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Luz brillante, dulce y pura
Appears in 3 hymnals Used With Tune: COLUMBIA
Luz brillante, dulce y pura
Luz brillante, dulce y pura
Author: Thomas M. Westrup, 1837-1909 Hymnal: Culto Cristiano #110 (1964) Meter: 8.7.8.7.8.7.8.7 Lyrics: 1 ¡Luz brillante, dulce y pura,
La Palabra del Señor!
De las almas la más dura
Salvará de grave error;
Ella a todos ilumina,
Instruyendo co bondad;
Nos concede Dios al dicha
De saber su voluntad.
2 Tus divinos juicios, Padre,
Rectos y benignos son,
Segurísima Palabra,
Bálsamo del corazón,
Sol que dora refulgente
Todo templo de Señor,
E ilumina toda mente
Con divino resplandor. Topics: Los Medios de Gracia La Palabra; Means of Grace The Word Languages: Spanish Tune Title: BEECHER
Luz brillante, dulce y pura
Luz brillante, dulce y pura
Hymnal: El Himnario Evangelico #39 (1893) Languages: Spanish Tune Title: COLUMBIA
Luz brillante, dulce y pura
Luz brillante, dulce y pura
Author: T. M. Westrup Hymnal: Himnario provisional con los cánticos #99 (1907) Languages: Spanish Tune Title: SANCTUARY
Luz brillante, dulce y pura
John Bacchus Dykes
1823 - 1876 Person Name: J. B. Dykes Composer of "SANCTUARY" in Himnario provisional con los cánticos As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
John Zundel
1815 - 1882 Person Name: John Zundel, 1815-1882 Composer of "BEECHER" in Culto Cristiano John Zundel; b. 1815, near Stuttgart, Germany; organist in Brooklyn, N. Y., from 1847 to 1878; d. Cannstadt, Germany, 1882
Evangelical Lutheran Hymnal, 1908
John Zundel
Felix Mendelssohn-Bartholdy
1809 - 1847 Person Name: Mendelssohn Composer of "COLUMBIA" in El Himnario Evangelico Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes.
Bert Polman
Felix Mendelssohn-Bartholdy
