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Robert Bridges

1844 - 1930 Person Name: Robert S. Bridges Translator (stanza 3) of "When Morning Gilds the Skies" in The United Methodist Hymnal Robert S. Bridges (b. Walmer, Kent, England, 1844; d. Boar's Hill, Abingdon, Berkshire, England, 1930) In a modern listing of important poets Bridges' name is often omitted, but in his generation he was consid­ered a great poet and fine scholar. He studied medicine and practiced as a physician until 1881, when he moved to the village of Yattendon. He had already written some poetry, but after 1881 his literary career became a full-time occupation, and in 1913 he was awarded the position of poet laureate in England. Bridges published The Yattendon Hymnal (1899), a collection of one hundred hymns (forty-four written or translated by him with settings mainly from the Genevan psalter, arranged for unaccompanied singing. In addition to volumes of poetry, Bridges also published A Practical Discourse on Some Principles of Hymn-Singing (1899) and About Hymns (1911). Bert Polman =================== Bridges, Robert Seymour, M.A., son of J. J. Bridges, of Walmer, Kent, was b. Oct. 23, 1844, and educated at Eton and at Corpus Christi College, Oxford (B.A. 1867, M.A. 1874). He took his M.A. in 1874, but retired from practice in 1882, and now (1906) resides at Yattendon, Berks. He is the author of many poems and plays. He edition and contributed to the Yattendon Hymnal, 1899 (originally printed at the Oxford Univ. Press in parts—Nos. 1-25, 1895; 26-50, 1897; 51-75, 1898; 76-100, 1899). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Joseph Barnby

1838 - 1896 Person Name: J. Barnby Composer of "[When morning gilds the skies]" in Song-Hymnal of Praise and Joy Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Edward Caswall

1814 - 1878 Person Name: E. Caswall Translator of "Laudes Domini" in Song-Hymnal of Praise and Joy Edward Caswall was born in 1814, at Yately, in Hampshire, where his father was a clergyman. In 1832, he went to Brasenose College, Oxford, and in 1836, took a second-class in classics. His humorous work, "The Art of Pluck," was published in 1835; it is still selling at Oxford, having passed through many editions. In 1838, he was ordained Deacon, and in 1839, Priest. He became perpetural Curate of Stratford-sub-Castle in 1840. In 1841, he resigned his incumbency and visited Ireland. In 1847, he joined the Church of Rome. In 1850, he was admitted into the Congregation of the Oratory at Birmingham, where he has since remained. He has published several works in prose and poetry. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 ===================== Caswall, Edward, M.A., son of the Rev. R. C. Caswall, sometime Vicar of Yately, Hampshire, born at Yately, July 15, 1814, and educated at Brasenose College, Oxford, graduating in honours in 1836. Taking Holy Orders in 1838, he became in 1840 Incumbent of Stratford-sub-Castle, near Salisbury, and resigned the same in 1847. In 1850 (Mrs. Caswall having died in 1849) he was received into the Roman Catholic communion, and joined Dr. Newman at the Oratory, Edgbaston. His life thenceforth, although void of stirring incidents, was marked by earnest devotion to his clerical duties and a loving interest in the poor, the sick, and in little children. His original poems and hymns were mostly written at the Oratory. He died at Edgbaston, Jan. 2, 1878, and was buried on Jan. 7 at Redwall, near Bromsgrove, by his leader and friend Cardinal Newman. Caswall's translations of Latin hymns from the Roman Breviary and other sources have a wider circulation in modern hymnals than those of any other translator, Dr. Neale alone excepted. This is owing to his general faithfulness to the originals, and the purity of his rhythm, the latter feature specially adapting his hymns to music, and for congregational purposes. His original compositions, although marked by considerable poetical ability, are not extensive in their use, their doctrinal teaching being against their general adoption outside the Roman communion. His hymns appeared in:— (1) Lyra Catholica, which contained 197 translations from the Roman Breviary, Missal, and other sources. First ed. London, James Burns, 1849. This was reprinted in New York in 1851, with several hymns from other sources added thereto. This edition is quoted in the indices to some American hymn-books as Lyra Cath., as in Beecher's Plymouth Collection, 1855, and others. (2) Masque of Mary, and Other Poems, having in addition to the opening poem and a few miscellaneous pieces, 53 translations, and 51 hymns. 1st ed. Lon., Burns and Lambert, 1858. (3) A May Pageant and Other Poems, including 10 original hymns. Lon., Burns and Lambert, 1865. (4) Hymns and Poems, being the three preceding volumes embodied in one, with many of the hymns rewritten or revised, together with elaborate indices. 1st ed. Lon., Burns, Oates & Co., 1873. Of his original hymns about 20 are given in the Roman Catholic Crown of Jesus Hymn Book, N.D; there are also several in the Hymns for the Year, N.D., and other Roman Catholic collections. --John Julian, Dictionary of Hymnology (1907) ====================== Caswall, E. , p. 214, ii. Additional original hymns by Caswall are in the Arundel Hymns, 1902, and other collections. The following are from the Masque of Mary, &c, 1858:— 1. Christian soul, dost thou desire. After Holy Communion. 2. Come, let me for a moment cast. Holy Communion. 3. O Jesu Christ [Lord], remember. Holy Communion. 4. Oft, my soul, thyself remind. Man's Chief End. 5. Sleep, Holy Babe. Christmas. Appeared in the Rambler, June 1850, p. 528. Sometimes given as "Sleep, Jesus, sleep." 6. The glory of summer. Autumn. 7. This is the image of the queen. B. V. M. His "See! amid the winter's snow,” p. 1037, i., was published in Easy Hymn Tunes, 1851, p. 36. In addition the following, mainly altered texts or centos of his translations are also in common use:— 1. A regal throne, for Christ's dear sake. From "Riches and regal throne," p. 870, ii. 2. Come, Holy Ghost, Thy grace inspire. From "Spirit of grace and union," p. 945, i. 3. Hail! ocean star, p. 99, ii,, as 1873. In the Birmingham Oratory Hymn Book, 1850, p. 158. 4. Lovely flow'rs of martyrs, hail. This is the 1849 text. His 1873 text is "Flowers of martyrdom," p. 947, i. 5. None of all the noble cities. From "Bethlehem! of noblest cities," p. 946, ii. 6. O Jesu, Saviour of the World. From “Jesu, Redeemer of the world," p. 228, ii. 7. 0 Lady, high in glory raised. From "O Lady, high in glory, Whose," p. 945, i. The Parochial Hymn Book, 1880, has also the following original hymns by Caswall. As their use is confined to this collection, we give the numbers only:— IS os. 1, 2, 3, 159 (Poems, 1873, p. 453), 209 (1873, p. 288), 299, 324 (1873, p. 323), 357, 402, 554, 555, 558, 569 (1873, p. 334). These are from his Masque of Mary 1858. Nos. 156, 207 (1873, p. 296), 208 (1873, p. 297), 518. These are from his May Pageant, 1865. As several of these hymns do not begin with the original first lines, the original texts are indicated as found in his Poems, 1873. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Anonymous

Author of "When morning gilds the skies" in The Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Fred Pratt Green

1903 - 2000 Author of "Let Every Christan Pray" in The Presbyterian Hymnal The name of the Rev. F. Pratt Green is one of the best-known of the contemporary school of hymnwriters in the British Isles. His name and writings appear in practically every new hymnal and "hymn supplement" wherever English is spoken and sung. And now they are appearing in American hymnals, poetry magazines, and anthologies. Mr. Green was born in Liverpool, England, in 1903. Ordained in the British Methodist ministry, he has been pastor and district superintendent in Brighton and York, and now served in Norwich. There he continued to write new hymns "that fill the gap between the hymns of the first part of this century and the 'far-out' compositions that have crowded into some churches in the last decade or more." --Seven New Hymns of Hope , 1971. Used by permission.

Vicente P. Mendoza

1875 - 1955 Person Name: V. Mendoza Author of "Load Hoy Al Señor" in Himnos Selectos Vicente Mendoza Born: De­cem­ber 24, 1875, Guad­a­la­ja­ra, Mex­i­co. Died: 1955, Mex­i­co Ci­ty, Mex­i­co. Mendoza stu­died in­i­tial­ly un­der Don Au­re­lio Or­te­ga. At age of 11 he went to work in a Pro­test­ant print shop in Mex­i­co Ci­ty and helped pro­duce El Evan­gel­is­ta Mex­i­ca­no (The Mex­i­can Evan­gel­ist) for the Meth­od­ist Church of the South; he rose to be­come its di­rect­or for 17 years. Look­ing to im­prove him­self, Men­do­za en­tered a night school for work­ers, but lat­er feel­ing the call to preach the Gos­pel, he en­tered the Pres­by­ter­i­an Sem­in­a­ry in Mex­i­co Ci­ty. When the sem­in­a­ry closed temp­o­rar­i­ly, Men­do­za en­tered the Meth­od­ist In­sti­tute of Pueb­la, where he fin­ished the course in the­ol­o­gy. In 1898 he be­came a mem­ber of the An­nu­al Con­fer­ence of the Mex­i­can Meth­od­ist Church. From 1915 to 1917, he be­longed to the South­ern Meth­od­ist Con­fer­ence of Cal­i­for­nia. Men­do­za worked on sev­er­al per­i­od­i­cals, in­clud­ing El Mun­do Crist­i­a­no (The Chris­tian World), El Abo­ga­do Crist­i­a­no (The Chris­tian Ad­vo­cate), and El Evan­gel­is­ta Crist­i­a­no (The Chris­tian Evan­gel­ist). © The Cyber Hymnal™ (hymntime.com/tch)

Fred Bock

1939 - 1998 Arranger of last verse harmonization of "LAUDES DOMINI" in Hymns for the Family of God Fred Bock was born in Great Neck, New York. He played the piano at age six and organ at age twelve. He attended Ithaca College, receiving his B.A. in Music Education. He earned his Masters and did Doctoral work in Church Music at the University of Southern California. Fred Bock was one of the most recognized and respected leaders in the world of church music. He was an accomplished composer, arranger, clinician, studio musician, organist, pianist, choral director and music publisher. He was the founder and director of publications for the music publishing division of Word, Inc. and later started Gentry Publication and other publishers of church music. He was also minister of music at Hollywood Presbyterian Church, where he served for 18 years. Before that, he served as minister of music at Bel Air Presbyterian Church in Los Angeles for 14 years. Bock has over 600 compositions and arrangements in print. N.N., Hymnary. More information at https://www.songsandhymns.org/people/detail/fred-bock

Francis Turner Palgrave

1824 - 1897 Person Name: Francis T. Palgrave Author of "O thou, not made with hands" in The Hymnal Palgrave, Francis Turner, M.A., eldest son of Sir Francis Palgrave, the Historian, was born at Great Yarmouth, Sept. 28, 1824, and educated at the Charterhouse (1838-1843) and at Oxford, where he graduated in first class Classical Honours. He was scholar of Balliol (1842) and Fellow of Exeter (1846). He was engaged in the Education Department of the Privy Council till 1884, being also Private Secretary to Lord Granville (then Lord President). In 1885 he was elected Professor of Poetry in the University of Oxford. Professor Palgrave's publications include:— (1) Idylls and Songs, 1854; (2) Art Catalogue of the Great Exhibition, 1862; (3) Essays on Art, 1866; (4) Lyrical Poems, 1871; (5) Hymns, 1st ed., 1867; 2nd ed., 1868; 3rd ed., 1870. He has also edited, (6) Golden Treasury of English Lyrics, 1861; (7) Sir Walter Scott's Poems, with Life, 1867; and (8) Chrysomela, a selection from Herrick, 1877. A large proportion of Professor Palgrave's hymns are in common use, the greatest number being in the Marlborough College Hymns, 1869 (5); Thring's Collection, 1882; (4) Horder's Congregational Hymns, 1884 (11); and the Westminster Abbey Hymn Book, 1883 (12). These include:— i. From his Hymns, 1867-70:— 1. High in heaven the sun. (1867.) Morning. 2. Hope of those who have none other. (1862.) Consolation in Affliction. 3. Lord God of morning and of night. (q.v.) Morning. 4. 0 Light of Life, 0 Saviour dear. (1865.) Evening. 5. 0 Thou not made with hands. (1867.) Kingdom of God within. 6. Once Man with man, now God with God above us. (1868.) Holy Communion. 7. Thou sayest 'Take up thy cross'. (1865.) Taking the Cross of Christ. In Macmillan's Magazine. 8. Thou that once, on mother's knee. (1863-7.) The Child Jesus. 9. Though we long, in sin-wrought blindness. (1868.) Lost and Found. 10. We name Thy Name, O God. (1868.) Lent. ii. From Other Sources:— 11. Christ, Who art above the sky. em>Christ, the Consoler and Guide. 12. Lord, how fast the minutes fly. The New Year. 13. O God, Who when the night was deep. Morning. 14. 0 God [Lord] Who when Thy cross was nigh. Evening. 15. Thrice-holy Name that sweeter sounds. Litany of the Name of Jesus. From the School Guardian, 1883. These hymns, in common with others by Professor Palgrave are marked by much originality of thought and beauty of diction, as well as great tenderness. His object was "to try and write hymns which should have more distinct matter for thought and feeling than many in our collections offer, and so, perhaps, be of little use and comfort to readers," and he has admirably succeeded in his object. He died Oct. 24, 1897. [Rev. W. Garrett Horder] -- John Julian, Dictionary of Hymnology (1907)

R. Gerald Hobbs

b. 1941 Person Name: R. Gerald Hobbs, 1941- Alterer of "When morning gilds the skies" in The Book of Praise

María Eugenia Cornou

b. 1969 Person Name: María Eugenia Cornou, b. 1969 Translator (st. 4) of "When Morning Gilds the Skies (Del alba al despuntar)" in Santo, Santo, Santo

Jacques Beaudon

Person Name: Jacques Beaudon, 1913-1985 Translator (French) of "When morning gilds the skies" in The Book of Praise

Donald Bussaro

Composer (descant) of "LAUDES DOMINI" in The United Methodist Hymnal Music Supplement II

David W. McCormick

Arranger of "LAUDES DOMINI" in The United Methodist Hymnal Music Supplement

Reginald Sparshatt Thatcher

1888 - 1957 Composer (desc.) of "LAUDES DOMINI" in Rejoice in the Lord

Susan H. Peterson

1950 - 2004 Author of "Hear Now My Praise, O Lord" in The Cyber Hymnal Born: Oc­to­ber 17, 1950, Port An­ge­les, Wash­ing­ton. Died: Ju­ly 23, 2004, Per­al­ta, New Mex­i­co. Susan was the se­cond of two girls in the fam­i­ly. Her fa­ther worked for the Na­tion­al Park Ser­vice, so Su­san en­joyed grow­ing up in Na­tion­al Parks and His­tor­ic Sites across Amer­i­ca. She did her un­der­grad­u­ate work at Stan­ford Un­i­ver­si­ty and earned a BS in ma­the­ma­tics in 1972. The next year she took a one-year grad­u­ate pro­gram at Mult­no­mah School of the Bi­ble in Port­land, Or­e­gon, and re­ceived a Cer­tif­i­cate of Bi­ble up­on com­ple­tion. She de­cid­ed not to pur­sue a ca­reer in com­put­er sci­ence, as she had orig­in­al­ly in­tend­ed, in­stead em­bark­ing on a ser­ies of jobs in which she honed her of­fice skills and gained some mis­sions ex­per­i­ence. She spent 1976 in Tan­za­nia un­der the Af­ri­ca In­land Mis­sion. Up­on her re­turn, she set­tled in Port­land, Or­e­gon, where she learned word pro­cess­ing and did ed­it­ing and proof­read­ing. In 1990, Su­san de­cid­ed to go back to school to learn how to work with vi­su­al­ly im­paired and blind adults. She re­ceived her MA in re­hab­il­i­ta­tion teach­ing of the blind from the Un­i­ver­si­ty of Ar­kan­sas at Lit­tle Rock in 1991. She then moved to Fort Col­lins, Col­o­ra­do, where she worked as an ed­it­or and desk­top pub­lish­ing tech­ni­cian for 10 years and did vol­un­teer re­habilita­tion teach­ing in her spare time. Much of Susan’s ed­it­ing and desk­top pub­lish­ing work was on books pro­duced by the Mis­sions Com­miss­ion of World Evan­gel­ic­al Al­li­ance, in­clud­ing Work­ing Your Way to the Na­tions, Too Val­u­a­ble to Lose, Send Me!, Glob­al Mis­si­ol­o­gy for the 21st Cen­tu­ry, and Doing Mem­ber Care Well. She al­so worked part time for Emer­gen­cy World, a com­pa­ny that pro­duc­ed train­ing ma­ter­ia­ls for emer­gen­cy re­sponse per­son­nel. Susan moved back to Or­e­gon in 2002, where she continued the same work she did in Col­o­ra­do. For sev­er­al years, Susan worked with Wyc­liffe As­so­ci­ates as part of a team that helped key­board Bi­bles and New Tes­ta­ments that were print­ed be­fore the age of com­put­ers and that need­ed to be put in­to elec­tron­ic for­mat, so that they could be up­dat­ed or adapt­ed for other lan­guage­s. Susan’s ca­reer as a hymn writ­er be­gan in 1997, when she set a goal of writ­ing 100 hymns. Her me­thod was to sel­ect a pass­age of Scrip­ture for each song and then find a hymn tune that seemed to fit the pass­age. She thus com­bined the en­dur­ing Word of God with mel­o­dies that have stood the test of time. Her songs were a bless­ing to her, and she was pleased to be able to share them with others. Lyrics: Alpha, Omega Ascribe to the Lord Our God Be Now Im­i­tat­ors of Your Lord Be Strong in God Behold, These Words Are Trust­worthy and True Blest Are the Poor Blest Is the Man Christ a Blind Man Saw One Day Clothe Your­self with Hu­mil­i­ty Come and Hear the Words of Je­sus Come un­to Me Count It Joy Cursed Is the One Who Trusts in Man Do Not Be Sur­prised Do Not Wor­ry Earth Be­longs to the Lord, The Everyone Should Be Quick to List­en Faith Means We’re Sure Faith of Our Bro­thers For un­to Us a Child Is Born Give Thanks to God the Lord God, Keep Me Safe God Most High, We Praise You God, the Bless­ed and On­ly Rul­er God the Lord Does Ask Hallelujah, Praise the Lord! He Has Giv­en Us His Prom­is­es Hear Now My Praise, O Lord Holy, Ho­ly, Lord God Al­mighty How Can I, Lord, Keep My Way Pure? How Good It Is, Lord How Great the Love How Ma­ny Are Your Works, Lord I Am the Lord, Your God I Am the Vine I Extol You, O Lord I Kneel Be­fore You, Lord I Praise You, Lord If Any Per­son Is in Christ If You Love Me If You Would Come Af­ter Me In You, O Lord, I Put My Trust It Is Good to Praise th’Al­mighty Jesus, the Good Shep­herd Jonah Just Trust in Me Kingdom of Your Hea­ven­ly Fa­ther, The Let Not Your Hearts Be Trou­bled Let Your Mind­set Be the Same Live with Each Other in Love Lord, I Ex­tol Your Name Lord, We Come and Of­fer Praise Lord, You Have Been Our Dwell­ing Lord, You Have Searched Me Lord, You’ve Called Us as Your Ser­vants Love Must Be Sin­cere and Hon­est Lovely, O Lord, Is Your Dwell­ing Place Majestic Is Your Name Man Named Ni­co­dem­us, A My God, in Whom I Trust My Light and My Sal­va­tion My Soul Finds Rest in God Alone Now Let Us Love Each Other Now That You’ve Tast­ed O Come, Let Us Sing O God, You Are My God O Lord, Life Is Sac­red O Lord, You Reign o’er Earth and Sea O Lord, You’re My Shep­herd O May All the Peo­ples Praise You O Shout for Joy Oh, How Ma­jes­tic and Glor­i­ous Oh, the Depth of God’s Wis­dom One Day There’ll Be New Earth and Hea­ven One Named Laz­a­rus Praise Be un­to Our God Ephe­sians Praise Him, Praise Him, Praise Him Praise, O Serv­ants of the Lord Praise the Lord, My Soul Put Off Your Old Self Whol­ly Rejoice in God Savior, Like a Shep­herd Since Through God’s Mer­cy Since We Are Now Sur­rounde­d Since We Have Con­fi­dence Sing to the Lord Sing with Joy This God’s Our God Though I Speak To Whom Will You Com­pare God? Trust in the Lord with All Your Heart Unto You I Lift My Soul Up Up to the Hills I Look We Now Have Peace with God We Thank You, Lord Wedding Took Place, A Well Done, Good and Faith­ful Ser­vant What Good Can Come? What Shall We Say? Where Can One Look for --www.hymntime.com/tc

Dan Stokes

Arranger of "LAUDES DOMINI" in The United Methodist Hymnal Music Supplement

Martin E. Leckebusch

b. 1962 Author of "Your Love Will Be My Song" in Christian Worship

Lillie MacLeod

Person Name: L. MacLeod Author of "With gladsome hearts we come" in Hymns of Worship and Service

E. W. Caswell

Person Name: E. Caswell Translator of "May Jesus Christ Be Praised" in Christ in Song

João Gomes da Rocha

1861 - 1947 Author of ""Quem Salva É Só Jesus!"" in Hinário para o Culto Cristão Born in Rio de Janeiro on March 14, 1861, the son of Brazilian parents, he was later adopted by Dr. Robert Reid Kalley and Sarah Poulton, English missionaries to Brazil who founded Igreja Evangélical Fluminense. The Kalley's worked on Salmos e Hinos, the first Brazilian evangelical hymnal. Rocha helped to complete the hymnal. [Source?]

Simon Zachariah

b. 1951 Translator (Malayalam) of "നൽ രാവുദിക്കുമ്പോൾ എൻ മനം പാടുന്നു" in The Cyber Hymnal

Walter Rauschenbusch

1861 - 1918 Person Name: W. R. Translator of "Herr Jesus, dir sei Preis" in Evangeliums-Lieder 1 und 2 (Gospel Hymns)

Iris McCoy

Author of "Give Thanks to God, Who Leads Us" in Sing and Rejoice!

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