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One Sole Baptismal Sign
Author: George Robinson Meter: 6.6.6.6.8.8 Appears in 113 hymnals Lyrics: 1. One sole baptismal sign,
One Lord below, above,
Zion, one faith is thine,
One only watchword—love;
From different temples though it rise,
One song ascendeth to the skies.
2. Our Sacrifice is one,
One Priest before the throne,
The slain, the risen Son,
Redeemer, Lord alone;
And sighs from contrite hearts that spring
Our chief, our choicest offering.
3. O may that holy prayer,
His tenderest, and His last,
His constant, latest care,
Ere to His throne He passed,
No longer unfulfilled remain,
The world’s offense, His people’s stain.
4. Head of Thy Church beneath,
The catholic, the true,
On all her members breathe
Her broken frame renew;
Then shall Thy perfect will be done,
When Christians love and live as one. Used With Tune: ST. GODRIC Text Sources: Original Hymns, by John Leifchild, 1842
One Sole Baptismal Sign
ST. GODRIC
Meter: 6.6.6.6.8.8 Appears in 93 hymnals Composer and/or Arranger: John Bacchus Dykes, 1823-1876 Tune Key: A Major Incipit: 32167 12354 32325 Used With Text: One sole baptismal sign
ST. GODRIC
[One sole baptismal sign]
Meter: 6.6.6.6.8.8 Appears in 105 hymnals Composer and/or Arranger: Chas. Steggall, Mus. Doc. Tune Key: C Major Incipit: 13512 51655 43235 Used With Text: One sole baptismal sign
[One sole baptismal sign]
One sole baptismal sign
Author: Geo. Robinson Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #492 (1894) Meter: 6.6.6.6.8.8 Lyrics: 1 One sole baptismal sign,
One Lord, below, above,
One faith, one hope divine,
One only watchword, Love;
From different temples though it rise,
One song ascendeth to the skies.
2 Our sacrifice is one,
One Priest before the throne,
The slain, the risen Son,
Redeemer, Lord alone!
And sighs from contrite hearts that spring,
Our chief, our choicest offering.
3 Head of Thy Church beneath,
The catholic, the true,
On all her members breathe,
Her broken frame renew!
Then shall Thy perfect will be done,
When Christians love and live as one.
Amen. Topics: Unity Languages: English Tune Title: [One sole baptismal sign]
One sole baptismal sign
One Sole Baptismal Sign
Author: George Robinson Hymnal: The Cyber Hymnal #5234 Meter: 6.6.6.6.8.8 Lyrics: 1. One sole baptismal sign,
One Lord below, above,
Zion, one faith is thine,
One only watchword—love;
From different temples though it rise,
One song ascendeth to the skies.
2. Our Sacrifice is one,
One Priest before the throne,
The slain, the risen Son,
Redeemer, Lord alone;
And sighs from contrite hearts that spring
Our chief, our choicest offering.
3. O may that holy prayer,
His tenderest, and His last,
His constant, latest care,
Ere to His throne He passed,
No longer unfulfilled remain,
The world’s offense, His people’s stain.
4. Head of Thy Church beneath,
The catholic, the true,
On all her members breathe
Her broken frame renew;
Then shall Thy perfect will be done,
When Christians love and live as one. Languages: English Tune Title: ST. GODRIC
One Sole Baptismal Sign
One Sole Baptismal Sign
Author: George Robinson Hymnal: The A.M.E. Zion Hymnal #321 (1999) Meter: 6.6.6.6.8.8 Lyrics: 1 One sole baptismal sign,
One Lord, below, above,
One faith, one hope divine,
One only watchword, love:
From different temples though it rise,
One song ascendeth to the skies.
2 Our Sacrifice is one;
Our Priest before the throne,
The slain, the risen Son,
Redeemer, Lord alone;
Thou Who didst raise Him from the dead,
Unite Thy people in their Head.
AMEN. Topics: Baptism Languages: English Tune Title: SAMUEL
One Sole Baptismal Sign
Arthur Sullivan
1842 - 1900 Person Name: Arthur S Sullivan, 1842-1900 Composer of "SAMUEL" in The A.M.E. Zion Hymnal Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
Robert Robinson
1735 - 1790 Author of "One sole baptismal sign" in The Coronation Hymnal Robert Robinson was born at Swaffham, Norfolk, in 1735. In 1749, he was apprenticed to a hairdresser, in Crutched Friars, London. Hearing a discourse preached by Whitefield on "The Wrath to Come," in 1752, he was deeply impressed, and after a period of much disquietude, he gave himself to a religious life. His own peculiar account of this change of life is as follows:--"Robertus Michaelis Marineque Robinson filius. Natus Swaffhami, comitatu Norfolciae, Saturni die Sept. 27, 1735. Renatus Sabbati die, Maii 24, 1752, per predicationem potentem Georgii Whitefield. Et gustatis doloribus renovationis duos annos mensesque septem, absolutionem plenam gratuitamque, per sanguinem pretiosum i secula seculorum. Amen." He soon after began to preach, and ministered for some time in connection with the Calvinistic Methodists. He subsequently joined the Independents, but after a short period preferred the Baptist connection. In 1761, he became pastor of a Baptist congregation at Cambridge. About the year 1780, he began to incline towards Unitarianism, and at length his people deemed it essential to procure his resignation. While arrangements for this purpose were in progress he died suddenly at Bingham, in June 1790. He wrote and published a good many works of ability.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
=============================
Robinson, Robert, the author of "Come, Thou fount of every blessing," and "Mighty God, while angels bless Thee," was born at Swaffham, in Norfolk, on Sept. 27, 1735 (usually misgiven, spite of his own authority, as Jan. 8), of lowly parentage. Whilst in his eighth year the family migrated to Scarning, in the same county. He lost his father a few years after this removal. His widowed mother was left in sore straits. The universal testimony is that she was a godly woman, and far above her circumstances. Her ambition was to see her son a clergyman of the Church of England, but poverty forbade, and the boy (in his 15th year) was indentured in 1749 to a barber and hairdresser in London. It was an uncongenial position for a bookish and thoughtful lad. His master found him more given to reading than to his profession. Still he appears to have nearly completed his apprenticeship when he was released from his indentures. In 1752 came an epoch-marking event. Out on a frolic one Sunday with like-minded companions, he joined with them in sportively rendering a fortune-telling old woman drunk and incapable, that they might hear and laugh at her predictions concerning them. The poor creature told Robinson that he would live to see his children and grandchildren. This set him a-thinking, and he resolved more than ever to "give himself to reading”. Coincidently he went to hear George Whitefield. The text was St. Matthew iii. 7, and the great evangelist's searching sermon on "the wrath to come" haunted him blessedly. He wrote to the preacher six years later penitently and pathetically. For well nigh three years he walked in darkness and fear, but in his 20th year found "peace by believing." Hidden away on a blank leaf of one of his books is the following record of his spiritual experience, the Latin doubtless having been used to hold it modestly private:—
"Robertus, Michaelis Mariseque Robinson filius. Natus Swaffhami, comitatu Norfolciae, Saturni die Sept. 27, 1735. Renatus Sabbati die, Maii 24,1752, per predicationem potentem Georgii Whitefield. Et gustatis doloribus renovationis duos annosque septem absolutionem plenam gratuitamque, per sanguinem pretiosum Jesu Christi, inveni (Tuesday, December 10, 1755) cui sit honor et gloria in secula seculorum. Amen."
Robinson remained in London until 1758, attending assiduously on the ministry of Gill, Wesley, and other evangelical preachers. Early in this year he was invited as a Calvinistic Methodist to the oversight of a chapel at Mildenhall, Norfolk. Thence he removed within the year to Norwich, where he was settled over an Independent congregation. In 1759, having been invited by a Baptist Church at Cambridge (afterwards made historically famous by Robert Hall, John Foster, and others) he accepted the call, and preached his first sermon there on Jan. 8, 1759, having been previously baptized by immersion. The "call" was simply "to supply the pulpit," but he soon won such regard and popularity that the congregation again and again requested him to accept the full pastoral charge. This he acceded to in 1761, alter persuading the people to "open communion." In 1770 he commenced his abundant authorship by publishing a translation from Saurin's sermons, afterwards completed. In 1774 appeared his masculine and unanswerable Arcana, or the Principles of the Late Petitioners to Parliament for Relief in the matter of Subscription. In 1776 was published A Plea for the Divinity of our Lord Jesus Christ in a Pastoral Letter to a Congregation of Protestant Dissenters at Cambridge. Dignitaries and divines of the Church of England united with Nonconformists in lauding this exceptionally able, scholarly, and pungently written book. In 1777 followed his History and Mystery of Good Friday. The former work brought him urgent invitations to enter the ministry of the Church of England, but he never faltered in his Nonconformity. In 1781 he was asked by the Baptists of London to prepare a history of their branch of the Christian Church. This resulted, in 1790, in his History of Baptism and Baptists, and in 1792, in his Ecclesiastical Researches. Other theological works are included in the several collective editions of his writings. He was prematurely worn out. He retired in 1790 to Birmingham, where he was somehow brought into contact with Dr. Priestley, and Unitarians have made much of this, on exceedingly slender grounds. He died June 9, 1790.
His Life has been fully written by Dyer and by William Robinson respectively, both with a bias against orthodoxy. His three changes of ecclesiastical relationship show that he was somewhat unstable and impulsive. His hymns are terse yet melodious, evangelical but not sentimental, and on the whole well wrought. His prose has all…that vehement and enthusiastic glow of passion that belongs to the orator. (Cf. Dyer and Robinson as above, and Gadsby's Memoirs of Hymn-Writers(3rd ed., 1861); Belcher's Historical Sketches of Hymns; Millers Singers and Songs of the Church; Flower's Robinson's Miscellaneous Works; Annual Review, 1805, p. 464; Eclectic Review, Sept. 1861. [Rev. A. B. Grosart, D.D., LL.D.]
--John Julian, Dictionary of Hymnology (1907)
Robert Robinson
George Frideric Handel
1685 - 1759 Person Name: G. F. Händel Composer of "ST. JOHN" in The Academic Hymnal George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.”
Bert Polman
George Frideric Handel
