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O Jesus, our salvation
Author: James Hamilton Appears in 19 hymnals Lyrics: 1 O Jesus, our salvation,
Low at Thy cross we lie:
Lord, in Thy great compassion,
Hear our bewailing cry.
We come to Thee with mourning,
We come to Thee in woe;
With contrite hearts returning,
And tears that overflow.
2 O gracious Intercessor!
O Priest within the veil,
Please for each lost transgressor
The blood that cannot fail.
We spread our sins before Thee,
We tell them one by one:
O, for Thy name's great glory,
Forgive all we have done.
3 O, by Thy cross and passion,
Thy tears and agony,
And crown of cruel fashion,
And death on Calvary;
By all that untold suffering,
Endured by Thee alone;
O Priest, O spotless Offering,
Plead, for Thou didst atone!
4 And in these hearts now broken
Re-enter Thou and reign,
And say, by that dear token,
We are absolved again.
And build us up, and guide us,
And guard us day by day;
And in Thy presence hide us,
And take our sins away. Used With Tune: [O Jesus, our salvation]
O Jesus, our salvation
OLD 130TH PSALM
Meter: 7.6.7.6 D Appears in 34 hymnals Tune Sources: Genevan Psalter, 1556 Tune Key: d minor Incipit: 51232 17312 34554 Used With Text: O Jesus, Our Salvation
OLD 130TH PSALM
O Jesus, our salvation
Author: James Hamilton Hymnal: The Lutheran Hymnary #AIII (1913) Lyrics: 1 O Jesus, our salvation,
Low at Thy cross we lie:
Lord, in Thy great compassion,
Hear our bewailing cry.
We come to Thee with mourning,
We come to Thee in woe;
With contrite hearts returning,
And tears that overflow.
2 O gracious Intercessor!
O Priest within the veil,
Please for each lost transgressor
The blood that cannot fail.
We spread our sins before Thee,
We tell them one by one:
O, for Thy name's great glory,
Forgive all we have done.
3 O, by Thy cross and passion,
Thy tears and agony,
And crown of cruel fashion,
And death on Calvary;
By all that untold suffering,
Endured by Thee alone;
O Priest, O spotless Offering,
Plead, for Thou didst atone!
4 And in these hearts now broken
Re-enter Thou and reign,
And say, by that dear token,
We are absolved again.
And build us up, and guide us,
And guard us day by day;
And in Thy presence hide us,
And take our sins away. Tune Title: [O Jesus, our salvation]
O Jesus, our salvation
O Jesus, Our Salvation
Author: J. Hamilton Hymnal: The Hymnal and Order of Service #191 (1937) Lyrics: 1 O Jesus, our Salvation,
Low at Thy cross we lie:
Lord, in Thy great compassion,
Hear our bewailing cry.
We come to Thee with mourning,
We come to Thee in woe;
With contrite hearts returning,
And tears that overflow.
2 O gracious Intercessor!
O Priest within the veil,
Please for each lost transgressor
The blood that cannot fail.
We lay our sins before Thee,
We tell them one by one:
O for Thy Name's great glory
Forgive all we have done.
3 O by Thy cross and passion,
Thy tears and agony,
And crown of cruel fashion,
And death on Calvary;
By all that untold suffering,
Endured by Thee alone,
O Priest, O spotless Offering,
Plead, for Thou didst atone!
4 And in these hearts now broken
Re-enter Thou and reign,
And say, by that dear token,
We are absolved again.
And build us up, and guide us,
And guard us day by day;
And in Thy presence hide us,
And take our sins away.
Amen.
O Jesus, Our Salvation
O Jesus, Our Salvation
Author: James Hamilton Hymnal: The Hymnal and Order of Service #191 (1926) Meter: 7.6.7.6 D Lyrics: 1 O Jesus, our Salvation,
Low at Thy cross we lie:
Lord, in Thy great compassion,
Hear our bewailing cry.
We come to Thee with mourning,
We come to Thee in woe;
With contrite hearts returning,
And tears that overflow.
2 O gracious Intercessor!
O Priest within the veil,
Please for each lost transgressor
The blood that cannot fail.
We lay our sins before Thee,
We tell them one by one:
O for Thy Name's great glory
Forgive all we have done.
3 O by Thy cross and passion,
Thy tears and agony,
And crown of cruel fashion,
And death on Calvary;
By all that untold suffering,
Endured by Thee alone,
O Priest, O spotless Offering,
Plead, for Thou didst atone!
4 And in these hearts now broken
Re-enter Thou and reign,
And say, by that dear token,
We are absolved again.
And build us up, and guide us,
And guard us day by day;
And in Thy presence hide us,
And take our sins away.
Amen. Topics: Church Year Trinity Season; Lenten Hymns; Lent, Fifth Sunday; Trinity, Nineteenth Sunday; Names and Office of Christ Intercessor; Names and Office of Christ Offering; Names and Office of Christ Priest; Names and Office of Christ Salvation; Forgiveness Prayer for Languages: English Tune Title: OLD 130TH PSALM
O Jesus, Our Salvation
Arthur Sullivan
1842 - 1900 Person Name: A. S. Sullivan Composer of "LUX MUNDI" in The New Laudes Domini Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
Justin Heinrich Knecht
1752 - 1817 Person Name: Justin H. Knecht Composer of "ST. HILDA" in The Evangelical Hymnal Justin Heinrich Knecht Germany 1752-1817. Born at Biberach Baden-Wurttemberg, Germany, he attended a Lutheran college in Esslingen am Neckar from 1768-1771. Having learned the organ, keyboard, violin and oratory, he became a Lutheran preceptor (professor of literature) and music director in Biberach. It was a free imperial city until 1803 and had a rich cultural life. He became organist of St. Martin’s Church in 1792, used by both Lutherans and Catholics, and was there for many years. He led an energetic, busy musical life, composing for both the theatre and church, organizing subscription concerts, teaching music theory, acoustics, aesthetics, composition, and instruments at the Gymnasium, affiliated to the Musikschule in 1806. He went to Stuttgart in 1806 in hopes of a post there as Kapellmeister, serving two years as Konzertmeister, but he was appointed Direktor Beim Orchester by the King of Wurttemberg in 1807. However, he returned to his former life in 1808 and remained there the rest of his life. He died at Biberach. He wrote 10 vocals, 11 opera and stage works, one symphony, 3 chamber music instrumentals, 7 organ works, 4 piano works, and 6 music theories. He was an author composer, editor, contributor, musician, compiler, and lyricist.
John Perry
Justin Heinrich Knecht
Hans Leo Hassler
1564 - 1612 Person Name: H. L. Hassler Composer of "[O Jesus, our salvation]" in The Lutheran Hymnary Hans Leo Hassler Germany 1564-1612. Born at Nuremberg, Germany, he came from a family of famous musicians and received early education from his father. He then studied in Venice, Italy, with Andrea Gabrieli, uncle of Giovanni Gabrieli, his friend, with whom he composed a wedding motet. The uncle taught him to play the organ. He learned the polychoral style and took it back to Germany after Andrea Gabrieli's death. He served as organist and composer for Octavian Fugger, the princely art patron of Augsburg (1585-1601). He was a prolific composer but found his influence limited, as he was Protestant in a still heavily Catholic region. In 1602 he became director of town music and organist in the Frauenkirche in Nuremberg until 1608. He married Cordula Claus in 1604. He was finally court musician for the Elector of Saxony in Dresden, Germany, evenually becoming Kapellmeister (1608-1612). A Lutheran, he composed both for Roman Catholic liturgy and for Lutheran churches. He produced two volumns of motets, a famous collection of court songs, and a volume of simpler hymn settings. He published both secular and religious music, managing to compose much for the Catholic church that was also usable in Lutheran settings. He was also a consultant to organ builders. In 1596 he, with 53 other organists, had the opportunity to examine a new instrument with 59 stops at the Schlosskirche, Groningen. He was recognized for his expertise in organ design and often was called on to examine new instruments. He entered the world of mechanical instrument construction, developing a clockwork organ that was later sold to Emperor Rudolf II. He died of tuberculosis in Frankfurt, Germany.
John Perry
Hans Leo Hassler
