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Meter: 6.6.6.6.8.8 Appears in 104 hymnals Composer and/or Arranger: John Goss, 1800-1880; Uzziah C. Burnap Tune Key: B Flat Major Incipit: 51176 56712 32125 Used With Text: Rejoice, the Lord Is King

Texts

Text authorities

Sing to the Lord most high

Author: Rev. Timothy Dwight, 1752-1817 Appears in 72 hymnals Topics: Adoration; Creation and Providence; God Goodness of; Hope; Worship Used With Tune: ARTHUR'S SEAT

Rejoice, the Lord Is King

Author: Charles Wesley Meter: 6.6.6.6.8.8 Appears in 742 hymnals Refrain First Line: Lift up your heart Lyrics: 1 Rejoice, the Lord is King: your Lord and King adore! Rejoice, give thanks, and sing, and triumph evermore. Refrain: Lift up your heart, lift up your voice! Rejoice, again I say, rejoice! 2 Jesus the Savior reigns, the God of truth and love; when he had purged our stains, he took his seat above. [Refrain] 3 His kingdom cannot fail, he rules o'er earth and heav'n; the keys of death and hell are to our Jesus giv'n. [Refrain] 4 He sits at God's right hand till all his foes submit, and bow to his command, and fall beneath his feet. [Refrain] 5 Rejoice in glorious hope! Our Lord, the Judge, shall come, and take his servants up to their eternal home. [Refrain] Topics: Jesus Christ His Kingly Office; Christ Exaltation of Scripture: Ephesians 1:20 Used With Tune: ARTHUR'S SEAT

O LORD, You Are My Light

Meter: 6.6.6.6.8.8 Appears in 18 hymnals Lyrics: 1 O LORD, you are my light and my salvation near; then who will cause me fright or fill my heart with fear? While God my strength, my life sustains, secure from fear my soul remains. 2 My one request has been and still this prayer I raise: that I may live within God's house for all my days, God's glorious beauty to admire, and in his temple to inquire. 3 When troubles round me swell, when fears and dangers throng, securely I will dwell in his pavilion strong. Within the shelter of his tent he hides me till the storm is spent. 4 Uplifted on a rock above my foes around, amid the battle shock my song shall still resound. Then joyful offerings I will bring; the LORD God's praise my heart shall sing. Topics: Epiphany & Ministry of Christ; Assurance; Epiphany & Ministry of Christ; Light Scripture: Psalm 27:1-6 Used With Tune: ARTHUR'S SEAT Text Sources: Psalter, 1869 (st. 1); Psalter, 1912; alt. (st. 2-4)

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Instances

Published text-tune combinations (hymns) from specific hymnals

Rejoice, the Lord Is King!

Author: Charles Wesley Hymnal: The Hymnal of The Evangelical United Brethren Church #24 (1957) Meter: 6.6.6.6 with refrain Refrain First Line: Lift up your heart, lift up your voice Lyrics: 1 Rejoice, the Lord is King! Your Lord and King adore; Rejoice, give thanks, and sing, And triumph ever more. Refrain: Lift up your heart, lift up your voice; Rejoice, again I say, rejoice. 2 Our Lord and Savior reigns, The God of truth and love; When he had purged our stains, He took his seat above. [Refrain] 3 His Kingdom cannot fail, He rules o'er earth and heaven; The keys of death and hell Are to our Savior given. [Refrain] Amen. Topics: Worship Adoration and Praise Scripture: 1 Corinthians 15:25 Tune Title: ARTHUR'S SEAT

Lift up the your heart, lift up the your voice

Author: C. Wesley, 1707-1788 Hymnal: Methodist Hymn and Tune Book #28b (1917) First Line: Rejoice, the Lord is King Lyrics: 1. Rejoice, the Lord is KIng, Your Lord and King adore; Rejoice, give thanks and sing, And triumph evermore. Lift up your heart, lift up your voice; Rejoice, again I say, rejoice. 2. Jesus, the Saviour, reigns, The God of truth and love; When He had purged our stains, He took His seat above. Lift up your heart, lift up your voice; Rejoice, again I say, rejoice. 3. His kingdom cannot fail; He rules o'er earth and heaven; The keys of death and hell Are to our Jesus given. Lift up your heart, lift up your voice; Rejoice, again I say, rejoice. 4. He sits at God's right hand Till all His foes submit, And bow to His command, And fall beneath His feet, Lift up your heart; lift up your voice; Rejoice, again I say, rejoice. Topics: The Godhead Adoration and Praise; Christ Judge; Christ King; Christ Redeemer; Christ Triumph of; Christ Reign of; Triumph, of Christ; Universal Reign of Christ; Jesus (See also Christ) Universal Kingdom ; Reign, of Christ; Jesus (See also Christ) Judge; Jesus (See also Christ King Languages: English Tune Title: ARTHUR'S SEAT

Rejoice, the Lord is King!

Author: Charles Wesley Hymnal: Book of Worship with Hymns and Tunes #124 (1899) Lyrics: 1 Rejoice, the Lord is King! Your Lord and King adore; Mortals, give thanks and sing, And triumph evermore; Lift up your heart, lift up your voice, Rejoice, for evermore, rejoice. 2 Jesus, the Saviour, reigns, The God of truth and love; When He had purged our stains He took His seat above; Lift up your heart, lift up your voice, Rejoice, for evermore, rejoice. 3 His kingdom cannot fail, He rules o'er earth and heaven; The keys of death and hell Are to our Jesus given. Lift up your heart, lift up your voice, Rejoice, for evermore, rejoice! 4 Rejoice in glorious hope; Jesus, the Judge, shall come, And take His servants up To their eternal home: We soon shall hear th'archangel's voice, The trump of God shall sound, Rejoice! Amen. Topics: Christ Coronation of; Christ Joy of believers in; Christ Judge; Christ King; Christ Kingdom of; Christ Praise to; Joy; Praise To Christ; Salvation Joy at Languages: English Tune Title: ARTHUR'S SEAT

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People

Authors, composers, editors, etc.

Samuel Stennett

1727 - 1795 Author of "Come every pious heart" in The Praise Hymnal Samuel Stennett was born at Exeter, in 1727. His father was pastor of a Baptist congregation in that city; afterwards of the Baptist Chapel, Little Wild Street, London. In this latter pastorate the son succeeded the father in 1758. He died in 1795. Dr. Stennett was the author of several doctrinal works, and a few hymns. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ====================== Stennett, Samuel, D.D., grandson of Joseph Stennett, named above, and son of the Rev. Joseph Stennett, D.D., was born most pro;bably in 1727, at Exeter, where his father was at that time a Baptist minister. When quite young he removed to London, his father having become pastor of the Baptist Church in Little Wild Street, Lincoln's Inn Fields. In 1748, Samuel Stennett became assistant to his father in the ministry, and in 1758 succeeded him in the pastoral office at Little Wild Street. From that time until his death, on Aug. 24, 1795, he held a very prominent position among the Dissenting ministers of London. He was much respected by some of the statesmen of the time, and used his influence with them in support of the principles of religious freedom. The celebrated John Howard was a member of his congregation and an attached friend. In 1763, the University of Aberdeen conferred on him the degree of D.D. Dr. S. Stennett's prose publications consist of volumes of sermons, and pamphlets on Baptism and on Nonconformist Disabilities. He wrote one or two short poems, and contributed 38 hymns to the collection of his friend, Dr. Rippon (1787). His poetical genius was not of the highest order, and his best hymns have neither the originality nor the vigour of some of his grandfather's. The following, however, are pleasing in sentiment and expression, and are in common use more especially in Baptist congregations:— 1. And have I, Christ, no love for Thee? Love for Christ desired. 2. And will the offended God again? The Body the Temple of the Holy Ghost. 3. As on the Cross the Saviour hung. The Thief on the Cross. 4. Behold the leprous Jew. The healing of the Leper. 5. Come, every pious heart. Praise to Christ. 6. Father, at Thy call, I come. Lent. 7. Great God, amid the darksome night. God, a Sun. 8. Great God, what hosts of angels stand. Ministry of Angels. 9. Here at Thy Table, Lord, we meet. Holy Communion. 10. How charming is the place. Public Worship. 11. How shall the sons of men appear? Acceptance through Christ alone. 12. How soft the words my [the] Saviour speaks. Early Piety. 13. How various and how new. Divine Providence. 14. Not all the nobles of the earth. Christians as Sons of God. 15. On Jordan's stormy banks I stand. Heaven anticipated. 16. Prostrate, dear Jesus, at thy feet. Lent. Sometimes, "Dear Saviour, prostrate at Thy feet." 17. Should bounteous nature kindly pour. The greatest of these is Love. From this, "Had I the gift of tongues," st. iii., is taken. 18. Thy counsels of redeeming grace. Holy Scripture. From "Let avarice, from shore to shore." 19. Thy life 1 read, my dearest Lord. Death in Infancy. From this "'Tis Jesus speaks, I fold, says He." 20. 'Tis finished! so the Saviour cried. Good Friday. 21. To Christ, the Lord, let every tongue. Praise of Christ. From this,"Majestic sweetness sits enthroned," st. iii., is taken. 22. To God, my Saviour, and my King. Renewing Grace. 23. To God, the universal King. Praise to God. 24. What wisdom, majesty, and grace. The Gospel. Sometimes, “What majesty and grace." 25. Where two or three with sweet accord. Before the Sermon. 26. Why should a living man complain? Affliction. From this, "Lord, see what floods of sorrow rise," st. iii., is taken. 27. With tears of anguish I lament. Lent. 28. Yonder amazing sight I see. Good Friday. All these hymns, with others by Stennett, were given in Rippon's Baptist Selection, 1787, a few having previously appeared in A Collection of Hymns for the use of Christians of all Denominations, London. Printed for the Booksellers, 1782; and No. 16, in the 1778 Supplement to the 3rd edition of the Bristol Baptist Selection of Ash and Evans. The whole of Stennett's poetical pieces and hymns were included in vol. ii. of his Works, together with a Memoir, by W. J. Jones. 4 vols., 1824. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)

John Goss

1800 - 1880 Person Name: John Goss, 1800-1880 Composer of "ARTHUR'S SEAT" in Trinity Hymnal (Rev. ed.) John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman

Charles Wesley

1707 - 1788 Author of "Rejoice, the Lord Is King" in Trinity Hymnal (Rev. ed.) Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

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Small Church Music

Editors: William Walsham How Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library

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