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GRÄFENBERG
Meter: 8.6.8.6 Appears in 243 hymnals Composer and/or Arranger: Johann Crüger Hymnal Title: Psalter Hymnal (Gray) Tune Key: F Major Incipit: 16512 33235 43215 Used With Text: Spirit Divine, Inspire Our Prayer
GRÄFENBERG
Ich singe dir mit Herz und Mund
Appears in 1 hymnal Hymnal Title: Adoru kantante First Line: Kantadas mia bus' al Vi Used With Tune: NUN DANKET ALL UND BRINGET
Ich singe dir mit Herz und Mund
To God Be Glory, Peace On Earth
Meter: 8.6.8.6 Appears in 37 hymnals Hymnal Title: American Lutheran Hymnal Lyrics: 1 To God be glory, peace on earth,
To all mankind good will!
We bless, we praise, we worship Thee,
And glorify Thee still.
2 For Thy great glory thanks we give,
That fills our souls with light;
O Lord, our heav'nly King, the God
And Father of all might.
3 And Thou, begotten Son of God
Before time had begun,
O Jesus Christ, Thou Lamb of God,
The Father's only Son.
4 Have mercy, Thou that tak'st the sins
Of all the world away!
Have mercy, Savior of mankind,
And hear us when we pray!
5 O Thou, who sitt'st at God's right hand,
Upon the Father's throne,
Have mercy on us, Thou, O Christ,
Who art the Holy One!
6 Thou only, with the Holy Ghost,
Whom earth and heav'n adore,
In glory of the Father art
Most high forevermore. Topics: Opening of Worship Used With Tune: THANKSGIVING Text Sources: Supplement to Tate and Brady, 1700, a.
To God Be Glory, Peace On Earth
O dearest Lord, thy sacred head
Author: Henry Ernest Hardy (1869-1946) Meter: 8.6.8.6 Appears in 33 hymnals Hymnal Title: Ancient and Modern Lyrics: 1 O dearest Lord, thy sacred head
with thorns was pierced for me;
O pour thy blessing on my head
that I may think for thee.
2 O dearest Lord, thy sacred hands
with nails were pierced for me;
O shed thy blessing on my hands
that they may work for thee.
3 O dearest Lord, thy sacred feet
with nails were pierced for me;
O pour thy blessing on my feet
that they may follow thee.
4 O dearest Lord, thy sacred heart
with spear was pierced for me;
O pour thy Spirit in my heart
that I may live for thee. Topics: Blessing; Church year Passiontide; Church Year Good Friday; Devotion; Discipleship; Passiontide; Self-offering Scripture: Deuteronomy 6:4-5 Used With Tune: NUN DANKET ALL' (GRÄFENBERG)
O dearest Lord, thy sacred head
Spirit divine, attend our prayers
Author: Andrew Reed Hymnal: A Treasury of Hymns #224 (1953) Hymnal Title: A Treasury of Hymns Languages: English Tune Title: GRÄFENBERG
Spirit divine, attend our prayers
Jesus, the Name High Over All
Author: Charles Wesley, 1707-1788 Hymnal: A. M. E. C. Hymnal #7 (1954) Hymnal Title: A. M. E. C. Hymnal First Line: Jesus! the Name high over all Languages: English Tune Title: GRAFENBERG
Jesus, the Name High Over All
Ich singe dir mit Herz und Mund
Hymnal: Adoru kantante #11 (1971) Hymnal Title: Adoru kantante First Line: Kantadas mia bus' al Vi Languages: Esperanto Tune Title: NUN DANKET ALL UND BRINGET
Ich singe dir mit Herz und Mund
Father Andrew
1869 - 1946 Person Name: Henry Ernest Hardy (1869-1946) Hymnal Title: Ancient and Modern Author of "O dearest Lord, thy sacred head" in Ancient and Modern Born Henry Ernest Hardy in 1869 in India, also known as Ernest Hardy, Brother Andrew.
Father Andrew
Henry Alford
1810 - 1871 Hymnal Title: Baptist Hymnal (1975 ed) Author of "We Walk by Faith and Not by Sight" in Baptist Hymnal (1975 ed) Alford, Henry, D.D., son of the Rev. Henry Alford, Rector of Aston Sandford, b. at 25 Alfred Place, Bedford Row, London, Oct. 7, 1810, and educated at Trinity College, Cambridge, graduating in honours, in 1832. In 1833 he was ordained to the Curacy of Ampton. Subsequently he held the Vicarage of Wymeswold, 1835-1853,--the Incumbency of Quebec Chapel, London, 1853-1857; and the Deanery of Canterbury, 1857 to his death, which took. place at Canterbury, Jan. 12, 1871. In addition he held several important appointments, including that of a Fellow of Trinity, and the Hulsean Lectureship, 1841-2. His literary labours extended to every department of literature, but his noblest undertaking was his edition of the Greek Testament, the result of 20 years' labour. His hymnological and poetical works, given below, were numerous, and included the compiling of collections, the composition of original hymns, and translations from other languages. As a hymn-writer he added little to his literary reputation. The rhythm of his hymns is musical, but the poetry is neither striking, nor the thought original. They are evangelical in their teaching, but somewhat cold and conventional. They vary greatly in merit, the most popular being "Come, ye thankful people, come," "In token that thou shalt not fear," and "Forward be our watchword." His collections, the Psalms and Hymns of 1844, and the Year of Praise, 1867, have not achieved a marked success. His poetical and hymnological works include—
(1) Hymns in the Christian Observer and the Christian Guardian, 1830. (2) Poems and Poetical Fragments (no name), Cambridge, J. J. Deighton, 1833. (3) The School of the Heart, and other Poems, Cambridge, Pitt Press, 1835. (4) Hymns for the Sundays and Festivals throughout the Year, &c.,Lond., Longman ft Co., 1836. (5) Psalms and Hymns, adapted for the Sundays and Holidays throughout the year, &c, Lond., Rivington, 1844. (6) Poetical Works, 2 vols., Lond., Rivington, 1845. (7) Select Poetical Works, London, Rivington, 1851. (8) An American ed. of his Poems, Boston, Ticknor, Reed & Field, 1853(9) Passing away, and Life's Answer, poems in Macmillan's Magazine, 1863. (10) Evening Hexameters, in Good Words, 1864. (11) On Church Hymn Books, in the Contemporary Review, 1866. (12) Year of Praise, London, A. Strahan, 1867. (13) Poetical Works, 1868. (14) The Lord's Prayer, 1869. (15) Prose Hymns, 1844. (16) Abbot of Muchelnaye, 1841. (17) Hymns in British Magazine, 1832. (18) A translation of Cantemus cuncti, q.v.
-- John Julian, Dictionary of Hymnology (1907)
==================
Alford, Henry, p. 39, ii. The following additional hymns by Dean Alford are in common use:—
1. Herald in the wilderness. St. John Baptist. (1867.)
2. Let the Church of God rejoice. SS. Simon and Jude. (1844, but not in his Psalms & Hymns of that year.)
3. Not in anything we do. Sexagesima. (1867.)
4. O Thou at Whose divine command. Sexagesima. (1844.)
5. 0 why on death so bent? Lent. (1867.)
6. Of all the honours man may wear. St. Andrew's Day. (1867.)
7. Our year of grace is wearing to a close. Close of the Year. (1867.)
8. Saviour, Thy Father's promise send. Whit-sunday. (1844.)
9. Since we kept the Saviour's birth. 1st Sunday after Trinity. (1867.)
10. Thou that art the Father's Word. Epiphany. (1844.)
11. Thou who on that wondrous journey. Quinquagesima. (1867.)
12. Through Israel's coasts in times of old. 2nd Sunday after Epiphany. (1867.)
13. Thy blood, O Christ, hath made our peace. Circumcision . (1814.)
14. When in the Lord Jehovah's name. For Sunday Schools. (1844.)
All these hymns are in Dean Alford's Year of Praise, 1867, and the dates are those of their earliest publication, so far as we have been able to trace the same.
--Excerpts from John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Henry Alford
Conrad Kocher
1786 - 1872 Hymnal Title: Carmina Sacra Arranger of "WALDRON" in Carmina Sacra Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Stiftskirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for “Treuer Heiland, wir sind hier,” found in Kocher's Stimmen aus dem Reiche Gottes (1838).
Bert Polman
Conrad Kocher
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
Small Church Music
Editors: Father Andrew Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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