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Blessed Assurance, Jesus Is Mine (En Jesucristo, puerto de paz)
Author: Fanny J. Crosby, 1820-1915; E. A. Monfort Díaz Appears in 1,055 hymnals Topics: Assurance of Pardon First Line: Blessed assurance, Jesus is mine! (En Jesucristo, puerto de paz) Refrain First Line: This is my story, this is my song (Gloria cantemos al Redentor) Lyrics: 1 Blessed assurance, Jesus is mine!
Oh, what a foretaste of glory divine!
Heir of salvation, purchase of God,
Born of the Spirit, washed in his blood.
Refrain:
This is my story, this is my song,
Praising my Savior all the day long;
This is my story, this is my song,
Praising my Savior all the day long.
2 Perfect submission, perfect delight,
Visions of rapture now burst on my sight;
Angels descending bring from above
Echoes of mercy, whispers of love. [Refrain]
3 Perfect submission, all is at rest,
I in my Savior am happy and blest;
Watching and waiting, looking above,
Filled with his goodness, lost in his love. [Refrain]
---
1 En Jesucristo, puerto de paz,
en horas duras de tempestad,
hallan las almas dulce solaz,
grato consuelo, felicidad.
Estribillo:
Gloria cantemos al Redentor
que por nosotros vino a morir;
y que la gracia del Salvador
siempre dirija nuestro vivir.
2 En nuestras luchas, en el dolor,
en tristes horas de tentación,
Cristo nos llena de su vigor,
y da aliento al corazón. [Estribillo]
3 Cuando en la lucha falta la fe
y el alma quiere desfallecer,
Cristo nos dice: "yo te daré
gracia divina, santo poder". [Estribillo]
Scripture: Genesis 28:12 Used With Tune: ASSURANCE
Blessed Assurance, Jesus Is Mine (En Jesucristo, puerto de paz)
Praise, My Soul, the King of Heaven
Author: Henry F. Lyte Meter: 8.7.8.7.8.7 Appears in 538 hymnals Topics: Responses To Assurance of Pardon Lyrics: 1 Praise, my soul, the King of heaven;
to his feet your tribute bring.
Ransomed, healed, restored, forgiven,
evermore his praises sing.
Alleluia, alleluia!
Praise the everlasting King!
2 Praise him for his grace and favor
to his people in distress.
Praise him, still the same as ever,
slow to chide, and swift to bless.
Alleluia, alleluia!
Glorious in his faithfulness!
3 Fatherlike he tends and spares us;
well our feeble frame he knows.
In his hand he gently bears us,
rescues us from all our foes.
Alleluia, alleluia!
Widely yet his mercy flows!
4 Frail as summer's flower we flourish,
blows the wind and it is gone;
but while mortals rise and perish
God endures unchanging on.
Alleluia, alleluia!
Praise the High, Eternal One.
5 Angels, help us to adore him;
you behold him face to face.
Sun and moon, bow down before him,
dwellers all in time and space.
Alleluia, alleluia!
Praise with us the God of grace! Scripture: Psalm 103 Used With Tune: LAUDA ANIMA
Praise, My Soul, the King of Heaven
There's a Wideness in God's Mercy (Hay anchura en su clemencia)
Author: Frederick W. Faber, 1814-1863; E. L. Maxwell; Ronald F. Krisman Meter: 8.7.8.7 D Appears in 900 hymnals Topics: Assurance of Pardon Scripture: Lamentations 2:3 Used With Tune: IN BABILONE
There's a Wideness in God's Mercy (Hay anchura en su clemencia)
AUS TIEFER NOT
Meter: 8.7.8.7.8.8.7 Appears in 60 hymnals Composer and/or Arranger: Martin Luther; Austin C. Lovelace Topics: Elements of Worship Assurance of Pardon Tune Key: e minor Incipit: 51565 34556 76532 Used With Text: Out of the Depths I Cry to You
AUS TIEFER NOT
LAUDA ANIMA
Meter: 8.7.8.7.8.7 Appears in 265 hymnals Composer and/or Arranger: John Goss Topics: Responses To Assurance of Pardon Tune Key: D Major Incipit: 55551 76543 65342 Used With Text: Praise, My Soul, the King of Heaven
LAUDA ANIMA
DONA NOBIS PACEM
Appears in 48 hymnals Topics: Responses To Assurance of Pardon Tune Sources: Traditional Tune Key: F Major Incipit: 15325 43211 76543 Used With Text: Dona Nobis Pacem
DONA NOBIS PACEM
Blessed Assurance, Jesus Is Mine (En Jesucristo, puerto de paz)
Author: Fanny J. Crosby, 1820-1915; E. A. Monfort Díaz Hymnal: Santo, Santo, Santo #320 (2019) Topics: Assurance of Pardon First Line: Blessed assurance, Jesus is mine! (En Jesucristo, puerto de paz) Refrain First Line: This is my story, this is my song (Gloria cantemos al Redentor) Lyrics: 1 Blessed assurance, Jesus is mine!
Oh, what a foretaste of glory divine!
Heir of salvation, purchase of God,
Born of the Spirit, washed in his blood.
Refrain:
This is my story, this is my song,
Praising my Savior all the day long;
This is my story, this is my song,
Praising my Savior all the day long.
2 Perfect submission, perfect delight,
Visions of rapture now burst on my sight;
Angels descending bring from above
Echoes of mercy, whispers of love. [Refrain]
3 Perfect submission, all is at rest,
I in my Savior am happy and blest;
Watching and waiting, looking above,
Filled with his goodness, lost in his love. [Refrain]
---
1 En Jesucristo, puerto de paz,
en horas duras de tempestad,
hallan las almas dulce solaz,
grato consuelo, felicidad.
Estribillo:
Gloria cantemos al Redentor
que por nosotros vino a morir;
y que la gracia del Salvador
siempre dirija nuestro vivir.
2 En nuestras luchas, en el dolor,
en tristes horas de tentación,
Cristo nos llena de su vigor,
y da aliento al corazón. [Estribillo]
3 Cuando en la lucha falta la fe
y el alma quiere desfallecer,
Cristo nos dice: "yo te daré
gracia divina, santo poder". [Estribillo]
Scripture: Genesis 28:12 Languages: English; Spanish Tune Title: ASSURANCE
Blessed Assurance, Jesus Is Mine (En Jesucristo, puerto de paz)
Psalm 130 (A Responsorial Setting)
Hymnal: Psalms for All Seasons #130B (2012) Topics: Elements of Worship Assurance of Pardon; Elements of Worship Assurance of Pardon First Line: Out of the depths I cry to you, O Lord Scripture: Psalm 130:1 Tune Title: [Out of the depths I cry to you, O Lord]
Psalm 130 (A Responsorial Setting)
Out of the Depths I Cry to You On High
Hymnal: Psalms for All Seasons #130C (2012) Meter: 10.4.10.4.10.10 Topics: Elements of Worship Assurance of Pardon; Elements of Worship Assurance of Pardon Lyrics: 1 Out of the depths I cry to you on high;
Lord, hear my call.
Bend down your ear and listen to my sigh,
forgiving all.
If you should mark our sins, who then could stand?
But grace and mercy dwell at your right hand.
2 I wait for God, I trust his holy word;
he hears my sighs.
My soul still waits and looks unto the Lord;
my prayers arise.
I look for him to drive away my night–
yes, more than those who watch for morning light.
3 Hope in the Lord: unfailing is his love;
in him confide.
Mercy and full redemption from above
he does provide.
From sin and evil, mighty though they seem,
his arm almighty will his saints redeem. Languages: English Tune Title: SANDON
Out of the Depths I Cry to You On High
George C. Stebbins
1846 - 1945 Person Name: George C. Stebbins, 1846-1945 Topics: Assurance of Pardon Composer of "JESUS, I COME" in Santo, Santo, Santo Stebbins studied music in Buffalo and Rochester, New York, then became a singing teacher. Around 1869, he moved to Chicago, Illinois, to join the Lyon and Healy Music Company. He also became the music director at the First Baptist Church in Chicago. It was in Chicago that he met the leaders in the Gospel music field, such as George Root, Philip Bliss, & Ira Sankey.
At age 28, Stebbins moved to Boston, Massachusetts, where he became music director at the Claredon Street Baptist Church; the pastor there was Adoniram Gordon. Two years later, Stebbins became music director at Tremont Temple in Boston. Shortly thereafter, he became involved in evangelism campaigns with Moody and others. Around 1900, Stebbins spent a year as an evangelist in India, Egypt, Italy, Palestine, France and England.
(www.hymntime.com/tch)
George C. Stebbins
James McGranahan
1840 - 1907 Person Name: James McGranahan, 1840-1907 Topics: Assurance of Pardon Composer of "EL NATHAN" in Santo, Santo, Santo James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior.
John Perry
James McGranahan
William T. Sleeper
1819 - 1904 Person Name: William T. Sleeper, 1819-1904 Topics: Assurance of Pardon Author of "Out of My Bondage, Sorrow, and Night (De mi tristeza y esclavitud)" in Santo, Santo, Santo Sleeper, W. T. is given in I. D. Sankey’s Sacred Songs & Solos, 1881, as the author of “A ruler once came to Jesus by night” (Need for the New Birth).
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
===============
William T. Sleeper (1819-1904)]
Born: February 9, 1819, Danbury, New Hampshire.
Died: September 24, 1904, Wellesley, Massachusetts.
Sleeper attended Phillips-Exeter Academy, the University of Vermont, and the Andover Theological Seminary. After ordination, he conducted home ministry work in Massachusetts and Maine. He later became pastor of the Summer Street Congregational Church in Worcester, Massachusetts, where he served over 30 years. His works include:
The Rejected King, and Hymns of Jesus, 1883.
-- www.hymntime.com
William T. Sleeper
