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Text Identifier:"^o_hear_him_tenderly_he_calls$"

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Jesus Calls

Author: Laura E. Newell Appears in 3 hymnals First Line: O hear Him, tenderly He calls Refrain First Line: O come to Him now

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[Oh, hear him! tenderly he calls]

Appears in 2 hymnals Composer and/or Arranger: J. H. Hall Tune Key: E Flat Major Incipit: 12333 45653 22465 Used With Text: Jesus Calls

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Jesus Calls

Author: Laura E. Newell Hymnal: The Golden Sheaf #10 (1902) First Line: Oh, hear him! tenderly he calls Refrain First Line: Oh! come to him now Lyrics: 1 Oh, hear him! tenderly he calls; Then hasten, and his word obey; If thou wilt make him now thy choice, Thou ever shalt rejoice. Chorus: Oh, come to him now, He's with you today; While Jesus calls, His gentle voice obey. 2 Your sins the Saviour would forgive; To you he calls, "My child, come home!" Look unto Jesus, look and live; From Christ no longer roam. [Chorus] 3 Oh, let the Master in today; He knocks, who's often knock'd before: Accept your Saviour while you may, And joy forevermore. [Chorus] Tune Title: [Oh, hear him! tenderly he calls]
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Jesus Calls

Author: Laura E. Newell Hymnal: The Crowning Day #30 (1894) First Line: Oh, hear Him! tenderly He calls Refrain First Line: Oh! come to Him now Lyrics: 1 Oh, hear Him! tenderly He calls; Then hasten, and His word obey; If thou wilt make Him now thy choice, Thou ever shalt rejoice. Refrain: Oh! come to Him now, He’s with you today; While Jesus calls, His gentle voice obey. 2 Your sins the Savior would forgive; To you He calls “My child, come home!” Look unto Jesus, look and live; From Christ no longer roam. [Refrain] 3 Oh, let the Master in today; He knocks, who’s often knocked before: Accept your Savior while you may, And joy forevermore. [Refrain] Tune Title: [Oh, hear Him! tenderly He calls]

Jesus calls

Author: Laura E. Newell Hymnal: The Golden Sheaf #d57 (1898) First Line: O hear Him, tenderly He calls Refrain First Line: O come to Him now

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Laura E. Newell

1854 - 1916 Author of "Jesus Calls" Born: Feb­ru­a­ry 5, 1854, New Marl­bo­rough, Con­nec­ti­cut. Died: Oc­to­ber 13, 1916, Man­hat­tan, Kan­sas. Daughter of Mr. and Edward A. Pixley, but orphaned as an infant, Laura was adopted by her aunt, then Mrs. Hiram Mabie, who at the time lived in New York. In 1858, the Mabie family moved to a farm south of where Wamego, Kansas, now stands. Two years after the move, Mr. Mabie died, and his wife resumed teaching. In 1860, Mrs. Mabie accepted a position in Topeka, Kansas, where she taught many years. Under her tutelage, Laura received her education. As early as age 12, Laura was writing rhymes, and two years later her poems began to appear in local newspapers. She had no thought of a literary career; she simply wrote to give vent to her poetical mind. In 1871, Laura married Lauren Newell, a carpenter from Manhattan, Kansas. They had at least six children, and belonged to the Congregational denomination. In 1873, Laura was listening to an address by a speaker who lamented the death of "genuine" hymns, and she resolved to try her hand in that line of work. That began a long period of writing songs, sacred and secular, services for all anniversary occasions, cantatas, adapting words to music, and music to words. "Mrs. Newell is indeed a prolific writer. Her poems number in the thousands. She has had over eight hundred poems published in a single year, a most remarkable record. The great ease with which Mrs. Newell writes is one of her special gifts. Not long since an order, accompanied by music and titles, was sent her for eight poems to suit. At seven o’clock in the evening she sat down to her organ to catch the music. Then she went to her desk, and at ten o’clock the order was ready for the return mail. Her work pleased the publisher so well that he sent her an order for forty-eight additional poems. Mrs. Newell writes several hundred poems annually. She is a very modest and unpretentious lady, and goes about her daily work as cheerfully as her poems advise others to do. The deeply religious character of the woman stands out boldly in nearly all her work. The next world is apparently as real to her as the present. Her heart is in her work, and to the end of life’s chapter, while able, may she wield her pen to tell the Story to dear to her heart, in verse and song." Hall, pp. 316-17 http://www.hymntime.com/tch/bio/n/e/w/newell_lep.htm

Jacob Henry Hall

1855 - 1941 Person Name: J. H. Hall Composer of "[Oh, hear Him! tenderly He calls]" in The Crowning Day Jacob Henry Hall, 1855-1941 Born: Jan­u­a­ry 2, 1855, near Har­ris­on­burg, Vir­gin­ia. Died: De­cem­ber 22, 1941. Buried: Day­ton, Vir­gin­ia. Son of farm­er George G. Hall and Eliz­a­beth Thom­as Hall, Ja­cob at­tend­ed sing­ing schools taught by Tim­o­thy Funk when he was a boy. As his love of mu­sic pro­gressed, he earned mo­ney by trap­ping quail and bought a Ger­man ac­cor­di­on; he soon learned to play one part while sing­ing an­o­ther. Af­ter he and his bro­ther joint­ly pur­chased an or­gan, he taught him­self to play hymn tunes, Gos­pel songs, and an­thems. He went on to stu­dy mu­sic the­ory, har­mo­ny, and com­po­si­tion in Har­ris­on­burg and else­where, and in 1877 at­tend­ed a Nor­mal Mu­sic School in New Mar­ket, Vir­gin­ia, taught by Ben­ja­min Un­seld and P. J. Merges. Af­ter­ward, he par­tnered with H. T. Wart­man for two years to con­duct sing­ing schools and con­ven­tions. In 1890, Hall at­tend­ed Da­na’s Mu­sical In­sti­tute in War­ren, Ohio, and a nor­mal school run by George & F. W. Root at Sil­ver Lake, New York. He lat­er served as prin­ci­pal of the Na­tion­al Nor­mal School of Mu­sic. Hall’s works in­clude: Hall’s Songs of Home, 1885 The Star of Beth­le­hem (Day­ton, Vir­gin­ia: Rue­bush-Kief­fer Com­pa­ny) Musical Mil­lion (as­sis­tant ed­it­or) Spirit of Praise, with Will­iam Kirk­pat­rick & Charles Case (Day­ton, Vir­gin­ia: The Rue­bush-Kieff­er Com­pa­ny, 1911) Hall’s Quar­tettes for Men, 1912 Biography of Gos­pel Song and Hymn Writ­ers/em> (New York: Flem­ing H. Re­vell Com­pa­ny, 1914) Sources-- Hall, pp. 329-34 Lyrics-- Glorious Morn­ing Dawns, The O Thou Whose Match­less Pow­er Con­trols --hymntime.com/tch