Search Results

Text Identifier:"^ring_out_merry_bells_in_the_steeple$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
TextPage scans

Ring Out, Merry Bells

Author: Emily Huntington Miller Appears in 5 hymnals Matching Instances: 5 First Line: Ring out, merry bells, in the steeple Refrain First Line: Good will from the Father above Lyrics: 1 Ring out, merry bells, in the steeple, Sing loud happy voices tonight! And join with each kindred and people In anthems of praise and delight! Good will from the Father above, Good will to his children below! How glad was the morn when the Savior was born, To ransom our souls by his love. 2 Oh, nations that wait for the morrow, Rejoice! for the dawn is at hand; Oh, captives who pine in your sorrow, The Savior shall sever your bands! Good will from the Father above, Good will to his children below! How glad was the morn when the Savior was born, To ransom our souls by his love. 3 The eyes of the blind shall be opened, The King in his beauty to see; The tongue of the dumb shall be loosened, To utter his praises to thee! Good will from the Father above, Good will to his children below! How glad was the morn when the Savior was born, To ransom our souls by his love. Used With Tune: [Ring out, merry bells, in the steeple]

Tunes

tune icon
Tune authorities
Page scans

[Ring out, merry bells, in the steeple]

Appears in 2 hymnals Matching Instances: 1 Composer and/or Arranger: J. R. M. Tune Key: B Flat Major Incipit: 55653 55612 31653 Used With Text: Ring Out, Merry Bells
Audio

[Ring out, merry bells in the steeple]

Appears in 1 hymnal Matching Instances: 1 Composer and/or Arranger: Anonymous Tune Key: E Flat Major Incipit: 13333 33533 22352 Used With Text: Ring Out, Merry Bells
Page scans

[Ring out merry bells in the steeple]

Appears in 1 hymnal Matching Instances: 1 Composer and/or Arranger: C. W. Greene Incipit: 51365 14321 13567 Used With Text: Ring Out, Merry Bells

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextAudio

Ring Out, Merry Bells

Author: Emily Huntington Miller Hymnal: The Cyber Hymnal #13226 First Line: Ring out, merry bells in the steeple Refrain First Line: Good will from the Father above Lyrics: 1 Ring out, merry bells in the steeple, Sing loud, happy voices, tonight. And join with each kindred and people In anthems of praise and delight! Refrain: Good will from the Father above, Good will to His children below! How glad was the morn When the Savior was born, To ransom our souls by His love! 2 Oh, nations that wait for the morrow, Rejoice! for the dawn is at hand! Oh, captives who pine in your sorrows, The Savior shall sever your bands! [Refrain] 3 The eyes of the blind shall be opened, The King in His beauty to see; The tongue of the dumb shall be loosened To utter its praises to Thee! [Refrain] 4 Ring out, merry bells in the steeple, Ring loud, happy voices, tonight! And join with each kindred and people In anthems of praise and delight! [Refrain] Languages: English Tune Title: [Ring out, merry bells in the steeple]
TextPage scan

Ring Out, Merry Bells

Author: Emily Huntington Miller Hymnal: Joyful Songs #90 (1875) First Line: Ring out, merry bells, in the steeple Refrain First Line: Good will from the Father above Lyrics: 1 Ring out, merry bells, in the steeple, Sing loud happy voices tonight! And join with each kindred and people In anthems of praise and delight! Good will from the Father above, Good will to his children below! How glad was the morn when the Savior was born, To ransom our souls by his love. 2 Oh, nations that wait for the morrow, Rejoice! for the dawn is at hand; Oh, captives who pine in your sorrow, The Savior shall sever your bands! Good will from the Father above, Good will to his children below! How glad was the morn when the Savior was born, To ransom our souls by his love. 3 The eyes of the blind shall be opened, The King in his beauty to see; The tongue of the dumb shall be loosened, To utter his praises to thee! Good will from the Father above, Good will to his children below! How glad was the morn when the Savior was born, To ransom our souls by his love. Languages: English Tune Title: [Ring out, merry bells, in the steeple]
Page scan

Ring Out, Merry Bells

Author: Emily Huntington Miller Hymnal: Special Songs and Services #31 (1893) First Line: Ring out, merry bells in the steeple Refrain First Line: Good will from the Father above Languages: English Tune Title: [Ring out, merry bells in the steeple]

People

person icon
Authors, composers, editors, etc.

Emily Huntington Miller

1833 - 1913 Author of "Ring Out, Merry Bells" in Joyful Songs Miller, Emily, née Huntingdon, daughter of the Rev. Thomas Huntington, D.D., was born at Brooklyn, Connecticut, Oct. 22, 1833: and was subsequently married to Professor Miller. Mrs. Miller is joint editor of The Little Corporal, published at Chicago, in which several of her poetical pieces appeared. Of her hymns the most widely known are:— 1. Enter Thy temple, glorious King. Opening of a Place of Worship. This was written for the opening of the Methodist Episcopal Church, at Akron, Ohio, 1861; and is in several collections, including the Methodist Episcopal Hymnal, 1878. 2. I love to hear the story. Early Piety. Written for and published in The Little Corporal, 1867. This is in extensive use in Great Britain and America. It was included in Hymns Ancient & Modern, in 1875. 3. Beyond the dark river of death. Heaven. 4. Blessed are the children. Early Piety. 5. Father, while the shadows fall. Evening. 6. Hark, the chorus swelling. Christmas. 7. I love the name of Jesus. Holy Name Jesus. 8. Jesus bids us shine. Early Piety. 9. Stay, trembling soul, and do not fear. Holy Communion. 10. Work and never weary, though thy strength be small. Perseverance. Of these hymns, No. 7 is in the 1878 Additional Hymns to the Leeds Sunday School Hymn Book; No. 8, is in Barrett's Book of Praise for Children, 1881; No. 9, in Common Praise, 1879; and Nos. 4, 5, 6, and 10, in E. Hodder's New Sunday School Hymn Book, 2nd ed., 1868. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ======================= Miller, Emily, née Huntington, p. 1579, ii. Of Mrs. Miller's hymns, Nos. 4, 5, 6 and 10 were written for and first printed in The Little Corporal, as follows: 4—April, 1868; 5—Aug. 1868; 6—May, 1868; and 10—Sept. 1868. Nos. 7, 8, and 9 are not hers. No. 8, "Jesus bids us shine," she informs us is by Susan Warner. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

James R. Murray

1841 - 1905 Person Name: J. R. M. Composer of "[Ring out, merry bells, in the steeple]" in Joyful Songs L.P.M. (1905, April 12). Obituary. New Church Messenger, p.209. Murray.--At Cincinnati, March 10, 1905, James Ramsey Murray. Funeral services in the Church of the New Jersualem, March 13th. James R. Murray was widely known in the musical world as the author of many songs and song books, and in the New Church in Chicago and Cincinnati as an affectionate, intelligent, and loyal New Churchman. He was born in Andover (Ballard Vale), Mass., March 17, 1841. In early life he developed musical talent, and composed many minor pieces for local and special occasions. Later at North Reading, Mass., he attended Dr. George F. Root's School of Music, and was associated with William Bradbury and Dr. Lowell Mason. He enlisted in the Fourteenth Regiment of infantry, commonly known as the Essex County Regiment, and afterwards was changed to the First Regiment, Massachusetts Heavy Artillery, which was engaged in most of the battles fought by the Second Army Corps up to the surrender of General Lee. "Daisy Deane," the first and most popular of his early song successes, was composed in 1863 in Virginia while in camp, words by his cousin, Thomas F. Winthrop. This song is known all over the world, and the Salvation Army is using an arrangement of it for one of their war cry songs. In 1868 Mr. Murray married Isabella Maria Taylor of Andover; and they removed to Chicago. Here three children were born to them, two passing early to their heavenly home, the youngest, Winthrop Root Murray, is still living. It was during these first years in Chicago that Mr. and Mrs. Murray became interested in the New Church, while he was engaged with Root and Cady as editor of the Long Visitor, afterwards merged with the Musical Visitor. After the great fire of 1871 Mr. and Mrs. Murray returned East, where he was engaged in teaching in Lawrence and Andover, and as organist at the Old South Church in Andover. In 1881 they removed to Cincinnati and Mr. Murray became the editor of the Musical Viistor [sic] and head of the publication department of the John Church Company. Among the most popular of his books are "Pure Diamonds," "Royal Gems," "The Prize" and "Murray's Sacred Songs." The following titles will recall some of his best loved sacred songs: "At Last," "Calm on the Listening Ear of Night," "I Shall Be Satisfied," "There Shall No Evil Befall Thee," "Thine, O Lord, Is the Greatness," "The Way Was Mine," "How Beautiful Upon the Mountains," "Angels from the Realms of Glory." His last great labor in the publishing department of the John Church Company was the seeing through the press five volumes of Wagner's music dramas, with full score and original German text, and an English translation. The immense and careful labor involved in the preparation of these volumes, with a really smooth and excellent English translation, had perhaps, as it was done under pressure, something to do with Mr. Murray's breakdown. Although for some reason Mr. Murray's name does not appear on the title page of these volumes, his friends knew of the place the work held in his affections and ambition. Mr. Murray was a member of the Church Council of the Cincinnati Society for the last four years and took a deep interest in the building of the New Church, and in the inauguration of services, with all the changes looking to the improvement of the musical part of the service. The vested choir, organized by Mr. and Mrs. Lawson, which Mr. Murray as councilman had urged from the beginning, in their entrance to the church each Sunday singing the processional hymn participated in the funeral service, with a congregation of brethren and friends, all moved by deep love and profound respect for the consistent life and faith of a worthy Churchman and beloved friend. --DNAH Archives =================================== For a discussion of Murray and the tune MUELLER, see: Stulken, M.K. (1981). Hymnal companion to the Lutheran Book of Worship. Philadelphia : Fortress Press, p.170. =================================== Also available in the DNAH Archives: 1. An excerpt from Christie, George A. (1927). New Free Church. In Music in Andover. Papers read at "Fagot Party" of the Andover Natural History Society. 2. Unsourced essay about Murray written soon after his death, likely from Andover, Mass., perhaps authored by Charlotte Helen Abbott.

Anonymous

Composer of "[Ring out, merry bells in the steeple]" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.