Person Results

Switch back to the old search page.Advanced Search

Showing 1 - 9 of 9Results Per Page: 10 20 50

Catherine Winkworth

1827 - 1878 Person Name: Catherine Winkworth, 1829-1878 Translator of "Who Puts His Trust in God Most Just" in Hymnal and Liturgies of the Moravian Church Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes, 1823-1876 Composer of "DOMINUS REGIT" in Hymnal and Liturgies of the Moravian Church As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Anonymous

Person Name: UNknown Author of "Who puts his trust in God most just" in Church Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Johann Sebastian Bach

1685 - 1750 Person Name: J. Sebastian Bach Arranger of "PARIS" in The Evangelical Hymnal Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

Joachim Magdeburg

1525 - 1587 Person Name: Joachim Magdeburg, c. 1525-after 1583 Author of "Who Puts His Trust in God Most Just" in Hymnal and Liturgies of the Moravian Church Magdeburg, Joachim , was born circa 1525 at Gardelegen in the Altmark. He matriculated at the University of Wittenberg, April, 1544, and in 1546 was appointed rector of the school at Schöningen, near Helmstädt, Brunswick. He became pastor of Dannenberg in Lüneburg in 1547, but being unable to exist on his slender income resigned in 1549, and in the same year became pastor of Salzwedel in the Altmark. But refusing to adopt the Roman ceremonies prescribed by the Act of Interim he was, in 1552 (Easter Sunday, April 17) banished from the Electorate of Brandenburg. About May, 1552, by the influence of Johann Aepinus, Superintendent of Hamburg, he was appointed diaconus of St. Peter's Church in Hamburg, and there became acquainted with Flacius Illyricus [Matthias Flach, Extreme Lutheran, church historian, &c, died at Frankfurt-am-Main, March 11, 1575]. After the death of Aepinus, May 13, 1553, Paulus von Eitzen, his successor, was not so friendly, and when, during the controversy in 1558 regarding Holy Communion, Magdeburg published a tractate without submitting it to the revision of Eitzen, the latter obtained the removal of Magdeburg from his post, May 25, 1558. He then went to Magdeburg to help his friend Flacius as one of the compilers of the Church history known as the Magdeburg Centuries. Shortly thereafter he was appointed pastor of Ossmanstedt in Thuringia; but, as a follower of Flacius, was dispossessed in 1562. He then stayed for longer or shorter periods with Count von Mansfeld, Baron von Schönburg and others, until, after the Emperor Maximilian II. had once more permitted Protestant preachers in Austria, he was, at Count von Mansfeld's recommendation, appointed by the commandant of Raab in Hungary as regimental chaplain at Raab in 1564, and, after his house there was burnt, at the castle of Gräfenworth (east of Krems), to the German-speaking Austrian troops. There he had to contend with the machinations of the Roman clergy, and after joining with nineteen others of the Evangelical clergy in Austria in presenting a Confession of Faith to an Austrian Diet (Landtag), was compelled to leave; and in 1571 we find him living at Erfurt. In 1581 he was preacher at Efferding in Austria; but in 1583 was expelled as an adherent of Flacius. His later history is unknown (Koch, i. 446; Allgemeine Deutsche Biographie, xx., 53, &c). Wachernagel, iii. pp. 1035-1042, gives five pieces under his name. The only one translation into English is:— Wer Gott vertraut, hat wohl gebaut. Trust in God. Founded on Ps. lxxiii. 25, 26. Wachernagel, iii. p. 1042, prints st. i. from Magdeburg's Christliche und tröstliche Tischgesenge, mit vier Stimmen, Erfurt, 1572 (where it is the hymn for Saturday evening); and thinks it probable, though not certain, that it is an original by Magdeburg. In S. Calvisius's Harmonia cantionum ecclesiasticarum, Leipzig, 1597, st. ii. and iii., are first found. Lauxmann in Koch, viii., 373, thus sums up the evidence:— ”From these circumstances it seems evident that the hymn originally consisted only of the first stanza, but that Magdeburg's authorship, in opposition to other claims [it has been ascribed to J. Kolross and to J. Mühlmann] is beyond doubt." The text of 1597 is repeated in Wachernagel, iii. p. 1043, and the Unverfälschter Liedersegen, 1851, No. 642, in 3 st. of 8 (or 12) lines. Translated as:— 1. Who trusts in God, his work abides. By A. T. Russell, of st. i., ii., as No. 230, in his Psalms & Hymns, 1851. 2. Who puts his trust in God most just. A good and full translation by Miss Winkworth, in her Lyra Germanica, 2nd Service, 1858, p. 192, and her Chorale Book for England, 1863, No. 145. Repeated, slightly altered, in the Pennsylvania Lutheran Church Book, 1568. 3. Who trusts in God a strong abode. A good but free translated by Dr. B. H. Kennedy, as No. 486, in his Hymnologia Christiana, 1863, repeated in J. L. Porter's Collection 1876, and others. In Morrell and How's Psalms & Hymns, 1864, No 208, it was considerably altered by Bishop How, and this form is repeated in the Society for Promoting Knowledge’s Church Hymns, 1871; Thring's Collection, 1882, and others; the Baptist Hymnal, 1879, omitting the last four lines, and ascribing it, in error, to M. Luther. Another translation is: "Who lives in God has safe abode." By Dr. H. Mills, 1856, p. 244. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Johannes Mühlmann

1573 - 1613 Person Name: Johann Mühlmann, 1573-1613 Author of "Who puts his trust in God most just" in The Evangelical Hymnal Mühlmann, Johannes, son of Hieronymus Mühlmann or Mühlmann, pastor at Pegau, near Leipzig, was born at Pegau, July 28, 1573. He studied at the Universities of Leipzig (M.A. January, 1597) and Jena, and was then for some time Saturday preacher at St. Thomas's Church in Leipzig. In 1599 he was appointed diaconus of the St. Wenzel Church in Naumburg, and in 1604 pastor at Laucha on the Unstrut. In the end of 1604 he became archidiaconus of the St. Nicholas Church at Leipzig, and, in 1607, was also appointed Professor of Theology in the University, and D.D. in 1612. He died of typhus at Leipzig, Nov. 14, 1613. (Allgemeine Deutsch Biographie, xxii. 483; Goedeke's Grundriss, vol. iii., 1887, p. 151, &c.) Mühlmann was a staunch upholder of Lutheran orthodoxy, alike against Romanists and Calvinists. He was a great lover of the Psalms; his published sermons, as well as his hymns, are based on them, and almost his last words were Ps. lxiii., 3, "Thy lovingkindness is better than life." Wackernagel v. pp. 443-447, gives five hymns under his name, all of which are found in the Geistliche Psalmen, &c, published at Nürnberg in 1618, by J. Lauer. [The only known copy, in the Royal Library, Berlin, has lost its titlepage.] Two of Mühlmann's hymns have passed into English, viz.:— i. Dank sei Gott in der Höhe. Morning. The most popular of his hymns. Appeared 1618 as above, with his initials, and thence in Wackernagel v. p. 444, in 7 st. of 8 1. Also in the Unverfälschter Liedersegen, 1851, No. 443. Translated as:— While yet the morn is breaking. A good translation of st. i., ii., v., vii. by Miss Winkworth, as No. 163 in her Chorale Book for England, 1863. Repeated in full in the Ohio Lutheran Hymnal, 1880, and abridged in the Marlborough College Hymn Book, 1869. Another translation "Christ is the vine, we branches are" (st. vii.). By J. Swertner, as No. 438, in the Moravian Hymn Book, 1789 (1849, No. 612). ii. 0 Lebens-Brünnlein tief und gross. Ps. lxv. Appeared 1618 as above, with his initials, in 9 st. of 9 1., entitled "a hymn from the 65th Psalm." Thence in Wackernagel v. p. 446; also in the Unverfälschter Liedersegen, 1851, No. 426. It is really a hymn on Christ as the Fountain of Life here and in Eternity, and with Ps. lxv. 10 as its motto. Translated as:— 0 spring of Life, so deep, so great. A good translation of st. i., ii., v., vi., ix. by A. T. Russell, as No. 166 in his Psalms & Hymns, 1851. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

C. G. Haas

1862 - 1928 Author of "Who puts his trust in God most just" in Hymnal of the Evangelical Church. Word ed. Born: November 27, 1862, New Haven, Missouri. Died: June 13, 1928, Buffalo, New York. Buried: Forest Lawn Cemetery, Buffalo, New York. Haas attended public schools in Jefferson City, Missouri, and graduated from Elmhurst College, near Chicago, Illinois (1883) and Eden Theological Seminary, Webster Groves, Missouri (1886). He organized and served at St. James Church, St. Louis, Missouri (1886-1903), and was pastor of St. Paul’s Church, Buffalo, New York (1903-28). --www.hymntime.com/tch/