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Text Identifier:"^lord_this_day_thy_children_meet$"

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Lord, this day Thy children meet

Author: William Walsham How, 1823-1897 Meter: 7.7.7.7 Appears in 70 hymnals Topics: Hymns for the Young Worship Used With Tune: INNOCENTS

Tunes

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SEYMOUR

Meter: 7.7.7.7 Appears in 583 hymnals Composer and/or Arranger: Carl M. von Weber Tune Sources: From the op­era Ober­on, by Carl M. von We­ber, 1826 Tune Key: F Major Incipit: 32436 53233 33471 Used With Text: Lord, This Day Thy Children Meet
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INNOCENTS

Meter: 7.7.7.7 Appears in 438 hymnals Composer and/or Arranger: Joseph Smith, 1800-1873 Tune Key: E Flat Major Incipit: 34517 65123 54323 Used With Text: Lord, this day Thy children meet
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MERCY

Appears in 698 hymnals Composer and/or Arranger: L. M. Gottschalk Incipit: 56513 32111 171 Used With Text: Lord, this day thy children meet

Instances

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Lord, This Day Thy Children Meet

Author: Rev. W. W. How Hymnal: Augsburg Songs No. 2 #13 (1893) Topics: Lord's Day and Lord's House Languages: English Tune Title: [Lord, this day Thy children meet]
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Lord, This Day Thy Children Meet

Author: William W. How, 1823-97 Hymnal: The Children's Hymnbook #41 (1962) Lyrics: 1 Lord, this day Thy children meet In Thy house with willing feet; Unto Thee this day they raise Grateful hearts in hymns of praise. 2 Not alone the day of rest With Thy worship shall be blest, In our pleasure and our glee, Lord, we would remember Thee. 3 All our pleasures here below, Saviour, from Thy mercy flow, Little children Thou dost love; Draw our hearts to Thee above. Topics: Praising and Worshiping Languages: English Tune Title: BATTISHILL
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Lord, This Day Thy Children Meet

Author: William H. How Hymnal: The Cyber Hymnal #4040 Meter: 7.7.7.7 Lyrics: 1. Lord, this day Thy children meet In Thy house, with willing feet; Unto Thee this day they raise Grateful hearts in hymns of praise. 2. Not alone the day of rest With Thy worship shall be blest; In our pleasure and our glee, Lord, we would remember Thee. Languages: English Tune Title: SEYMOUR

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John Bacchus Dykes

1823 - 1876 Person Name: Rev. John Bacchus Dykes (1823-1876) Composer of "ST. BEES" in Carmina for the Sunday School and Social Worship As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Grant Colfax Tullar

1869 - 1950 Person Name: G. C. T. Author (Chorus) of "Saviour, to Thee we Call" in The Bible School Hymnal Grant Colfax Tullar was born August 5, 1869, in Bolton, Connecticut. He was named after the American President Ulysses S. Grant and Vice President Schuyler Colfax. After the American Civil War, his father was disabled and unable to work, having been wounded in the Battle of Antietam. Tullar's mother died when he was just two years old so Grant had no settled home life until he became an adult. Yet from a life of sorrow and hardship he went on to bring joy to millions of Americans with his songs and poetry. As a child, he received virtually no education or religious training. He worked in a woolen mill and as a shoe clerk. The last Methodist camp meeting in Bolton was in 1847. Tullar became a Methodist at age 19 at a camp meeting near Waterbury in 1888. He then attended the Hackettstown Academy in New Jersey. He became an ordained Methodist minister and pastored for a short time in Dover, Delaware. For 10 years he was the song leader for evangelist Major George A. Hilton. Even so, in 1893 he also helped found the well-known Tullar-Meredith Publishing Company in New York, which produced church and Sunday school music. Tullar composed many popular hymns and hymnals. His works include: Sunday School Hymns No. 1 (Chicago, Illinois: Tullar Meredith Co., 1903) and The Bible School Hymnal (New York: Tullar Meredith Co., 1907). One of Grant Tullar's most quoted poems is "The Weaver": My Life is but a weaving Between my Lord and me; I cannot choose the colors He worketh steadily. Oft times He weaveth sorrow And I, in foolish pride, Forget He sees the upper, And I the under side. Not til the loom is silent And the shuttles cease to fly, Shall God unroll the canvas And explain the reason why. The dark threads are as needful In the Weaver's skillful hand, As the threads of gold and silver In the pattern He has planned. He knows, He loves, He cares, Nothing this truth can dim. He gives His very best to those Who chose to walk with Him. Grant Tullar --http://www.boltoncthistory.org/granttullar.html, from Bolton Community News, August 2006.

Anonymous

Person Name: Anon. Composer of "INNOCENTS" in Services for Congregational Worship. The New Hymn and Tune Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.