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Text Identifier:"^our_thanks_and_praise_to_thee_be_given$"

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Our thanks and praise to Thee be given

Author: Philip Melanchton; P. Eber Meter: 8.8.8.8 Appears in 6 hymnals Lyrics: 1 Our thanks and praise to Thee be given, Thou Lord of earth and Lord of heaven, For countless hosts of angels bright, That serve Thy Son in cloudless light. 2 Pure in their nature, good, and true, 'Tis their delight Thy will to do; From heaven they come the souls to guard That trust in Thy most holy word. 3 They joy when but one sinner turns; Their zeal for Jesus ever burns; They serve His people night and day, And turn full many an ill away. 4 All little ones, awake, asleep, And every child of thine, they keep; O'er all thy kingdom, far and near, They give their kind and loving care. 5 When death approaches, then they come, To soften pain, and guide us home; And when the spirit leaves the clay, To waft us to the realms of day. 6 Give us, O Lord, the grace and power To serve Thee well each day and hour; Grant us the seal and fervent love To serve as angels serve above. 7 Let these good spirits with us be, When in Thy house we worship Thee; And bid them all our path defend Till this our life on earth shall end. Topics: Prayer and Praise; Worship in General Prayer and Praise; Angels; Praise and Prayer; Thanksgiving Used With Tune: [Our thanks and praise to Thee be given]

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[Our thanks and praise to Thee be given]

Meter: 8.8.8.8 Appears in 593 hymnals Composer and/or Arranger: R. Schumann Tune Key: G Major Incipit: 53334 32123 56712 Used With Text: Our thanks and praise to Thee be given
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ST. CLEMENT

Appears in 195 hymnals Composer and/or Arranger: C. C. Scholfield Incipit: 53435 32126 17655 Used With Text: Our thanks and praise to Thee be given

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Our thanks and praise to Thee be given

Author: Philip Melanchton; P. Eber Hymnal: The Lutheran Hymnary #24 (1913) Meter: 8.8.8.8 Lyrics: 1 Our thanks and praise to Thee be given, Thou Lord of earth and Lord of heaven, For countless hosts of angels bright, That serve Thy Son in cloudless light. 2 Pure in their nature, good, and true, 'Tis their delight Thy will to do; From heaven they come the souls to guard That trust in Thy most holy word. 3 They joy when but one sinner turns; Their zeal for Jesus ever burns; They serve His people night and day, And turn full many an ill away. 4 All little ones, awake, asleep, And every child of thine, they keep; O'er all thy kingdom, far and near, They give their kind and loving care. 5 When death approaches, then they come, To soften pain, and guide us home; And when the spirit leaves the clay, To waft us to the realms of day. 6 Give us, O Lord, the grace and power To serve Thee well each day and hour; Grant us the seal and fervent love To serve as angels serve above. 7 Let these good spirits with us be, When in Thy house we worship Thee; And bid them all our path defend Till this our life on earth shall end. Topics: Prayer and Praise; Worship in General Prayer and Praise; Angels; Praise and Prayer; Thanksgiving Languages: English Tune Title: [Our thanks and praise to Thee be given]
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Our thanks and praise to Thee be given

Author: Jos. A. Seiss; Philip Melanchton, 1497-1560 Hymnal: Sunday-School Book #49 (1896) Languages: English Tune Title: ST. CLEMENT
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Our thanks and praise to Thee be given

Author: Joseph A. Seiss; Paulus Eber; Philip Melanchthon Hymnal: The Book of Worship #81 (1907) Meter: 8.8.8.8 Topics: Works of God Angels

People

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Authors, composers, editors, etc.

Joseph A. Seiss

1823 - 1904 Person Name: Jos. A. Seiss Translator of "Our thanks and praise to Thee be given" in Sunday-School Book Joseph A. Seiss was born and raised in a Moravian home with the original family name of Seuss. After studying at Pennsylvania College in Gettysburg and completing his theological education with tutors and through private study, Seiss became a Lutheran pastor in 1842. He served several Lutheran congregations in Virginia and Maryland and then became pastor of St. John's Lutheran Church (1858-1874) and the Church of the Holy Communion (1874-1904), both in Philadelphia. Known as an eloquent and popular preacher, Seiss was also a prolific author and editor of some eighty volumes, which include The Last Times (1856), The Evangelical Psalmist (1859), Ecclesia Lutherana (1868), Lectures on the Gospels (1868-1872), and Lectures on the Epistles (1885). He contributed to and compiled several hymnals. Bert Polman

Robert Schumann

1810 - 1856 Person Name: R. Schumann Arr. of "[Our thanks and praise to Thee be given]" in The Lutheran Hymnary Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry

Clement Cotterill Scholefield

1839 - 1904 Person Name: C. C. Scholfield Composer of "ST. CLEMENT" in Sunday-School Book Rev. Clement C. Scholefield (b. Edgbaston, near Birmingham, Warwickshire, England, 1839; d. Goldalming, Surrey, England, 1904) Educated at St. John's College, Cambridge, he was ordained in the Church of England in 1867. He served at Hove, Brighton, St. Peter's in Kensington (1869-1879), and briefly at St. Luke's in Chelsea. From 1880 to 1890 he was chaplain at Eton College and from 1890 to 1895 vicar of Holy Trinity in Knightsbridge. Mainly self-taught as a musician, Scholefield became an accomplished pianist and composed some songs and hymn tunes. Bert Polman