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Text Identifier:"^the_summer_days_are_come_again$"

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The Summer Days Are Come Again

Author: Samuel Longfellow, 1819-1892 Appears in 73 hymnals Topics: Changing Seasons Used With Tune: FOREST GREEN

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FOREST GREEN

Meter: 8.6.8.6 D Appears in 249 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958 Tune Sources: English meldoy Tune Key: F Major or modal Incipit: 51112 32345 34312 Used With Text: The Sweet June Days
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GABRIEL

Appears in 240 hymnals Composer and/or Arranger: A. Sullivan Tune Sources: Traditional Incipit: 51176 56556 21715 Used With Text: The summer days are come again
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GOSTERWOOD

Meter: 8.6.8.6 D Appears in 30 hymnals Tune Key: G Major Incipit: 11671 23154 32121 Used With Text: The summer days are come again

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The Summer Days Are Come Again

Author: Samuel Longfellow Hymnal: The Cyber Hymnal #6383 Meter: 8.6.8.6 D Lyrics: 1. The summer days are come again, With sun and clouds between, And, fed alike by sun and rain, The trees grow broad and green; Spreads broad and green the leafy tent, Upon whose grassy floor Our feet, too long in cities pent, Their freedom find once more. 2. The summer days are come again; Once more the glad earth yields Her golden wealth of ripening grain, And breadth of clover fields, And deepening shade of summer woods, And glow of summer air, And winging thoughts, and happy moods Of love and joy and prayer. 3. The summer days are come again; The birds are on the wing; God’s praises, in their loving strain, Unconsciously they sing. We know who giveth all the good That doth our cup o’erbrim; For summer joy in field and wood We lift our song to Him. Languages: English Tune Title: SOLL'S SEIN
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The Summer Days Are Come Again

Author: Samuel Longfellow, 1819-1892 Hymnal: Hymns for Youth #43 (1966) Meter: 8.6.8.6 D Lyrics: 1. The summer days are come again; Once more the glad earth yields Her golden wealth of ripening grain, And breath of clover fields, And deepening shade of summer woods, And glow of summer air, And winging thoughts, and happy moods Of love and joy and prayer. 2. The summer days are come again; The birds are on the wing; God's praises, in their loving strain, Unconsciously they sing. We know who giveth all the good That doth our cup o'erbrim; For summer joy in field and wood We lift our song to Him. Languages: English Tune Title: FOREST GREEN
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The Summer Days Are Come Again

Author: Samuel Longfellow Hymnal: The Hymnal for Boys and Girls #86 (1936) Meter: 8.6.8.6 D Lyrics: 1 The summer days are come again; Once more the glad earth yields Her golden wealth of ripening grain, And breath of clover fields, And deep'ning shade of summer woods, And glow of summer air, And winging thoughts, and happy moods Of love and joy and prayer. 2 The summer days are come again; The birds are on the wing; God's praises, in their loving strain, Unconsciously they sing. We know who giveth all the good That doth our cup o'erbrim; For summer joy in field and wood We lift our song to him. Topics: Nature Tune Title: SOLL'S SEIN

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Arthur Sullivan

1842 - 1900 Person Name: A. Sullivan Arranger of "GABRIEL" in Hymns and Tunes for Schools Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Samuel Longfellow

1819 - 1892 Author of "The summer days are come again" in The Beacon Song and Service book Longfellow, Samuel, B. A., brother of the Poet, was born at Portland, Maine, June 18, 1819, and educated at Harvard, where he graduated in Arts in 1839, and in Theology in 1846. On receiving ordination as an Unitarian Minister, he became Pastor at Fall River, Massachusetts, 1848; at Brooklyn, 1853; and at Germantown, Pennsylvania, 1860. In 1846 he edited, with the Rev. S. Johnson (q. v.), A Book of Hymns for Public and Private Devotion. This collection was enlarged and revised in 1848. In 1859 his Vespers was published, and in 1864 the Unitarian Hymns of the Spirit , under the joint editorship of the Rev. S. Johnson and himself. His Life of his brother, the Poet Longfellow, was published in 1886. To the works named he contributed the following hymns:— i. To A Book of Hymns , revised ed., 1848. 1. Beneath the shadow of the Cross. Love. 2. 0 God, thy children gathered here. Ordination. ii. To the Vespers 1859. 3. Again as evening's shadow falls. Evening. 4. Now on land and sea descending. Evening. iii. To the Hymns of the Spirit, 1864. 5. A voice by Jordan's shore. Advent. 6. Father, give Thy benediction. Ordination. 7. Go forth to life, 0 child of earth. Life's Mission. 8. God of ages and of nations. Holy Scriptures. 9. Holy Spirit, Truth divine. The Holy Spirit desired. 10. I look to Thee in every need. Trust in God. 11. In the beginning was the Word. The Word. 12. Love for all, and can it be? Lent. The Prodigal Son. 13. 0 God, in Whom we live and move. God's Law and Love. 14. 0 God, Thou Giver of all good. Prayer for Food. 15. O still in accents sweet and strong. Missions. 16. 0 Thou, Whose liberal sun and rain. Anniversary of Church dedication. 17. One holy Church of God appears. The Church Universal. 18. Out of the dark, the circling sphere. The Outlook. 19. Peace, peace on earth! the heart of man for ever. Peace on Earth. 20. The loving Friend to all who bowed. Jesus of Nazareth. 21. ’Tis winter now, the fallen snow. Winter. Of these, hymn No. 2 was written for the Ordination of E. E. Hale (q. v.), at Worcester, 1846. Several are included in Martineau's Hymns, 1873. Died Oct. 3, 1892. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907), p. 685 =============== Longfellow, S., p. 685, i. Since Mr. Longfellow's death on Oct. 3, 1892, his hymns have been collected by his niece, Miss Alice Longfellow, as Hymns and Verses(Houghton, Mifflin & Co., 1904.) From this work we find many of the hymns signed Anon, in the Index to Longfellow and Johnson's Hymns of the Spirit, 1864, were his; several of these, including E. Osier's "O God unseen, yet ever near," were popular English hymns which he rewrote from his own theological standpoint. These re¬written hymns are very widely used by Unitarians and others. During the last ten years the following additional hymns by S. Long¬fellow have come into common use:— 1. Eternal One, Thou living God. Faith in God. 2. God of the earth, the sky, the sea. God in Nature. 3. God's trumpet wakes the slumbering world. Call to duty. 4. Light of ages and of nations. God in and through all time. 5. Lo, the earth is risen again. Spring. (1876.) 6. Now while we sing our closing psalm. Close of Worship. 7. O Life that maketh all things new. Unity. (1874.) 8. O Thou in Whom we live and move. The Divine Law. 9. The summer days are come again. Summer. From his hymn,"The sweet[bright] June days are come again." 10. Thou Lord of lite, our saving health. In Sickness. (1886.) Of these hymns Nos. 2, 3 appeared in the Hymns of the Spirit, 1864, and all with the dates appended in Hymns and Verses, 1904. --John Julian, Dictionary of Hymnology, New Supplement (1907) ================== http://en.wikipedia.org/wiki/Samuel_Longfellow

Ralph Vaughan Williams

1872 - 1958 Person Name: R. Vaughan Williams, 1872- Arranger of "FOREST GREEN" in Pilgrim Hymnal Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman