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Einladung

Appears in 41 hymnals First Line: Wer will mit uns nach Zion geh'n Used With Tune: [Wer will mit uns nach Zion geh'n]

[Wer will mit uns nach Zion gehen!]

Appears in 59 hymnals Incipit: 51321 71222 43212 Used With Text: Wer will mit uns nach Zion gehen!

[Wer will mit uns nach Zion gehn]

Appears in 1 hymnal Composer and/or Arranger: Jomabi Incipit: 51512 32117 25434 Used With Text: Wer will mit uns nach Zion gehn

[Wer will mit uns nach Zion geh'n]

Appears in 902 hymnals Composer and/or Arranger: Geo. Fr. Handel Incipit: 17654 32156 67711 Used With Text: Einladung

Instances

Published text-tune combinations (hymns) from specific hymnals

Wer will mit uns nach Zion gehn!

Author: Anon. Hymnal: Neue Zions-Lieder #101 (1919) First Line: Wer will mit uns nach Zion gehn? Refrain First Line: Paradies, Paradies Languages: German Tune Title: [Wer will mit uns nach Zion gehn?]

Wer will mit uns nach Zion gehn

Hymnal: Evangelisches Gesangbuch mit vierstimmigen Melodien #247[965] (1894) Languages: German Tune Title: [Wer will mit uns nach Zion gehn]

Wer will mit uns nach Zion gehn!

Hymnal: Jubeltöne #106 (1871) First Line: Wer will mit uns nach Zion gehen! Refrain First Line: Paradies, Paradies Languages: German Tune Title: [Wer will mit uns nach Zion gehen!]

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People

Authors, composers, editors, etc.

George Frideric Handel

1685 - 1759 Person Name: Geo. Fr. Handel Composer of "[Wer will mit uns nach Zion geh'n]" in Pilger Lieder George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

Anonymous

Person Name: Anon. Author of "Wer will mit uns nach Zion gehen!" in Zions-Klänge In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.