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Venid, venid, zagales
Author: Desconocido Meter: 7.6.7.6.7.6.7.6 Appears in 7 hymnals Lyrics: 1 Venid, venid, zagales,
Pastores de Belén;
Venid, cantad la gloria
De Cristo, nuestro bien.
Los ángeles pregonan
La gloria del Señor,
Y paz a los mortales,
De voluntad y amor.
2 La humana vestidura
Encubre al inmortal,
Que va a pagar la deuda
Al Padre celestial.
Él viene a redimirnos;
Él viene a padecer,
Para acercar al hombre
Al infinito ser.
3 ¡Oh, amor inexplicable!
¡Sublime abnegación
De aquel que en un pesebre
Nos da su bendición!
Unid, pues, vuestras voces,
Pastores de Belén;
Venid, cantad la gloria
De Cristo, nuestro bien. Topics: El Año Cristiano Navidad; Christian Year Christmas Used With Tune: ELLACOMBE
Venid, venid, zagales
Venid, venid, zagales
Author: Desconocido Hymnal: Culto Cristiano #26 (1964) Meter: 7.6.7.6.7.6.7.6 Lyrics: 1 Venid, venid, zagales,
Pastores de Belén;
Venid, cantad la gloria
De Cristo, nuestro bien.
Los ángeles pregonan
La gloria del Señor,
Y paz a los mortales,
De voluntad y amor.
2 La humana vestidura
Encubre al inmortal,
Que va a pagar la deuda
Al Padre celestial.
Él viene a redimirnos;
Él viene a padecer,
Para acercar al hombre
Al infinito ser.
3 ¡Oh, amor inexplicable!
¡Sublime abnegación
De aquel que en un pesebre
Nos da su bendición!
Unid, pues, vuestras voces,
Pastores de Belén;
Venid, cantad la gloria
De Cristo, nuestro bien. Topics: El Año Cristiano Navidad; Christian Year Christmas Languages: Spanish Tune Title: ELLACOMBE
Venid, venid, zagales
Venid, Zagales
Author: anónimo Hymnal: Cántico Nuevo #71 (1962) First Line: Venid, venid, zagales Languages: Spanish Tune Title: CAROL
Venid, Zagales
Venid, venid zagales
Hymnal: Himnario provisional con los cánticos #25 (1907) Languages: Spanish Tune Title: CHIGNELL
Venid, venid zagales
Anonymous
Person Name: Desconocido Author of "Venid, venid, zagales" in Culto Cristiano In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Felix Mendelssohn-Bartholdy
1809 - 1847 Person Name: Mendelssohn Composer of "MUNICH" in El Himnario Evangelico Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes.
Bert Polman
Felix Mendelssohn-Bartholdy
Richard Storrs Willis
1819 - 1900 Person Name: Richard S. Willis, 1819-1900 Composer of "CAROL" in Cántico Nuevo Richard Storrs Willis (February 10, 1819 – May 10, 1900) was an American composer, notably of hymn music. One of his hymns is "It Came Upon the Midnight Clear" (1850), with lyrics by Edmund Sears. He was also a music critic and journal editor.
Willis, whose siblings included Nathaniel Parker Willis and Fanny Fern, was born on February 10, 1819, in Boston, Massachusetts. He attended Chauncey Hall, the Boston Latin School, and Yale College where he was a member of Skull and Bones in 1841.
Willis then went to Germany, where he studied six years under Xavier Schnyder and Moritz Hauptmann. While there, he became a personal friend of Felix Mendelssohn. After returning to America, Willis served as music critic for the New York Tribune, The Albion, and The Musical Times, for which he served as editor for a time. He joined the New-York American-Music Association, an organization which promoted the work native of naturalized American composers. He reviewed the organization's first concert for their second season, held December 30, 1856, in the Musical World, as a "creditable affair, all things considered".
Willis began his own journal, Once a Month: A Paper of Society, Belles-Lettres and Art, and published its first issue in January 1862.
Willis died on May 7, 1900. His interment was located at Woodlawn Cemetery.
His works and music compilations include:
Church Chorals and Choir Studies (1850)
Our Church Music (1856)
Waif of Song (1876)
Pen and Lute (1883)
--en.wikipedia.org
Richard Storrs Willis
