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Search Results

Text Identifier:"^we_praise_thee_god_for_harvests_earned$"

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We praise thee, God

Author: John C. Adams Meter: 8.8.8.8 Appears in 16 hymnals First Line: We praise thee, God, for harvests earned Topics: Courage and Heroism Used With Tune: CAMDEN

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CAMDEN

Appears in 511 hymnals Composer and/or Arranger: John Baptiste Calkin Incipit: 13233 43445 17665 Used With Text: We praise thee, God, for harvests earned
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ILLSLEY

Appears in 52 hymnals Incipit: 11512 34321 11512 Used With Text: We praise thee, God, for harvests earned
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CANONBURY

Appears in 593 hymnals Composer and/or Arranger: Robert Schumann Incipit: 53334 32123 56712 Used With Text: We praise thee, God, for harvests earned

Instances

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Published text-tune combinations (hymns) from specific hymnals
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We Praise Thee, God, For Harvests Earned

Author: John C. Adams Hymnal: The Cyber Hymnal #12988 Meter: 8.8.8.8 Lyrics: 1 We praise Thee, God, for harvests earned, The fruits of labor garnered in; But praise Thee more for soil unturned From which the yield is yet to win! 2 We praise Thee for the harbor’s lee, And moorings safe in waters still; But more for leagues of open sea, Where favoring gales our canvas fill. 3 We praise Thee for the conflicts won, For captured strongholds of the foe; But more for fields whereon the sun Lights us when we to battle go. 4 We praise Thee for life’s gathered gains, And blessings in our cup that brim; But more for pledge of what remains Past the horizon’s utmost rim! Languages: English Tune Title: WALTHAM

We praise thee, God, for harvests earned

Author: John Coleman Adams Hymnal: Hymns for Worship #29 (1939) Languages: English Tune Title: ILLSLEY

We praise thee, God, for harvests earned

Author: John Coleman Adams, 1849-1922 Hymnal: Hymns of the Rural Spirit #70 (1947) Languages: English Tune Title: CANONBURY

People

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Robert Schumann

1810 - 1856 Composer of "CANONBURY" in Hymns of the Rural Spirit Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry

John Baptiste Calkin

1827 - 1905 Composer of "CAMDEN" in The Beacon Song and Service book John Baptiste Calkin United Kingdom 1827-1905. Born in London, he was reared in a musical atmosphere. Studying music under his father, and with three brothers, he became a composer, organist, and music teacher. At 19, he was appointed organist, precenter, and choirmaster at St. Columbia's College, Dublin, Ireland, 1846 to 1853. From 1853 to 1863 we was organist and choirmaster at Woburn Chapel, London. From 1863 to 1868, he was organist of Camden Road Chapel. From 1870 to 1884 he was organist at St. Thomas's Church, Camden Town. In 1883 he became professor at Guildhall School of Music and concentrated on teaching and composing. He was also a professor of music and on the council of Trinity College, London, and a member of the Philharmonic Society (1862). In 1893 he was a fellow of the College of Organists. John and wife, Victoire, had four sons, each following a musical carer. He wrote much music for organ and scored string arrangements, sonatas, duos, etc. He died at Hornsey Rise Gardens. John Perry

John Coleman Adams

1849 - 1922 Person Name: John Coleman Adams, 1849-1922 Author of "We praise thee, God, for harvests earned" in Hymns of the Rural Spirit Adams, John Coleman. (Malden, Massachusetts, October 25, 1849--June 22, 1922, Hartford, Connecticut). Universalist. Son of John Greenleaf Adams. He graduated from Tufts College, A.B., 1870; B.D., 1872; S.T.D., 1888. He held pastorates at Newton, Mass., 1872-1880; Lynn, Mass., 1880-1884; Chicago, Illinois, 1884-1890; Brooklyn, New York, 1890-1901; and Hartford, Conn., 1901-1922. He wrote a few hymns for special occasions, one of which, written in 1911 for a church anniversary, begins "We praise Thee, God, for harvests earned." It was included in The New Hymn and Tune Book, 1914, and in Hymns of the Spirit, 1937. --Henry Wilder Foote, DNAH Archives