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Wine is a Mocker
Appears in 14 hymnals First Line: Wine is a mocker, and strong drink is raging Lyrics: 1 Wine is a mocker, and strong drink is raging,
And whosoever is deceived thereby is not wise,
And whosoever, whosoever, whosever is deceived thereby is not wise, is not wise.
Wine is a mocker, and strong drink is raging,
And whosoever is deceived thereby is not wise,
And whosoever is deceived thereby is not wise,
Who hath woe,
They that tarry long at the wine,
Who hath sorrow,
They that tarry long at the wine,
Who hath contentions
They that tarry long at the wine,
Who hath babbling?
They that tarry long at the wine,
Who hath wounds without cause?
They that tarry long at the wine,
Who hath redness of eyes?
They that tarry long at the wine.
Look not thou upon the wine when it is red,
When it moveth itself aright,
Death lurketh there,
For it biteth like a serpent,
And it stingeth like an adder,
For it biteth like a serpent and it stingeth, like an adder,
And whosoever is deceived thereby is not wise, is not wise. Used With Tune: [Wine is a mocker, and strong drink is raging]
Wine is a Mocker
[Wine is a mocker, and strong drink is raging]
Appears in 1 hymnal Composer and/or Arranger: E. G. Taylor Incipit: 11175 52232 13414 Used With Text: Wine Is a Mocker
[Wine is a mocker, and strong drink is raging]
[Wine is a mocker, and strong drink is raging]
Appears in 2 hymnals Tune Key: G Major or modal Incipit: 32143 13211 77171 Used With Text: Wine is a Mocker - Temperance Anthem
[Wine is a mocker, and strong drink is raging]
[Wine is a mocker and strong drink is raging]
Appears in 1 hymnal Composer and/or Arranger: Jno. R. Bryant Incipit: 55565 51223 15661 Used With Text: Beware of the Bowl
[Wine is a mocker and strong drink is raging]
"Wine is a Mocker"
Author: Rev. E. G. Taylor Hymnal: Minnetonka Songs #83 (1879) First Line: Wine is a mocker! and strong drink is raging Refrain First Line: The Bible, the Bible, the Bible says so Lyrics: 1 Wine is a mocker! and strong drink is raging,
For so does the Bible declare:
Oh, touch not the glass, then, however engaging,
Of all its allurements beware.
Chorus:
The Bible, the Bible, the Bible says so,
That win is a mocker we know, ah, we know.
2 Wise is a mocker! though seems it so charming,
Though friends call it wholesome and good;
There's mischief there lurking that ever is harming,
To fire and to poison the blood. [Chorus]
3 Win is a mocker! it leads into sinning
The thousands who perish from drink:
'Tis here that the drunkard has had his beginning,
The first step that caused him to sink. [Chorus]
4 Wine is a mocker! at first 'tis alluring,
At last like an adder it stings:
And bites like a serpent, with poison enduring,
And mis'ry and wretchedness brings. [Chorus]
5 Wine is a mocker! the social glass shun it,
Oh, linger not where 'tis in sight.
Oh, dash it away from you, look not upon it,
Stand firm and be true to the right. [Chorus] Languages: English Tune Title: [Wine is a mocker! and strong drink is raging]
"Wine is a Mocker"
Wine is a Mocker
Hymnal: Triumphant Songs No.4 #185 (1894) First Line: Wine is a mocker, and strong drink is raging Lyrics: 1 Wine is a mocker, and strong drink is raging,
And whosoever is deceived thereby is not wise,
And whosoever, whosoever, whosever is deceived thereby is not wise, is not wise.
Wine is a mocker, and strong drink is raging,
And whosoever is deceived thereby is not wise,
And whosoever is deceived thereby is not wise,
Who hath woe,
They that tarry long at the wine,
Who hath sorrow,
They that tarry long at the wine,
Who hath contentions
They that tarry long at the wine,
Who hath babbling?
They that tarry long at the wine,
Who hath wounds without cause?
They that tarry long at the wine,
Who hath redness of eyes?
They that tarry long at the wine.
Look not thou upon the wine when it is red,
When it moveth itself aright,
Death lurketh there,
For it biteth like a serpent,
And it stingeth like an adder,
For it biteth like a serpent and it stingeth, like an adder,
And whosoever is deceived thereby is not wise, is not wise. Tune Title: [Wine is a mocker, and strong drink is raging]
Wine is a Mocker
Wine Is a Mocker
Hymnal: The Battle Cry #125 (1887) First Line: Wine is a mocker, and strong drink is raging Refrain First Line: Wine is a mocker, and strong drink is raging Languages: English Tune Title: [Wine is a mocker, and strong drink is raging]
Wine Is a Mocker
Anonymous
Person Name: *** Author of "Beware of the Bowl" in Lasting Hymns No. 2 In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
P. P. Bliss
1838 - 1876 Person Name: P. P. B. Composer of "[Wine is a mocker! and strong drink is raging]" in Minnetonka Songs Philip P. Bliss (b. Clearfield County, PA, 1838; d. Ashtabula, OH, 1876) left home as a young boy to make a living by working on farms and in lumber camps, all while trying to continue his schooling. He was converted at a revival meeting at age twelve. Bliss became an itinerant music teacher, making house calls on horseback during the winter, and during the summer attending the Normal Academy of Music in Genesco, New York. His first song was published in 1864, and in 1868 Dwight L. Moody advised him to become a singing evangelist. For the last two years of his life Bliss traveled with Major D. W. Whittle and led the music at revival meetings in the Midwest and Southern United States. Bliss and Ira D. Sankey published a popular series of hymn collections entitled Gospel Hymns. The first book of the series, Gospel Songs, was published in 1874. Bliss's tragic death at the age of thirty-eight happened near the end of 1876. Philip P. Bliss and his wife were traveling to Chicago to sing for the evangelistic services led by Daniel W. Whittle at Dwight L. Moody's Tabernacle. But a train wreck and fire en route claimed their lives.
Bert Polman
=================
Bliss, Philip, b. at Clearfield County, Pennsylvania, July 9, 1838. In 1864 he went to Chicago in the employ of Dr. George F. Root, the musician, where he was engaged in conducting musical Institutes, and in composing Sunday School melodies. Originally a Methodist, he became, about 1871, a choirman of the First Congregational Church, Chicago, and the Superintendent of its Sunday Schools. In 1874 he joined D. W. Whittle in evangelical work. To this cause he gave (although a poor man) the royalty of his Gospel Songs, which was worth some thirty thousand dollars. His death was sudden. It occurred in the railway disaster at Ashtabula, Ohio, Dec. 30, 1876. ... Some of his verses have obtained wide popularity in most English-speaking countries. The more widely known, and specially those which are found in collections in use in G. Britain, are in the following American works:—
i. The Prize, 1870.
1. I should like to die. Death anticipated. This is one of his earliest compositions, and is unworthy of the position it holds.
2. Through the valley of the shadow I must go. Death anticipated.
3. Whosoever heareth, shout, shout the sound. Jesus the Way. Written during the winter of 1869-70 after hearing Mr. H. Moorhouse (from England) preach on St. John iii. 16.
ii. The Charm, 1871.
4. Almost persuaded now to believe. Procrastination. This was suggested by the following passage in a sermon by the Rev. Mr. Brundnge, Bliss being present at its delivery:—" He who is almost persuaded is almost saved, but to be almost saved is to be entirely lost."
5. Ho! my comrades! see the signal. Faithfulness.
6. O! Jerusalem, the golden city, bright, &c. Heaven.
7. On what Foundation do [did] you build? Christ the Foundation.
iii. The Song Tree, 1872.
8. Light in the darkness, sailor, day is at hand. Safety. This hymn, “The Life-Boat," has attained to great popularity. The incident upon which it is based, that of the rescue of a ship's crew by a life-boat, is given in detail by Mr. Sankey in his Sacred Songs, &c, No. 99 (large ed.). It is sometimes known by its refrain, "Pull for the shore," &c.
iv. The Joy, 1873.
9. In me ye may have peace. Peace.
10. To die is gain. Death anticipated.
v. Sunshine, 1873.
11. Down life's dark vale we wander. Death anticipated.
12. More holiness give me. For Holiness.
13. Only an armour-bearer. Soldiers of the Cross.
14. Standing by a purpose true. Faithfulness.
15. This loving Saviour stands patiently. Invitation.
vi. Gospel Songs, 1874.
16. A long time I wandered. Peace and Joy.
17. Brightly beams our Father's mercy. Mercy.
18. Come, brethren, as we march along. Praise.
19. Free from the law, O happy condition. Redemption.
20. Have you on the Lord believed? Fullness of Grace. This hymn arose out of the following circumstances :—" A vast fortune was left in the hands of a minister for one of his poor parishioners. Fearing that it might be sqmandered if suddenly bestowed upon him, the wise minister sent him a little at a time, with a note saying, “This is thine; use it wisely; there is more to follow.” Hence also the refrain ‘More to follow,’ by which the hymn is known."
21. How much owest thou? Divine Claims.
22. I know not the hour when my Lord will come. Death anticipated. Suggested by reading the book, The Gates Ajar.
23. See the gentle Shepherd standing. The Good Shepherd.
24. Though the way be sometimes dreary. Divine Leading.
25. Will you meet me at the fountain? Fountain of Living Water. The incident out of which this hymn arose is thus stated in The Christian, No. 365, "At the Industrial Exposition at Chicago it was an everyday appointment to meet at the Central Fountain. Mr. P. P. Bliss, whose mind seemed always set on things above, caught up the words, and wrote this hymn, 'Meet me at the Fountain.'"
vii. Gospel Hymns, No. 1, 1875.
26. One offer of salvation. The Name of Jesus.
27. Wandering afar from the dwellings of men. The Lepers.
viii. The International Lesson Monthly, 1875.
28. Weary gleaner, whence comest thou? Duty.
29. The whole world was lost in the darkness of Sin. Light of the world.
30. Man of sorrows! what a name. Redemption.
31. The Spirit, O sinner, in mercy doth move. Holy Spirit.
ix. Gospel Hymns, No. 2, 1876.
32. At the feet of Jesus. The good choice.
33. Come, sing the Gospel's joyful sound. Salvation.
34. Cut it down, cut it down. Justice and Mercy.
35. Do you see the Hebrew captive? Prayer.
36. Hallelujah, He is risen. Easier. Written in the spring of 1876 and first sung by Bliss on Easter afternoon, 1876, in the Court House Square, Augusta, Georgia, to 5900 people.
37. In Zion's rock abiding. Safety.
38. Repeat the story o'er and o'er. Grace and Peace.
39. Tenderly the Shepherd. The Good Shepherd.
x. Gospel Hymns, No. 3, 1878.
40. Hear ye the glad good news from heaven. Faith and Salvation.
41. I will sing of my Redeemer. Praise.
xi. Gospel Hymns, No. 4, 1881.
42. 'Tis known on earth and heaven too. More about Jesus.
xii. Various.
43. Sing over again to me. Words of Life. This appeared in a paper entitled Words of Life, 1874, The following are undated:—
44. March to the battle-field. Duty and Victory.
45. There is sin in the camp. Hinderances.
46. 'Tis the promise of God. Praise.
47. While the silvery moon-beams, fall, New Birth.
48. God is always near me. Omnipresence.
Two hymns," I am so glad that our Father in heaven," and " Sowing the seed by the daylight [dawnlight] fair," (sometimes given as " Sowing our seed in the morning fair ") are usually attributed to Mr. Bliss. In his Gospel Songs, Cincinnati, 1874, however, he lays claim to the music only. Mr. Sankey attributes this last to "E. A. Oakey." With the exception of No. 48, these hymns are given in Mr. Sankey's Sacred Songs & Solos, Pts. i. and ii. Their popularity is far beyond their literary merits, and is mainly due to the simple melodies to which they are wedded. As a writer of hymns of this class Mr. Bliss is second only to Mrs. Van Alstyne. Many anecdotes concerning hymns of this class are given in American Evangelists; an Account of their work in England and America, by the Rev. Elias Nason, Boston, U.S., Lathrop & Co., 1877.
Mr. Bliss is usually known as "P. P. Bliss." This is found on the title-pages of his collections. On his own authority, however, we are enabled to say that his name originally stood thus : “Philipp Bliss.” Early in life he separated the final p from his Christian name, constituted it a capital P, and thus produced "P. P. Bliss." (For this article we are mainly indebted to Professor F. M. Bird, and Mr. H. P. Main.)
-John Julian, Dictionary of Hymnology (1907)
========================
Bliss, Philip , p. 151, i. "Sowing the seed by the daylight fair" is in the Family Treasury , Edinburgh, 1861, pt. i., p. 84. It is said to be by Miss Emily Sullivan Oakey; born at Albany, N. York, Oct. 8, 1829, died May 11, 1883. Note also that Bliss's hymn, No. 43. on p. 150, ii., should read, "Sing them over again to me."
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=====================
Bliss, P., p. 150, i. Two works have been brought to our notice, since the issue of our first edition of this Dictionary, which concern this author, viz.:—
1. Memoirs of Philip P. Bliss. Edited by D. W. Whittle. Contributions by Rev. E. P. Goodwin, Ira D. Sankey, and Geo. F. Root. Introduction by D. L. Moody. New York, &c.: A. S. Barnes & Co., 1877.
2. My Life and Sacred Songs. By Ira D. Sankey. With an Introduction by Theodore L. Cuyler, D.D). London: Hodder & Stoughton, and Morgan & Scott, 1906.
These works have a special interest for those who use I. D. Sankey's Sacred Songs & Solos, and all of P. Bliss's publications. To Mr. Sankey's My Life, &c, we direct special attention for P. Bliss's hymns:—
“Do you see the Hebrew captive kneeling?" p. 294.
"Down life's dark vale we wander." p. 285.
"Ho! my comrades, see the signal." p. 105.
"'Tis the promise of God full salvation to give." p. 99.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
P. P. Bliss
I. B. Woodbury
1819 - 1858 Person Name: Isaac B. Woodbury Composer of "[Wine is a mocker and strong drink is raging]" in The Seventh-Day Adventist Hymn and Tune Book Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris.
He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina.
He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857.
--Leonard Ellinwood, DNAH Archives
I. B. Woodbury
