si sensus déficit, Ad firmándum cor sincérum Sola fides súfficit. 5 Tantum ergo sacraméntum Venerémur cérnui: Et antíquum documéntum Novo cedat rítui; Præstet fides suppleméntum Sénsuum deféctui. 6 Genitóri, Genitóque Laus et jubilátio, Salus, honor, virtus quoque Sit et benedíctio: Procedénti ab utróque Compar sit laudátio. Amen. Topics: Adoration of God; Eucharistic Celebration (Mass) Responsorial Psalms; Holy Week Triduum Scripture: Matthew 26:17-30 Languages: English; Latin Tune Title: PANGE LINGUA

Pange Lingua Gloriosi (Sing of Glory)

Author: St. Thomas Aquinas, 1227-1274; Harry Hagan, OSB, b. 1947 Hymnal: Journeysongs (3rd ed.) #377 (2012) Meter: 8.7.8.7.8.7 First Line: Pange lingua gloriosi (Sing of glory and his body) Topics: Devotions Adoration of the Blessed Sacrament; Musical Style Chant; Rites of the Church Exposition of the Holy Eucharist (Including Benediction); The Liturgical Year Thursday of the Lord's Supper at the Evening Mass Languages: English; Latin Tune Title: PANGE LINGUA GLORIOSI

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People

Authors, composers, editors, etc.

Randall Keith DeBruyn

b. 1947 Person Name: Randall DeBruyn, b. 1947 Composer (descant) of "PANGE LINGUA GLORIOSI" in Journeysongs (3rd ed.)

Anonymous

Person Name: desconocido tr. en español of "Canta Lengua Jubilosa/Pange Lingua Gloriosa" in Flor y Canto (3rd ed.) In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Thomas Aquinas

1225 - 1274 Person Name: Thomas Aquinas, 1227-1274 Author of "Pange Lingaua, Gloriosi" in Catholic Book of Worship III Thomas of Aquino, confessor and doctor, commonly called The Angelical Doctor, “on account of," says Dom Gueranger, "the extraordinary gift of understanding wherewith God had blessed him," was born of noble parents, his father being Landulph, Count of Aquino, and his mother a rich Neapolitan lady, named Theodora. The exact date of his birth is not known, but most trustworthy authorities give it as 1227. At the age of five he was sent to the Benedictine monastery at Monte Cassino to receive his first training, which in the hands of a large-hearted and God-fearing man, resulted in so filling his mind with knowledge and his soul with God, that it is said the monks themselves would often approach by stealth to hear the words of piety and wisdom that fell from the lips of the precocious child when conversing with his companions. After remaining at Monte Cassino for seven years, engaged in study, St. Thomas, "the most saintly of the learned, and the most learned of the saints," returned to his family, in consequence of the sack of the abbey by the Imperial soldiers. From thence he was sent by his parents to the University of Naples then at the height of its prosperity, where, becoming intimate with the Fathers of the Dominican Order, and being struck, probably, by the devotedness and ability of the Dominican Professors in the University, he was induced to petition for admission into that order, though he was at that time not more than seventeen years of age. This step gave such umbrage to his mother that she caused him to be waylaid on the road to Paris (whither he was being hurried to escape from her), and to be kept for more than two years in prison, during which time his brothers, prompted by their mother, used all means, even the most infamous, to seduce him from religion. At last the Dominicans' influence with the Pope induced the latter to move the Emperor Frederick to order his release, when St. Thomas was at once hurried back to Naples by the delighted members of his order. He was afterwards sent to Rome, then to Paris, and thence to Cologne. At Cologne his studies were continued under the celebrated Albertus Magnus, with whom, in 1245, he was sent by the Dominican Chapter once more to Paris for study, under his direction, at the University. In 1248, when he had completed his three years' curriculum at Paris, St. Thomas was appointed, before he was twenty-three years of age, second professor and “magister studentium,” under Albertus, as regent, at the new Dominican school (on the model of that at Paris), which was established by the Dominicans in that year at Cologne. There he achieved in the schools a great reputation as a teacher, though he by no means confined himself to such work. He preached and wrote; his writings, even at that early age, were remarkable productions and gave promise of the depth and ability which mark his later productions. His sermons also at that time enabled him to attract large congregations into the Dominican church. In 1248 he was directed to take his degree at Paris; and though his modesty and dislike of honour and distinction made the proposal distasteful to him, he set out and begged his way thither; but it was not until October 23rd, 1257, that he took his degree. The interval was filled by such labours in writing, lecturing, and preaching, as to enable him by the time he became a doctor to exercise an influence over the men and ideas of his time which we at this time can scarcely realise. So much was this the case that Louis IX. insisted upon St. Thomas becoming a member of his Council of State, and referred every question that came up for deliberation to him the night before, that he might reflect on it in solitude. At this time he was only thirty-two years of age. In 1259 he was appointed, by the Dominican Chapter at Valenciennes, a member of a Commission, in company with Albertus Magnus and Pierre de Tarentaise, to establish order and uniformity in all schools of the Dominicans. In 1261 the Pope, Urban IV., immediately upon his election to the Pontifical throne, sent for St. Thomas to aid him in his project for uniting into one the Eastern and Western Churches. St. Thomas in that same year came to Rome, and was at once appointed by the General of his Order to a chair of theology in the Dominican College in that city, where he obtained a like reputation to that which he had secured already at Paris and Cologne. Pope Urban being anxious to reward his services offered him, first the Patriarchate of Jerusalem, and then a Cardinal's hat, but he refused both. After lecturing, at the request of the Pope, with great success at Vitervo, Orvieto, Perugia, and Fondi, he was sent, in 1263, as "Definitor," in the name of the Roman Province, to the Dominican Chapter held in London. Two years later Clement IV., who succeeded Urban as Pope, appointed him, by bull, to the archbishopric of Naples, conferring on him at the same time the revenues of the convent of St. Peter ad Aram. But this appointment he also declined. In 1269 he was summoned to Paris—his last visit— to act as "Definitor" of the Roman Province at the General Chapter of his Order, and he remained there until 1271, when his superiors recalled him to Bologna. In 1272, after visit¬ing Rome on the way, he went to Naples to lecture at the University. His reception in that city was an ovation. All classes came out to welcome him, while the King, Charles I., as a mark of royal favour bestowed on him a pension. He remained at Naples until he was summoned, in 1274, by Pope Gregory X., by special bull, to attend the Second Council of Lyons, but whilst on the journey thither he was called to his rest. His death took place in the Benedictine Abbey of Fossa Nuova in the diocese of Terracina, on the 7th of March 1274, being barely forty-eight years of age. St. Thomas was a most voluminous writer, his principal work being the celebrated Summa Theologiae, which, although never completed, was accepted as such an authority as to be placed on a table in the council-chamber at the Council of Trent alongside of the Holy Scriptures and the Decrees of the Popes. But it is outside the province of this work to enlarge on his prose works. Though not a prolific writer of hymns, St. Thomas has contributed to the long list of Latin hymns some which have been in use in the services of the Church of Rome from his day to this. They are upon the subject of the Lord's Supper. The best known are:— Pange lingua gloriosi Corporis Mysterium; Adoro te devote latens Deitas; Sacris sollemniis juncta sint gaudia; Lauda Sion Salvatorem; and Verbum supernum prodiens. The 1st, 3rd, and 5th of these are found in the Roman Breviary, the 2nd, 4th, and 5th in Newman's Hymni Ecclesiae; the 4th in the Roman Missal; all of them appear in Daniel; the 2nd and 4th in Mone; and the 2nd, 4th, and 5th in Königsfeld. Of these hymns numerous translations have been made from time to time, and amongst the translators are found Caswall, Neale, Woodford, Morgan, and others. [Rev. Digby S. Wrangham, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907)

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Hymnals

Published hymn books and other collections

Small Church Music

Editors: Venantius Honorius Clementianus Fortunatus Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library

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