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Acceptance into the Order of Catechumens - Introductory Rites

Author: ICEL Appears in 3 hymnals First Line: We praise you, Lord, we praise you , Lord

[We praise you, O Lord, we praise you, O Lord]

Appears in 1 hymnal Composer and/or Arranger: Marty Haugen Tune Key: F Major Incipit: 53212 54323 Used With Text: Acceptance into the Order of Catechumens - Introductory Rites

[We praise you, Lord]

Appears in 3 hymnals Composer and/or Arranger: Marty Haugen Tune Key: F Major or modal Incipit: 53212 54323 Used With Text: We praise you, Lord

Instances

Published text-tune combinations (hymns) from specific hymnals

Acceptance into the Order of Catechumens - Introductory Rites

Author: ICEL Hymnal: Gather (3rd ed.) #109 (2011) First Line: We praise you, Lord, we praise you , Lord Languages: English Tune Title: [We praise you, O Lord, we praise you, O Lord]

We praise you, Lord

Hymnal: RitualSong (2nd ed.) #140 (2016) Topics: Rites of the Church Christian Initiation of Adults Languages: English Tune Title: [We praise you, Lord]

We praise you, Lord

Hymnal: RitualSong #217 (1996) Lyrics: We praise you, Lord, we praise you, Lord, we praise you, Lord, and we bless you. Topics: Christian Initiation of Adults Languages: English Tune Title: [We praise you, Lord]

People

Authors, composers, editors, etc.

Marty Haugen

b. 1950 Composer of "[We praise you, Lord]" in RitualSong (2nd ed.) Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world. Emily Brink