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Search Results

Text Identifier:"^lord_this_day_thy_children_meet$"

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Texts

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Grateful Praise

Author: W. Walsham How Appears in 70 hymnals First Line: Lord, this day Thy children meet Used With Tune: [Lord, this day Thy children meet]

Tunes

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SEYMOUR

Meter: 7.7.7.7 Appears in 587 hymnals Composer and/or Arranger: Carl M. von Weber Tune Sources: From the op­era Ober­on, by Carl M. von We­ber, 1826 Tune Key: F Major Incipit: 32436 53233 33471 Used With Text: Lord, This Day Thy Children Meet

BATTISHILL

Appears in 29 hymnals Composer and/or Arranger: Jonathan Battishill Tune Key: G Major Incipit: 53212 23436 5432 Used With Text: Lord, This Day Thy Children Meet
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INNOCENTS

Meter: 7.7.7.7 Appears in 438 hymnals Composer and/or Arranger: Joseph Smith, 1800-1873 Tune Key: E Flat Major Incipit: 34517 65123 54323 Used With Text: Lord, this day Thy children meet

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Lord, This Day Thy Children Meet

Author: Rev. W. W. How Hymnal: Augsburg Songs No. 2 #13 (1893) Topics: Lord's Day and Lord's House Languages: English Tune Title: [Lord, this day Thy children meet]
Text

Lord, This Day Thy Children Meet

Author: William W. How, 1823-97 Hymnal: The Children's Hymnbook #41 (1962) Lyrics: 1 Lord, this day Thy children meet In Thy house with willing feet; Unto Thee this day they raise Grateful hearts in hymns of praise. 2 Not alone the day of rest With Thy worship shall be blest, In our pleasure and our glee, Lord, we would remember Thee. 3 All our pleasures here below, Saviour, from Thy mercy flow, Little children Thou dost love; Draw our hearts to Thee above. Topics: Praising and Worshiping Languages: English Tune Title: BATTISHILL
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Lord, this day Thy children meet

Author: William Walsham How Hymnal: American Junior Church School Hymnal #8 (1929) Languages: English Tune Title: [Lord, this day Thy children meet]

People

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Authors, composers, editors, etc.

Anonymous

Person Name: Anon. Composer of "INNOCENTS" in Services for Congregational Worship. The New Hymn and Tune Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

John Bacchus Dykes

1823 - 1876 Person Name: Rev. John Bacchus Dykes (1823-1876) Composer of "ST. BEES" in Carmina for the Sunday School and Social Worship As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Richard Redhead

1820 - 1901 Person Name: R. Redhead Arranger of "[Lord, this day Thy children meet]" in The Concord Hymnal Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894). Bert Polman