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Search Results

Tune Identifier:"^chant_ouseley_56427$"

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Tunes

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Tune authorities

[O be joyful in the Lord all ye lands]

Appears in 2 hymnals Composer and/or Arranger: Sir F. A. G. Ouseley, 1825-89 Tune Key: D Major Incipit: 56427 15443 Used With Text: Jubilate Deo

Texts

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Text authorities
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Psalm 95

Appears in 453 hymnals First Line: O come, let us sing unto the Lord Used With Tune: [O come, let us sing unto the Lord]

Jubilate Deo

Appears in 347 hymnals First Line: O be joyful in the Lord all ye lands Used With Tune: [O be joyful in the Lord all ye lands]

Instances

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Published text-tune combinations (hymns) from specific hymnals

Jubilate Deo

Hymnal: The Book of Common Praise #C61 (1939) First Line: O be joyful in the Lord all ye lands Tune Title: [O be joyful in the Lord all ye lands]

Psalm 95

Hymnal: The Hymn Book of the Anglican Church of Canada and the United Church of Canada #518e (1971) First Line: O come, let us sing unto the Lord Tune Title: [O come, let us sing unto the Lord]

People

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Authors, composers, editors, etc.

F. A. Gore Ouseley

1825 - 1889 Person Name: Frederick A G Ouseley, 1825-1889 Composer of "[O come, let us sing unto the Lord] " in The Hymn Book of the Anglican Church of Canada and the United Church of Canada Born: August 12, 1825, London, England. Died: April 6, 1889, Hereford, England. Buried: Church of St. Michael and All Angels, Tenbury Wells, Hereford and Worcester, England. Gore-Ouseley was educated at Oxford University (BA 1846, MA 1849, DMus 1854), and was ordained in 1849. In 1855, he was appointed Oxford Professor of Music, succeeding Henry Bishop. At that time, Oxford music degrees were easy to obtain, as there were no conditions of residence. Candidates only had to submit a musical composition, (e.g., for choir or orchestra). This was then approved by the examiner, rehearsed and performed to a small, select audience at Oxford. As far as Ouseley was concerned, this only meant two or three trips to Oxford each year, usually for two or three days each time, as there was no music "taught" in the university and very little in Oxford itself at the time. Also in 1855, Ouseley was appointed Precentor of Hereford Cathedral, a post he held for the next 30 years, before becoming a Canon there. Although theoretically in charge of the cathedral choir, Ouseley only had to be in residence at the cathedral two months each year, and he arranged these to take place during the summer vacation, when he was not required to be at his College, although such was his commitment that he did make regular visits to the cathedral, which was only 18 miles from his College at St. Michael’s. His College of St. Michael’s, Tenbury, a "model" choir school, opened in 1856, mostly at his own expense. He founded the College and was its first Warden, which was the greater part of his work for the next 33 years. Ouseley’s compositions covered a wide range: operas, songs, chamber music and organ pieces. His works include the following treatises: Harmony (London: 1868) Counterpoint (London: 1869) Canon and Fugue (London: 1869) Form and General Composition (London: 1875) --www.hymntime.com/tch/