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[Awake, and sing the song]
Meter: 6.6.8.6 Appears in 20 hymnals Incipit: 55432 17123 52231 Used With Text: Awake and sing the song
[Awake, and sing the song]
He Shall Feed His Flock
Appears in 4 hymnals First Line: He shall feed His flock like a shepherd Used With Tune: HE SHALL FEED HIS FLOCK
He Shall Feed His Flock
Great Shepherd of the sheep
Author: Bogatzky Appears in 38 hymnals Lyrics: 1 Great Shepherd of the sheep,
Who all Thy flock doth keep,
Leading by waters calm;
Do Thou my footsteps guide,
To follow by Thy side;
Make me Thy little lamb,
Make me Thy little lamb.
2 I fear I may be torn
By many a sharp-set thorn,
As far from Thee I stray;
My weary feet may bleed,
For rough are paths which lead
Out of Thy pleasant way.
3 But when the road is long,
Thy tender arm, and strong,
The weary one will bear;
And Thou wilt wash me clean,
And lead to pastures green,
Where all the flowers are fair.
4 Till, from the soil of sin
Cleansed and made pure within,
Dear Saviour, Who hast died,
Thou bringest me in love,
Save to Thy fould above,
Forever to abide.
Topics: For Children; Following Christ Used With Tune: [Great Shepherd of the sheep]
Great Shepherd of the sheep
Come unto Me, ye weary
Author: W. C. Dix Appears in 248 hymnals Used With Tune: MESSIAH
Come unto Me, ye weary
He Shall Feed His Flock
Hymnal: The Children Sing #181 (1951) First Line: He shall feed his flock like a shepherd Languages: English Tune Title: [He shall feed his flock like a shepherd]
He Shall Feed His Flock
He Shall Feed His Flock
Hymnal: The School Hymnal #277 (1920) First Line: He shall feed His flock like a shepherd Languages: English Tune Title: HE SHALL FEED HIS FLOCK
He Shall Feed His Flock
O how shall I receive Thee
Author: Arthur T. Russell; Paul Gerhardt Hymnal: The Hymnal of Praise #102 (1913) Topics: Praise to Christ Tune Title: HANDEL
O how shall I receive Thee
W. Chatterton Dix
1837 - 1898 Person Name: William C. Dix Author of "Come Unto Me, Ye Weary" in Elmhurst Hymnal Most British hymn writers in the nineteenth century were clergymen, but William C. Dix (b. Bristol, England, 1837; d. Cheddar, Somerset, England, 1898) was a notable exception. Trained in the business world, he became the manager of a marine insurance company in Glasgow, Scotland. Dix published various volumes of his hymns, such as Hymns of Love and Joy (1861) and Altar Songs: Verses on the Holy Eucharist (1867). A number of his texts were first published in Hymns Ancient and Modern (1861).
Bert Polman
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Dix, William Chatterton, son of John Dix, surgeon, of Bristol, author of the Life of Chatterton; Local Legends, &c, born at Bristol, June 14, 1837, and educated at the Grammar School of that city. Mr. Chatterton Dix's contributions to modern hymnody are numerous and of value. His fine Epiphany hymn, "As with gladness men of old,” and his plaintive ”Come unto Me, ye weary," are examples of his compositions, many of which rank high amongst modern hymns. In his Hymns of Love and Joy, 1861, Altar Songs, Verses on the Holy Eucharist, 1867; Vision of All Saints, &c, 1871; and Seekers of a City, 1878, some of his compositions were first published. The greater part, however, were contributed to Hymns Ancient & Modern; St. Raphaels Hymnbook, 1861; Lyra Eucharidica, 1863; Lyra Messianica, 1864; Lyra Mystica, 1865; The People's Hymns, 1867; The Hymnary, 1872; Church Hymns, 1871, and others. Many of his contributions are renderings in metrical form of Dr. Littledale's translation from the Greek in his Offices . . . of the Holy Eastern Church, 1863; and of the Rev. J. M. Rodwell's translation of hymns of the Abyssinian Church. These renderings of the "songs of other Churches" have not received the attention they deserve, and the sources from whence they come are practically unknown to most hymnal compilers. Mr. Dix has also written many Christmas and Easter carols, the most widely known of which is "The Manger Throne." In addition to detached pieces in prose and verse for various magazines, he has published two devotional works, Light; and The Risen Life, 1883; and a book of instructions for children entitled The Pattern Life, 1885. The last-named contains original hymns by Mr. Dix not given elsewhere. In addition to the more important of Mr. Dix's hymns which are annotated under their respective first lines, the following are also in common use:-
1. God cometh, let the heart prepare. Advent. In his Vision of All Saints, &c, 1871.
2. Holy, holy, holy, to Thee our vows we pay. Holy Communion. Published in his Altar Songs, 1867, in 6 stanzas of 6 lines, and headed "Eucharistic Processional for Dedication Feast." In the Society for Promoting Christian Knowledge Church Hymns, 1871, and others in an abridged form.
3. How long, O Lord, how long, we ask. Second Advent. Appeared in the Appendix to the Society for Promoting Christian Knowledge Psalms & Hymns, 1869, and repeated in several collections.
4. In our work and in our play. Children's Hymn. Published in his Hymns and Carols for Children, 1869, and is largely adopted in children's hymnbooks, as Mrs. Brock's Children's Hymnbook, 1881, and others. Also in the Society for Promoting Christian Knowledge Church Hymns, 1871.
5. In the hollow of Thine hand. For Fair Weather. Appeared in the People's Hymns, 1867, and repeated in several others.
6. Joy fills our inmost heart today. Christmas. Printed in the Church Times, and then on a Flysheet by Gr. J. Palmer, as the third of Four Joyful Hymns for Christmas, circa 1865. It is in the Society for Promoting Christian Knowledge Church Hymns, 1871, and other hymnals. It is also one of Mr. Dix's Christmas Customs & Christmas Carols, not dated.
7. Lift up your songs, ye thankful. St. Ambrose. Contributed to the People's Hymns, 1867.
8. Now in numbers softly flowing. St. Cecilia. Contributed to the People's Hymns, 1867.
9. Now, our Father, we adore Thee. Praise to the Father. Appeared in the Appendix to the S. P. C. K. Psalms & Hymns, 1869.
10. O Christ, Thou Son of Mary. St. Crispin. First printed in the Union Review, Sept., 1866, and thence into the People's Hymns, 1887.
11. O Cross which only canst allay. Glorying and Trusting in the Cross. Published in the People's Hymns, 1867.
12. O Thou the Eternal Son of God. Good Friday. Appeared in Lyra Messianica, 1864; the author's Hymns and Carols for Children, 1869; the S. P. C. K. Church Hymns, 1871, &c.
13. On the waters dark and drear. For use at Sea. Published in Hymns for Public Worship, &c. (St. Raphael's, Bristol), 1861; the S. P. C. K. Church Hymns, 1871, &c.
14. Only one prayer to-day. Ash Wednesday. Contributed to the People's Hymns, 1867.
15. Sitting at receipt of custom. St. Matthew. Appeared in the People's Hymns, 1867.
16. The Cross is on thy brow. Confirmation. In the 1869 Appendix to the S. P. C. K. Psalms & Hymns.
17. The stars above our head. Work and Humility. In the 1869 Appendix to the S. P. C. K. Psalms & Hymns.
18. When the shades of night are falling. Evening Hymn to the Good Shepherd. In the author's Seekers of a City, &c. [1878].
Most of Mr. Dix's best-known hymns, and also some of those named above, are in common use in America and other English-speaking countries. In Great Britain and America from 30 to 40 are in common use. He died Sept. 9, 1898.
-- John Julian, Dictionary of Hymnology (1907)
======================
Dix, William Chatterton, p. 302, ii. Additional hymns by Mr. Dix now in common use are:—
1. Lift up your songs, ye angel choirs. Ascension.
2. Now, my soul rehearse the story. Christ Feeding the Multitude.
3. Within the temple's hallowed courts. Blessed Virgin Mary. These hymns are from his Altar Songs, 1867.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
W. Chatterton Dix
George Frideric Handel
1685 - 1759 Person Name: George Frederick Handel (1685-1759) Composer of "MESSIAH" in Carmina for the Sunday School and Social Worship George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.”
Bert Polman
George Frideric Handel
Arthur Sullivan
1842 - 1900 Person Name: Sir Arthur Sullivan (1842- ) Arranger of "MESSIAH" in Carmina for the Sunday School and Social Worship Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
