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Text Identifier:"^my_shepherd_is_the_lamb$"

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My Shepherd is the Lamb

Author: James Beaumont Appears in 12 hymnals

Tunes

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TRENTHAM

Appears in 223 hymnals Composer and/or Arranger: Robert Jackson Incipit: 33341 35432 32346 Used With Text: My Shepherd is the Lamb
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PRIORY

Meter: 6.6.8.4 D Appears in 4 hymnals Composer and/or Arranger: Anon Tune Sources: The Botley Tune Book, From Tune Key: A Flat Major Incipit: 51532 11227 71322 Used With Text: My Shepherd is the Lamb
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LEONI

Meter: 6.6.8.4 D Appears in 331 hymnals Composer and/or Arranger: Anonymous Tune Sources: Hebrew melody, Sacred Harmony, 1780 Tune Key: g minor Incipit: 51234 53456 75234 Used With Text: My Shepherd Is the Lamb

Instances

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Published text-tune combinations (hymns) from specific hymnals
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My Shepherd Is the Lamb

Author: John Beaumont Hymnal: The Cyber Hymnal #4363 Meter: 6.6.8.4 D Lyrics: 1. My shepherd is the Lamb, The living Lord who died; With all things good I ever am By Him supplied. He richly feeds my soul With blessings from above, And leads me where the rivers roll Of endless love. 2. My soul He doth restore Whene’er I go astray; He makes my cup of joy run o’er From day to day; His love, so full, so free, Anoints my head with oil; Mercy and goodness follow me, Fruit of His toil. 3. When faith and hope shall cease, And love abide alone, Then shall I see Him face to face, And know as known. Still shall I lift my voice, His praise my song shall be; And I will in His love rejoice Who died for me. Languages: English Tune Title: LEONI
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My Shepherd is the Lamb

Author: John Beaumont Hymnal: Redemption Songs #19 (1937) Meter: 6.6.8.4 D Topics: Praise and Opening Languages: English Tune Title: PRIORY
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My Shepherd is the Lamb

Hymnal: Songs of Victory #145 (1890) Languages: English Tune Title: [My Shepherd is the Lamb]

People

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Authors, composers, editors, etc.

Anonymous

Composer of "LEONI" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Arthur Sullivan

1842 - 1900 Person Name: Arthur Sullivan, 1842-1900 Harmonizer of "LEOMINSTER" in Hymnal and Liturgies of the Moravian Church Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Robert Jackson

1840 - 1914 Composer of "TRENTHAM" in Hymns of Worship and Remembrance After receiving his musical training at the Royal Academy of Music, Robert Jackson (b, Oldham, Lancashire, England, 1840; d. Oldham, 1914) worked briefly as organist at St. Mark's Church, Grosvenor Square, in London. But he spent most of his life as organist at St. Peter's Church in Oldham (1868-1914), where his father had previously been organist for forty-eight years. A composer of hymn tunes, Jackson was also the conductor of the Oldham Music Society and Werneth Vocal Society. Bert Polman